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First Light Video - Cinematography Master Class Series - In this training series nine of the world's finest cinematographers share their wealth of experience in a workshop setting, as they guide you through a series of professional lighting problems both in the studio and on location.
3-D computer animations vividly illustrate the approaches they take to solving them. This unique series, sponsored by Kodak, will be of value both to students and working cinematographers.
Vierny experiments with a simple and elegant camera move that encompasses much of the action but presents him with a new challenge: hiding the dolly track. Computer graphics of the lighting setups as well as side-by-side comparisons of the finished scenes help you to better understand the techniques and appreciate the results.
Muller creates a moody and impressionistic feel that is characteristic of his approach. James on the other hand neatly sidesteps the problems caused by a cyc too close to the set and creates a wider view of the windswept dusty cafe. Both men prove to be generous teachers, sharing many creative and technical insights that come from years behind the camera. The video culminates with a split screen comparisons of each cinematographer's finished piece.
Vierny generously shares one of his special secrets, showing how to create a magical beam of light without the usual need for a smoked filled room. The effect is electric. Lenoir takes you through each step of his lighting design and also gives invaluable information about the use of fluorescent lights.
This program explores the techniques that make magic on the screen, but more importantly the cinematographer's creative thought process behind the magic.
He painstakingly recreates the shooting style by employing the filtration, vignetting, aspect ratios and shot coverage of the period. In doing so he evokes the spirit and dynamic of the B&W silent screen masterpieces. Denis Lenoir (Monsieur Hire, Daddy Nostalgie/These Foolish Things, Paris Awakes, Shuttlecock) creates an intriguing comparison to the work of Daviau by using modern cinematic techniques featuring a moving camera. He shoots with both color and B&W stock to make the comparison complete.
Dean's background in documentary films is a major influence on his visuals. This workshop recreates the lighting of an interior fireside scene from "Wolves", using an exact replica of the teepee set. The workshop footage was shot anamorphic, using a Panavision camera and a crane.
Geoff's approach emphasizes maximum use of natural lighting resources (daylight and practicals) and imitating these sources with the light he adds. Geoff shows how to work with the limitations of location space and design (in this case three rooms of a cramped apartment) rather than against them. He demonstrates how fast stocks and fast work can be critical to success.
Even more important than the technical knowledge it contains is the insight this program gives into Seale's working philosophy.
This program is packed with technical information, demonstrations & insights into the cinematographer.
| Subject | Cinematography |
| Author | First Light Video |
| Edition | First |
| Hard/Soft Cover | DVD |
| Pages | Not Specified |
| Dimensions | DVD |
| Illustrations | Yes |
| ISBN Number | Not Available |
| Publisher | First Light Video |
| Date Published | Not Specified |