The C 414 XL II/ST is a set of matched large diaphragm condenser microphones from AKG that is an ideal solution for stereo vocal and instrumental applications. Each mic offers 5 selectable polar patterns, giving you the perfect solution for any recording situation. The mics have an extremely high SPL capability, wide dynamic range, and low self-noise to produce clean, lifelike audio without overloads or distortion.
The mic's metal body and transformerless design make it immune to electrostatic and electromagnetic interference for trouble-free operation. The capsule is internally mounted on an elastic suspension to minimize vibration and handling noise. A set of 3 switchable bass cut filters and 3 pre-attenuation pads let you reduce low frequency pickup and increase the mic's headroom while recording loud sound sources. Bi-color LED indicators let you see the selected polar pattern and output overload at a glance. The set comes complete with a hard shell road case, shock mounts, a mic stand adapter, foam windscreens, and a stereo mounting bar.
| Transducer | Electrostatic Condenser |
| Polar Pattern | Omnidirectional, Wide Cardioid, Cardioid, Hypercardioid, and Figure-8 (Switchable) |
| Frequency Response | Not Specified by Manufacturer |
| Dynamic Range (Typical) | 134dB |
| Signal-to-Noise Ratio | 88dB (A-Weighted) |
| Maximum Input Sound Level | 200/400/800/1600 Pa = 140/146/152/158dB SPL (0/-6/-12/-18dB) for 0.5% THD |
| Power Requirements | 48V Phantom Power |
| Output Impedance | < = 200 Ohms |
| Output Connectors | 3-Pin XLR Male |
| Pad | -6, -12, and -18dB (Switchable) |
| Low Frequency Roll-Off |
12dB/Oct @ 40 and 80Hz 6dB/Oct @ 160Hz |
| Dimensions (HxWxD) | 2 x 1.5 x 6.3" (50 x 38 x 160mm) |
| Weight | 10.6 oz (300g) |
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Comments about AKG C 414 XL II/ST Large Diaphragm Condenser Microphone (Matched Pair):
The 414 has earned its place as a classic microphone. I had been using Rodes as overhead mics for drums in my studio, but I had never been satisfied, they just couldn't bring out the details and the delicate nature of the cymbals. The 414s do that, while retaining oomph in the toms.
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