The Audio-Technica AT2050 Multi-Pattern Condenser Microphone is a well suited solution for home studios, project recording and live sound reinforcement alike. The side-address condenser microphone features user switchable cardioid, omnidirectional and figure-eight polar patterns for versatile operation and control in any scenario. The element and output stage combine to produce a smooth yet natural audio quality with low noise.
An 80Hz high-pass filter switch elliminates low frequency hum and any associated noise. A -10dB Pad switch is featured for providing more headroom when capturing transient signals that may otherwise cause peak distortion. The cost effective AT2050 is an ideal choice for capturing vocals, general instruments and speaker cabinets.
| Transducer | Condenser |
| Polar Pattern | Cardioid, Omnidirectional and Figure-Eight |
| Frequency Response | 20Hz to 20kHz |
| Dynamic Range (Typical) | 136dB, 1kHz at Max SPL |
| Signal-to-Noise Ratio | 82dB, 1kHz at 1 Pa |
| Maximum Input Sound Level | 148dB SPL, 1kHz at 1% T.H.D |
| Power Requirements | 11-52VDC, 3.8mA typical |
| Output Impedance | 120 ohms |
| Output Connectors | 3-pin XLR |
| Pad | -10dB Pad |
| Low Frequency Roll-Off | 80Hz |
| Dimensions (LxDiameter) | 6.69 x 2.05" (170 x 52mm) |
| Weight | 412g (14.5 oz) |
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Reviewed by 5 customers
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Comments about Audio-Technica AT2050 Multi-Pattern Condenser Side-Address Microphone:
I use this mic in omnidirectional mode for group recordings with a small folk band. It's great as a reference recorder during rehearsals and helps us learn to play dynamically.
It's also super for vocals (in cardiod mode). Very crisp. I personally like the frequency response but it's still yet to be tested with multiple vocalists.
I wish it had a hard case - it only comes with a padded zipper bag that's not quite large enough to fit both the mic and shockmount in.
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Comments about Audio-Technica AT2050 Multi-Pattern Condenser Side-Address Microphone:
AT2050 is a great multi-pattern microphone at better than half the price of other brands, Audio-Techinca has a winner with this condenser mic. We needed a microphone to add ambience to our recording and live streaming and this unit does the job excellently. We had previously used a condenser mic that was almost ten times the cost of this one and we can not tell the difference in the quality of the recording. We live stream all of our house concerts and archive them as well, we had people from all over the country call and tell us how great the audio quality was and that it was one of the best concerts they had ever listened to online. A++ on this one. Thanks B&H again!
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Comments about Audio-Technica AT2050 Multi-Pattern Condenser Side-Address Microphone:
This kind of quality mic for the price can't be beat. As of now I've only been using it for v/o work, but it's just amazing. Couldn't recommend it highly enough.
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Comments about Audio-Technica AT2050 Multi-Pattern Condenser Side-Address Microphone:
The AT2050 is one of the most usefull all around mics I have used in the studio. It truely has it's place, the various features of this mic are exceptional. From a Cardiod, to Omni or figure 8 this mic well impress especially at its price tag.
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Comments about Audio-Technica AT2050 Multi-Pattern Condenser Side-Address Microphone:
I bought this microphone to make a stereo pair with my AT-2035. Since you can put this microphone in cardioid pick up pattern I figured it would be identical to the AT-2035. It turns out that its cardioid output is 10db lower than the 2035. When I turn the pad on the 2035 their outputs are equal but this causes slightly more noise in my recording. Their outputs are equal when the 2050 is in omnidirectional pattern however this wouldn't make a very good stereo pair. The figure-8 pattern is disappointing. It has the lowest output and a good deal of noise. I don't think I would ever record in figure-8. Besides this small setback it is a great mic to use in mono for many other applications as well as in a stereo pair. The shock mount is very effective and the body seems durable.
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