We are not accepting orders at this time. Online ordering will resume Monday, May 28th at 9:45PM EDT. Our SuperStore and offices are currently closed and will reopen on Tuesday, May 29th at 9:00AM EDT.
We apologize for any inconvenience and appreciate your patronage.
This is a special order item and is non-cancelable and non-returnable. Est. arrival at B&H is 2-4 weeks (subject to availability). Your order will be charged at time of shipment.
International orders*This item cannot be ordered on the web. Please call (212) 502-6356 or email studiosales@bhphotovideo.com for a quote.
A lens, a viewfinder, and recording media are required but not included with this item. Please be sure to purchase a lens, a viewfinder, and recording media that best suit your needs.
In an era when even the least expensive prosumer camcorder touts the latest flavor of high-definition 24p, it's easy to forget that as recently as 2000, aspiring to--much less achieving--the cinema-like imagery of 24 frames per second on HD video was the exclusive domain of George Lucas, busy pushing the envelope on his Star Wars prequels. The camera he used, the first of its kind, was Sony's CineAlta HDW-F900, and the number of prestigious widescreen and television productions it went on to shoot ultimately won it a 2004 Primetime Emmy for Engineering. If you wanted to achieve the rich look of 35mm film on video, at dramatically reduced costs, shooting HDCAM on the HDW-F900 was the only game in town.
HDCAM's reputation as the go-to HD production format for top quality programming was built on the shoulders of the HDW-F900. And now Sony's HDW-F900R (the 'R' stands for "refined") continues that tradition. It's a smaller, lighter, more versatile version of the workhorse F900, incorporating such refinements as two built-in HD-SDI outputs, hyper gamma capability, reduced power consumption, and (with optional boards): image inversion, slow shutter, picture cache, interval recording, and downconversion with 2-3 pulldown.
On top of the F900's original, industry-standard features and large 2/3" sensors, these refinements provide the greater flexibility and creative control that professional shooters have been asking for. And in terms of image quality and accessories, the F900R remains fully compatible with its predecessor--no modifications are needed for existing third-party items.
The HDW-F900R, like the F900, continues to excel at what it does best: capturing high-end, film-like imagery that meets the most rigorous broadcast standards. And it does so with the ease and control of shooting 35mm--without film's higher cost. That's something the most tricked-out prosumer minicam can only dream about.
Note! Lens and viewfinder not included
| Image Device | 3-Chip 2/3" Type FIT CCD |
| Signal-to-Noise Ratio | 54dB |
| Horizontal Resolution | 1080 TV Lines |
| Sensitivity |
2000 lux, 89.9% Reflectance 24fps, 1/48 shutter: F10 |
| Minimum Illumination | Not specified by manufacturer |
| Vertical Smear | -135dB (Y-typical) |
| Signal System | HDCAM |
| Built-in Filters |
ND 1: Clear 2: 1/4 3: 1/16 4: 1/64 CC A: 5600K B: 3200K C: 4300K D: 6300K |
| LCD Monitor | None |
| Speaker | Yes |
| Viewfinder | Option |
| Microphone | Super cardioid directional |
| Scan Matching |
24-7000Hz
1
Please Note:Min. setting depends on frame rate selected. close |
| Memory Card Slot | Memory Stick |
| Shutter Speed | 1080/24P mode: 1/32, 1/48, 1/60, 1/96, 1/125, 1/250, 1/500, 1/1000(s) |
| Gain Selection | Turbo Gain -3, 0, 3, 6, 9, 12, 18, 24, 30, 36, 42dB |
| VTR | |
|---|---|
| Tape Format | HDCAM |
| Tape Speed | 24P mode: 77.4 mm/s |
| Maximum Recording Time |
59.94i, 29.97P: 40 min 50i, 25P: 48 min 24P, 23.98P: 50 min |
| Audio | |
|---|---|
| Audio Dynamic Range | >85 dB |
| Audio Signal Format | Linear PCM (2ch, 16-bit, 48-kHz) |
| Audio Frequency Response | 20 Hz to 20 kHz, +0.5 dB/-0.8 dB |
| Signal to Noise Ratio | Not Specified By Manufacturer |
| General | |
|---|---|
| Input and Output Connectors |
Genlock Video: BNC (x1 Input) Timecode: BNC (x1 Input, Output) Audio CH1/CH2: XLR 3-pin (x2 Input, Female) Microphone (Stereo): XLR 5-pin (x1 Input, Female) Test: BNC (x1 Output) SD/HD-SDI: BNC (x1 Output) HD-SDI: BNC (x1 Output) Audio Output: XLR 5-pin (Male) Earphone: Mini Jack Lens Connector: 12-pin Remote: 8-pin Light: 2-pin DC Input: XLR 4-pin (Male) DC Output: 4-pin (for wireless microphone receiver) |
| Power Requirements | 12VDC, +5V/-1V |
| Power Consumption | 38W |
| Operating Temperature | 32-104°F (0-40°C) |
| Dimensions (WxHxD) | Not Specified By Manufacturer |
| Weight | 11 lbs, 14 oz (5.4kg) |
Allows for quick tripod mounting and unmounting.