The Tiffen 62mm Digital Pro SLR Glass Filter Kit contains some exciting filters to help you enter the challenging world of digital photography. Whether you're a weekend shooter or a working pro, these filters can give your photography a real "jump start".
Digital Ultra Clear Filter
Keep your filters safe from fingerprints and other contaminants with this optically clear filter.
ProMist 2 Filter
Tiffen Pro Mist filter are soft focus filters. The Pro-Mist filter is exceptional for creating a special mood.
Outdoors or indoors, in broad scenics or portraits, the Pro-Mist is excellent for toning down excessive sharpness and reducing contract by moderately lightening shadow areas without detracting from the overall image. This is especially useful given the contrast and extremely sharp resolution produced by contemporary film and video lenses.
Pro-Mist filters give your portraits that extra edge of professionalism. The various grades allow you to soften contrast to whatever degree you feel your subject requires.
Pro-Mist F/X filters are available in grades from one-half through five, with grade 5 having the greatest effect; Effect of lighter grades is subtle, with higher grades becoming gradually more noticeable.
Graduated Neutral Density Filter
Graduated Neutral Density filters enables the shooter to adjust exposure without affecting color balance. Neutral density filters are available in 1, 2, 3, or 4 stops to suit individual situations.
Often it is necessary or desirable to balance the light intensity in one part of a scene with another. This is especially true in situations where you don't have total light control, as in bright contrasting landscapes. Exposing for the foreground will produce a washed-out, over-exposed sky while exposing for the sky will leave the foreground dark and under-exposed. This filter enables cloud detail to be kept correctly exposed in the picture.
Determining which graduated neutral density filter yields ideal results for any given lighting situation takes knowledge, experience and a collection of such filters. Choose the filter strength which adjusts the lighting to stay within the exposure latitude (greatest difference between bright/dark values) which still shows details in both of the digital or film medium in use.
Speaking generally, the 2-stop value (ND 0.6 - the filter's clear portion allows 4x more light to pass vs. darkest portion) effectively compensates average bright sky-to-foreground situations, and the soft transition is applicable more often to a scene than the hard transition.
