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RME Fireface-800 56-Channel, 24-Bit/192kHz FireWire Audio Interface with Four Microphone Preamps for Mac OS X and Windows 2000/XP
- Free Shipping (USA)
- In Stock
- B&H # RMFF800
- Mfr# FF800
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The Fireface 800 from RME is a multi-channel FireWire audio interface for use both the Mac and Windows. Up to sixteen analog sources can be connected at one time, which include four microphone preamps with phantom power available. Dual ADAT ports add further connectivity by inputting or outputting up to sixteen digital channels from the correct digital sources. The latest "plug and play" technology guarantees a simple installation, even for the inexperienced user.
A front-sided headphone output delivers a high volume, adequate enough for low-impedance headphones, and represents the playback channels 9/10. The headphone output can be used directly with ASIO Direct Monitoring. The Fireface 800 also provides a Hi-Z instrument input for the use of guitar and bass. A soft limiter, a drive circuit and a speaker emulation filter can be used to further enhance the sound of these instruments.
- All Inputs and Outputs Available Simultaneously
- The instrument input on the front panel can be used either instead of the line input on the back, or together with it. Even the 1/4" TRS jack and the XLR input of the microphone preamp can be used simultaneously. In this way, up to 35 signal sources can be connected to the unit and recorded onto 28 separate tracks.
- Highly Flexible Internal Routing
- The included DSP-based mixer allows all inputs and outputs to be freely mixed, distributed and routed. Up to 14 completely independent stereo sub-mixes are possible. Every single sub-mix channel can be recorded directly, without the need of external cable loops.
- Multiple Functions
- Internal flash memory provides for all settings (including the mixer,) to be recalled during boot-up. After making any desired settings, the device can also function stand-alone, without needing the computer. In this mode, uses for the unit include a sub-mixer, A/D and D/A-converter, headphone mixer, format converter, instrument or microphone preamplifier or monitoring mixer.
- Accurate Sync Reference
- The Fireface 800 is equipped with SteadyClock, the company's sync and clock technology that allows the unit to function as a sync reference for a whole studio. SteadyClock refreshes clock signals, removes jitter and provides optimal conversion quality, irrespective of the quality of the reference clock.
- Optimized FireWire Functionality
- The Fireface 800 uses RME's own FireWire technology, heavily optimized for audio purposes. Lowest overhead, special hardware adaptations and a new low latency buffer concept enable latency change on the fly, latencies down to one millisecond and immediate reaction on changes of sample rate. Further enhancements and optimizations are easily added by performing a flash update.
- The interface has a second FireWire 800 port for hub functionality, bi-lingual mode for full FireWire 400 compatibility over the 800 ports, and an additional FireWire 400 port. Several units can be used in parallel and or in series on a single FireWire port.
| Converters | 24-bit |
| Sample Rates |
Internally: 32, 44.1, 48, 64, 88.2 kHz, 96 kHz, 128, 176.4 and 192kHz Externally: 28kHz to 200kHz |
| Analog Input |
4 x XLR/4 x 1/4" TRS phone (front) 8 x 1/4" TRS 1/4" phone, software controlled switching of reference levels -10dBV, +4dBu or HiGain (rear) 1 x 1/4" TS phone |
| Analog Output |
8 x 1/4" TRS phone, servo-balanced, DC-coupled 1 x 1/4" TRS unbalanced |
| Digital Input |
2 x ADAT optical or S/PDIF optical 1 x RCA S/PDIF coaxial (AES/EBU compatible) |
| Digital Output |
2 x ADAT optical or S/PDIF optical 1 x RCA S/PDIF coaxial (AES/EBU compatible) |
| MIDI In/Out | Yes |
| Sync In/Out |
2 x BNC WordClock S/PDIF |
| Headphone Output | Yes. Headphone output can be used directly with ASIO direct monitoring |
| THD + N |
AD: < -104dB (< 0.00063%) DA: < -100dB (< 0.001%) |
| Dynamic Range |
AD: 109dB RMS unweighted, 112dBA DA: 116dB RMS unweighted, 119dBA (unmuted) |
| Frequency Response |
-0.1dB: 5Hz to 21.5kHz @ 48kHz -0.5 dB: <5Hz to 43.5kHz @ 96kHz -1.0 dB: <5Hz to 70kHz @ 192kHz |
| System Requirements |
Drivers: Mac:
PC:
|
| Specialties | The unit has a second port for hub functionality, bi-lingual mode for full FireWire 400 compatibility and an additional FireWire 400 port |
REVIEW SNAPSHOT®
by PowerReviews(based on 4 reviews)
Ratings Distribution
100%
of respondents would recommend this to a friend.
REVIEWS
Reviewed by 4 customers
Sort by
Displaying reviews 1-4
Pros
- Clear Sound
- Lightweight
Cons
- Possible MIDI issues
Best Uses
- Performances
- Professional Recording
Comments about RME Fireface-800 Audio Interface:
The unit performs great as an audio interface - very high marks, great software mixer and patchbay included.
I've had issues with the MIDI in shutting down the main audio outs after playing a Kurzweil K2500 into the unit's audio and MIDI ins simultaneously.
In all fairness to RME, this might be a Kurzweil issue, as it has done the same thing with 2 FF800's. My Akai MPK 61 controller keyboard does not seem to do this via its MIDI port, though I haven't really put it through a serious torture test yet.
Jeff, the tech support guy at Synthax (U.S. Distributor for RME) says he's never seen this before in 5 years since the product's debut. And, we couldn't sort it out after about 10 emails (each) back and forth. So I'm left to conclude after trying different MIDI cables, changing preferences, re-loading all relevant software, that my old K2500 may be sending garbage down the MIDI pipeline.
Pros
- Easy To Install
- Fast
- Good Sound
- Highly Compatible
- Quiet
- Reliable
Cons
Best Uses
Comments about RME Fireface-800 Audio Interface:
I use the FF800 on my Mac bases composing setup working mostly with samples and virtual instruments. I do some tracking of guitar and bass, but also for voice over recordings and the occasional instrumentalist. It sounds very good for all these uses. The routing flexibility of the included Fireface Mixer and the rock steady performance are simply awesome. The audio loop back feature has become an indispensable part of my setup and enables me to do things I would have to spend a lot more otherwise. The dual ADATA inputs come in handy for connecting my "sampler" computers to my main DAW machine - very well thought out. considering the price of the unit, I don't know of a better audio interface for my setup
- Primary use:
- Business
Pros
- Easy To Install
- Fast
- Highly Compatible
- Quiet
- Reliable
Cons
- None
Best Uses
- Studio Recording
Comments about RME Fireface-800 Audio Interface:
Incredible product - worth each cent of its value.High quality Pre amp class A - Interface drives are best in class - Very robust assembly - all kinds of connection are possible with the interface mixer settings.[...]No issues or conflict with another Audio interface that I have in my System.Very Very good !!
- Primary use:
- Personal
Displaying reviews 1-4
REVIEW SNAPSHOT®
by PowerReviews(based on 4 reviews)
Ratings Distribution
100%
of respondents would recommend this to a friend.
REVIEWS
Reviewed by 4 customers
Sort by
Displaying reviews 1-4
Pros
- Clear Sound
- Lightweight
Cons
- Possible MIDI issues
Best Uses
- Performances
- Professional Recording
Comments about RME Fireface-800 Audio Interface:
The unit performs great as an audio interface - very high marks, great software mixer and patchbay included.
I've had issues with the MIDI in shutting down the main audio outs after playing a Kurzweil K2500 into the unit's audio and MIDI ins simultaneously.
In all fairness to RME, this might be a Kurzweil issue, as it has done the same thing with 2 FF800's. My Akai MPK 61 controller keyboard does not seem to do this via its MIDI port, though I haven't really put it through a serious torture test yet.
Jeff, the tech support guy at Synthax (U.S. Distributor for RME) says he's never seen this before in 5 years since the product's debut. And, we couldn't sort it out after about 10 emails (each) back and forth. So I'm left to conclude after trying different MIDI cables, changing preferences, re-loading all relevant software, that my old K2500 may be sending garbage down the MIDI pipeline.
Pros
- Easy To Install
- Fast
- Good Sound
- Highly Compatible
- Quiet
- Reliable
Cons
Best Uses
Comments about RME Fireface-800 Audio Interface:
I use the FF800 on my Mac bases composing setup working mostly with samples and virtual instruments. I do some tracking of guitar and bass, but also for voice over recordings and the occasional instrumentalist. It sounds very good for all these uses. The routing flexibility of the included Fireface Mixer and the rock steady performance are simply awesome. The audio loop back feature has become an indispensable part of my setup and enables me to do things I would have to spend a lot more otherwise. The dual ADATA inputs come in handy for connecting my "sampler" computers to my main DAW machine - very well thought out. considering the price of the unit, I don't know of a better audio interface for my setup
- Primary use:
- Business
Pros
- Easy To Install
- Fast
- Highly Compatible
- Quiet
- Reliable
Cons
- None
Best Uses
- Studio Recording
Comments about RME Fireface-800 Audio Interface:
Incredible product - worth each cent of its value.High quality Pre amp class A - Interface drives are best in class - Very robust assembly - all kinds of connection are possible with the interface mixer settings.[...]No issues or conflict with another Audio interface that I have in my System.Very Very good !!
- Primary use:
- Personal
Displaying reviews 1-4
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