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Focal Press Paperback: Cinema Raw: Shooting & Color Grading with the Ikonoskop, Digital Bolex, & Blackmagic Cinema Cameras

Focal Press Paperback: Cinema Raw: Shooting & Color Grading with the Ikonoskop, Digital Bolex, & Blackmagic Cinema Cameras

Focal Press Paperback: Cinema Raw: Shooting & Color Grading with the Ikonoskop, Digital Bolex, & Blackmagic Cinema Cameras

B&H # FOCST16R MFR # 9780415810500
Focal Press Paperback: Cinema Raw: Shooting & Color Grading with the Ikonoskop, Digital Bolex, & Blackmagic Cinema Cameras

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Product Highlights

  • Author: Kurt Lancaster
  • Paperback: 202 Pages
  • Publisher: Focal Press
  • Published: May 2014
  • Capturing & Editing Raw Video
  • Choosing Gear to Post Production
  • Interviews with Professionals
  • Behind-the-Scenes Case Studies
  • Companion Website
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You Pay: $28.95

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Overview
  • 1Description

Cinema Raw: Shooting and Color Grading with the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras from Focal Press is a guide to capturing and editing raw video. The author, Kurt Lancaster, field tests each camera, discusses the importance of shooting raw, and guides you through the color grading process.

Featuring interviews with professional filmmakers that have used these cameras in the field, this text also includes behind-the-scenes case studies, recommended gear lists, and full color post-production workflows. A companion website provides additional resources that will further your understanding of raw cinema.

Table of Contents
About the Author
Foreword: Virgin Frames, Untouched by Michael Plescia
Acknowledgements
Introduction: What Camera to Choose? What Story to Tell?
Part I: Getting the Raw Deal

  • Chapter 1: Creating a New Paradigm: Behind the Scenes at Digital Bolex
  • Chapter 2: What's the Deal with Raw? The Advantages (and Disadvantages) of Shooting Compressed vs Raw
  • Chapter 3: Film Gear for Raw Filmmakers: A Low-Budget List

Part II: Raw Production Case Studies

  • On-Camera Features and Menu Selections of Raw Cinema Cameras
  • Looking Sharp: In the Field with Blackmagic's Digital Cinema Camera
  • Filming at 16mm Digital: In the Field with Ikonoskop's A-CAM dll
  • Shooting with Weisscam's T-CAM
  • Rich Textures and Skin Tones: In the Field with Digital Bolex's D16

Part III: Raw Postproduction

  • Color Correcting and Color Grading Cinema DNG with DaVinci Resolve
  • Color Correction and Color Grading Cinema DNG with LightPost and Camera Raw

Conclusion: The Importance of Color Depth and the Uniqueness of Cameras
Afterword: The Organic Look of Digital Film by Joseph Rubenstein
Appendix: Why You Must Have 4K and Raw and Why You Absolutely Don't Need It by Phillip Bloom

Table of Contents
  • 1Description
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Specifications
Author Kurt Lancaster
Format Paperback
Pages 202
Publisher Focal Press
Date Published May 2014
ISBN Number 9780415810500
Packaging Info
Package Weight 1.4 lb
Box Dimensions (LxWxH) 9.134 x 7.48 x 0.551"
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