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The Crown Audio CM-700 Cardioid Condenser Microphone has a very smooth, wide-range frequency response which gives it a natural sound. It preserves the delicate timbre of acoustic instruments, yet it can reproduce all the power of a pipe organ. The off-axis response is also smooth, so any leakage picked up has little coloration.
Because of its cardioid pickup pattern, the CM-700 reduces background noise, room reverb and feedback. The cardioid pattern is uniform with frequency. Self-noise is very low, permitting clean, noise-free recordings. The mic can handle extremely loud sounds without distortion. It is protected against static and RFI. The output is balanced, low impedance, which allows long cable runs without hum pickup or high-frequency loss. Powering is by 12- 48V phantom power.
Several audiophile touches enhance the mic's pristine sound quality: an ultralight diaphragm, humbucking transformer, polycarbonate capacitors and a gold-plated 3- pin connector. The CM-700 has a bass-tilt switch with three positions: flat, low-cut and roll-off. An included 2-stage foam pop filter softens breath pops, and a foam windscreen reduces wind noise outdoors.
| Transducer | Electret Condenser |
| Polar Pattern | Cardioid |
| Frequency Response | 30 Hz to 20 kHz |
| Dynamic Range (Typical) | Not Specified by Manufacturer |
| Signal-to-Noise Ratio | 73 dB at 94 dB SPL. |
| Maximum Input Sound Level | 151 dB (for 3% THD) |
| Power Requirements | Phantom Power (48v) |
| Output Impedance | 190 Ohms |
| Output Connectors | 3-Pin XLR Type |
| Pad | None |
| Low Frequency Roll-Off | Yes, Three-position Bass-Tilt Switch: Flat, Low Cut, or Low-Frequency Rolloff |
| Dimensions | 5.036 x .931" (2.365 x 12.791cm) LxW |
| Weight | 11.3 oz (320g) |
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Pros
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Best Uses
Comments about Crown Audio CM-700 Cardioid Condenser Microphone:
The CM-700 is aimed at the same applications as the Shure SM-81. It has very flat, wide response, with exceptional extension in the bass. The cardioid pattern is very uniform with frequency, self noise is low, and the overload point is very high. This is a good condenser mic for close recording of loud sources like trumpet and trombone--it is almost impossible to overload it, and the smooth treble response avoids harshness.
Like other condenser mics with extended low end response, the CM-700 pops very easily when used for vocals, so a good pop screen is mandatory. And, it transfers stand vibration efficiently, so I strongly recommend getting the optional anti-shock mount. This mic is not suited for hand held vocal use.
When used in the applications it is suited for, the CM-700 will give professional quality results, and is an excellent value for the money.
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