Batteries are required but not included with this item. Please be sure to purchase batteries for this item.
Once again Sekonic has answered the call when a more efficient and accurate meter is required. This one, the Prodigi Color C-500 Color Meter was designed to meet the needs of today's digital market.
This is the first meter to read the spectral sensitivity of color film, CDCD (CCD) and CMOS sensors used in current digital still and DV cine cameras.
The C-500 and C-500R color meters are not exposure meters. Their main function is "pre-production" light source color control. With all the emphasis on Color Management and Workflow done electronically and in the camera or in post production, today's digital photographers seem to have overlooked the first step and foundation of the whole process, namely the light that makes image creation possible.
Custom white balance can do a good job of correcting color for a single light source. Add another, and there will be an unbalance that will cause color problems that will have to be dealt with later at a cost of time and money. In mixed light sources, blending flash with ambient (sun or indoor whatever) can be "cleaning up the color by adding some flash" which is the norm today. Or, with the C-500 and C-500R and a little light source filtration, it can be the seamless blending of illumination to make the photographer-added light virtually undetectable as it was done by photographers who "knew how" in the good old days of film.
This unique and groundbreaking meter measures and displays color temperature and compensation values in LB/CC index or filter numbers. The digital readings are based on human visual response while traditional film readings are determined by the individual characteristics of each film. Now, photographers and videographers have greater control over their exposures than ever before.
All of the advances in digital imaging have really solved a lot of problems and enabled taking shots that were impossible before. However, what goes on in front of the camera has not changed and should be dealt with if one is really serious about quality color management and actually controlled work flow.
Properly measuring red intensity was a major hurtle. Sekonic designers solved the problem by incorporating four color sensors: a Red sensor for visual/digital response (Rd); a Red sensor for photographic film response (Rf); a Green sensor (G); and a Blue sensor (B). They then developed a new "Simulated Spectrum" software solution (patent pending) that emulates the blue and green channel color response for both digital and film.
Illuminance Measurement
The brightness of continuous light sources is displayed in LUX (lx) or Foot-Candle (FC). Illuminance measurement is especially useful for cinematography, videography, theatrical and other applications that require precise control light source brightness.
Color Values Displayed in Three Ways
1) Color Temperature Display (in Kelvin) The color temperature is displayed for human visual response in Digital Mode or the spectral response for photographic color film in Film Mode.
2) LB /CC Index Display Light Balancing in MK-1 (Per Mega Kelvin) and Color Compensation Index correspond to light source filtration systems. The correction values can be directly entered into the color adjustment mode of some professional DSLR cameras.
3) LB/CC Filter Number Display Light Balancing and Color Compensation filtration for lens or light-source filtration is displayed in direct filter values. The display can be adjusted to read out in Kodak Wratten, Lee or Fujifilm filter systems
Note! The C-500R Model differs from the C-500 in that it also includes a wireless triggering module
| Measuring System | Three-color photographic color meter with four sensors to determine visual (digital) or photographic (film) color temperature of light sources and filtration required |
| Measuring Modes |
|
| Receptor Head | Rotating (90° to the right/180°to left) receptor head containing four filtered photo diodes under flat incident light receptor |
| Aperture/Shutter Priority | Not Applicable |
| Display Readout |
Display Ranges: Measured color temperature: LB filter number |
| ISO Range |
Measuring Ranges |
| f/Stop Display Range |
Flash light: |
| Shutter Speed - Ambient | 1 to 1/500sec |
| Shutter Speed - Flash | Flash light: 1s to 1/500s (in 1, 1/2 or 1/3 steps) plus 1/75, 1/80, 1/90, 1/100, 1/200, 1/400 |
| EV Range (ISO-100) | Not Specified by Manufacturer |
| Cine Speeds | Not Applicable |
| Exposure Memory | Not Applicable |
| Shadow/Highlight Calculation | Not Applicable |
| Brightness Difference | Yes |
| Flash to Ambient Ratio | Not Applicable |
| Multiple Flash | Not Applicable |
| Exposure Calibration | Color calibration is done in the factory and MAC service center. The photographer can make Pre-Set corrections to reflect the differences in his system, which will be appreciated by film photographers |
| Power Source |
|
| Dimensions | 2.4 x 6.2 x 1.1" (62 x 158.6 x 28mm) (WHD) |
| Weight | 8.1 oz (230g) (with batteries) |
REVIEW SNAPSHOT®
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Most Liked Positive Review
Another great by sekonic
I am a lighting designer for Live music/television and runway fashion events so i am mainly using this meter to balance my key/backlight tempatures to where i like them. Previously using a minolta...Read complete review
I am a lighting designer for Live music/television and runway fashion events so i am mainly using this meter to balance my key/backlight tempatures to where i like them. Previously using a minolta 3F was the standard UNTIL my first shoot with this bad boy. Having the extra RED sensor really makes this meter a MUST HAVE for anyone shooting with digital video/HD or digital still camera. It can accurately take a reading more so than any other color meter i have owned. My images are more true to the camera's needs. Less filtering = more natural light. I would recommend this product to any DP or LD involved in the new digital world of shooting.
VS
Most Liked Negative Review
Only 2300K - 20,000K?
I failed to read the Specs completely when I purchased this meter to replace my 14 year-old Minolta Color Meter II. I was very dismayed to find out that it will not measure color temperatures...Read complete review
I failed to read the Specs completely when I purchased this meter to replace my 14 year-old Minolta Color Meter II. I was very dismayed to find out that it will not measure color temperatures below 2,300K or higher than 20,000K. When measuring dimmed tungsten sources, ambient daylight (not the sun), or malfunctioning HMI's, the Kelvin values can easily go beyond that narrow range. It would be nice to know exactly what those color temps are rather than just getting a blinking "u" or "o" instead. As a result, my trusty Minolta still has not lost it's place on my meter belt for as long as it hangs in there. If you don't care about taking readings outside those ranges, then I suppose that doesn't matter.
I also find that it keeps suggesting a 1-4Magenta filter (green content) when taking readings of isolated tungsten light, sun, and ambient daylight when in "Film" mode, but is 0 in "Digital" mode. Those sources should all read 0 regardless since they are full spectrum sources that film is theoretically balanced for. It also gives different Kelvin values when in Digital vs. Film modes. I'm not sure why this is? The Kelvin temperature of light sources should be completely independent of the type of equipment being used (even if that equipment has differing spectral sensitivity). The only thing that should change is the appropriate filter. Perhaps I've got a funky meter?
Aside from those failings, it's a very well constructed meter right in line with my L-608cine light meter. It has lots of little bells and whistles that I'll probably never use for motion pictures (once my Minolta finally dies), but I suppose might be more handy for still photography.
REVIEWS
Reviewed by 14 customers
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Comments about Sekonic Prodigi Color C-500 Color Meter:
I've used this meter for a couple of weeks and love it. It's good work for my Canon 5D Markii.
If it's more compact, it will become a good tool for the camera man that you can put it into your pocket for every scene.
Comments about Sekonic Prodigi Color C-500 Color Meter:
Thank you, we collected all the items in short time.
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Comments about Sekonic Prodigi Color C-500 Color Meter:
We use this for matching color temps on location. Works great and is much more accurate than the in camera meter. Checked the actual color temp of many of our location lights and was shocked on how far off they were from the marked lamp temp. Color balance is now perfect. Wish we would have bought this unit years ago. Skin tones are now perfect!
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Comments about Sekonic Prodigi Color C-500 Color Meter:
I have been dreaming of a color temperature meter for years and now I have the Sekonic C-500 I don't know how I got by without it.
This product is very easy and quick to use. The moment it was out of the box I had it testing the huge range of moving lights and followspots in our studio. Now there will be no more arguments over lamp consistency. This coupled with the ability to measure lux or ft candles means most of the time I only need to carry around one meter instead of two.
Overall a great product, no complaints but a short hand strap and slightly better carry pouch would make this a 5 star rating.
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Comments about Sekonic Prodigi Color C-500 Color Meter:
This color meter can do so much that I recommend to keep the manual at reach. This is a compliment that carries his own criticism.
Shooting in 35mm as well as HD, I value that the meter can be set for each
of these medias.
The only down side to it, at this stage is how fearful I am to drop this amazing
instrument. It is a lot of money if I ever have to replace it....
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Comments about Sekonic Prodigi Color C-500 Color Meter:
performs like it should and more
Pros
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Comments about Sekonic Prodigi Color C-500 Color Meter:
Seems well made. I like the seperate red sensors for different shooting mediums. I wish the kelvin range was wider.
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Comments about Sekonic Prodigi Color C-500 Color Meter:
A little weird to find lux but very simply to use.
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Comments about Sekonic Prodigi Color C-500 Color Meter:
Used during an award show and was extremely helpful.
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Comments about Sekonic Prodigi Color C-500 Color Meter:
The Prodigi Color C-500 is used to match the color temperature of lights used in HD Video shoots. The unit works great and is very accurate. We need to match lighting conditions from one location to another as well as the amount of light. This unit has kept us out of color correction expenses. I would recommend this unit to anyone who needs to know the color value as well as the amount of light in any fast moving situation. Great buy but not cheap!
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Comments about Sekonic Prodigi Color C-500 Color Meter:
I have been waiting for an instrument like this - I do think it is a bit expensive priced at $1K but it may be worth it for some.
Regarding one of the previous reviews - I think it is important to realize if you are in digital photography the 2,300K-10,000 K range is not really that restrictive as most pro cameras (Mark III, D3X and Sony's A900) do not go outside that range - they only support 2,500 ~ 10,000K.
Still I do agree with the poster it would be nice if the display was more informative if the readout was more friendly when outside the range.
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Comments about Sekonic Prodigi Color C-500 Color Meter:
I bought this color meter after I had some color variation between 2 Profoto lights. I was on a job and I could just see on my computer screen one light was a little yellower than the other. I have some lights by Profoto, some by Bowens, some by AlienBees, so I thought I would accurately balance them with colored gels for jobs.
This is my first color meter so it is hard to compare. It is pretty easy to use and after about 15-30 minutes, I was balancing the lights.
The only negative is that I am not sure if the meter is sensitive enough for some types of light. I tried to get a reading off my household 3 bulb lamp and I think the color temperature was not in the range. The energy saver bulbs were pretty bright, so I think it was just out of the range. But it does seem to pick up modeling lights well. Studio flash seems to work great.
Pros
Cons
Best Uses
Comments about Sekonic Prodigi Color C-500 Color Meter:
I failed to read the Specs completely when I purchased this meter to replace my 14 year-old Minolta Color Meter II. I was very dismayed to find out that it will not measure color temperatures below 2,300K or higher than 20,000K. When measuring dimmed tungsten sources, ambient daylight (not the sun), or malfunctioning HMI's, the Kelvin values can easily go beyond that narrow range. It would be nice to know exactly what those color temps are rather than just getting a blinking "u" or "o" instead. As a result, my trusty Minolta still has not lost it's place on my meter belt for as long as it hangs in there. If you don't care about taking readings outside those ranges, then I suppose that doesn't matter.
I also find that it keeps suggesting a 1-4Magenta filter (green content) when taking readings of isolated tungsten light, sun, and ambient daylight when in "Film" mode, but is 0 in "Digital" mode. Those sources should all read 0 regardless since they are full spectrum sources that film is theoretically balanced for. It also gives different Kelvin values when in Digital vs. Film modes. I'm not sure why this is? The Kelvin temperature of light sources should be completely independent of the type of equipment being used (even if that equipment has differing spectral sensitivity). The only thing that should change is the appropriate filter. Perhaps I've got a funky meter?
Aside from those failings, it's a very well constructed meter right in line with my L-608cine light meter. It has lots of little bells and whistles that I'll probably never use for motion pictures (once my Minolta finally dies), but I suppose might be more handy for still photography.
Pros
Cons
Best Uses
Comments about Sekonic Prodigi Color C-500 Color Meter:
I am a lighting designer for Live music/television and runway fashion events so i am mainly using this meter to balance my key/backlight tempatures to where i like them. Previously using a minolta 3F was the standard UNTIL my first shoot with this bad boy. Having the extra RED sensor really makes this meter a MUST HAVE for anyone shooting with digital video/HD or digital still camera. It can accurately take a reading more so than any other color meter i have owned. My images are more true to the camera's needs. Less filtering = more natural light. I would recommend this product to any DP or LD involved in the new digital world of shooting.
Displaying reviews 1-14