This is a special order item and is non-cancelable and non-returnable. Est. arrival at B&H is 2-4 weeks (subject to availability). Your order will be charged at time of shipment.
International orders*This item cannot be ordered on the web. Please call (212) 502-6356 or email studiosales@bhphotovideo.com for a quote.
A lens, batteries, a viewfinder, recording media, and a microphone are required but not included with this item. Please be sure to purchase a lens, batteries, a viewfinder, recording media, and a microphone that best suit your needs.
The Sony SRW-9000PL HDCAM-SR Camcorder joins the SRW-9000 as next-generation younger siblings to Sony's renowned CineAlta F35 digital cinema camera. This latest incarnation, however, adds a Super 35mm-sized sensor and PL mount, giving it increased lowlight sensitivity, greater depth-of-field control, and access to an extended lineup of professional cinema lenses.
As a one-piece, modular 24P camcorder platform, the SRW-9000PL carries forward the F35's reputation for producing outstanding digital imagery. Using the F35's sensor and the lossless capture afforded by HDCAM-SR's MPEG4-SStP recording format, the camera creates professional-grade 1080p images with customizable gammas and up to 12 stops of dynamic range for true film-like images. This makes the SRW-9000PL the perfect tool for features, commercials, documentaries or music videos--either as a low-budget 'A' camera or as a 'B' or Steadicam camera on larger productions.
But the SRW-9000PL is more than just a camera, it's a system. Its open-platform design means it can be tailored to the specific needs of each production. As with the F35, its PL lens mount allows for a wide range of professional 35mm lenses. But the camera's capabilities don't stop there. Need 4:4:4 color? Or incremental, variable frame rates? Optional processing boards give them to you.
Along with its larger imaging sensor, the SRW-9000PL adds a couple of other tools to its arsenal: ISO 800 Mode Gamma, which increases dynamic range by up to 800%, and S-Gamut Color Space, a color management system taken from the F35 which widens the color gamut beyond that of film to provide increased headroom during color correction.
| Image Device | Super-35mm Type Progressive CCD |
| Lens Mount | PL Mount |
| Effective Picture Elements | 1920 x 1080 |
| Horizontal Resolution | 1000 TVL |
| Signal-to-Noise Ratio | 55dB |
| Sensitivity |
@2000 lx, 89.9% reflectance: 23.98/24/29.97PsF: T10 ISO 450, T9 ISO 340 |
| Minimum Illumination | Not specified by manufacturer |
| Vertical Smear | -135dB (typical) |
| Signal System | HDCAM-SR |
| Built-in Filters | None |
| LCD Monitor | None |
| Viewfinder | Not included |
| Microphone | None |
| Shutter Speed |
Angle 360°~4.3° Continuous Mode (ECS) |
| Gain Selection | -6, -3, 0, 3, 6, 9, 12 dB |
| VTR | |
|---|---|
| Tape Format | HDCAM-SR |
| Tape Speed | 440Mbps, 880Mbps |
| Maximum Recording Time |
HDCAM-SR 440 Mbps: 4:2:2, 4:4:4SQ: 40 min (30p), 50 min (24p) HDCAM-SR 880 Mbps: 4:4:4HQ: 20 min (30p), 25 min (24p), 4:2:2, 4:4:4SQ: 20min (60p), 24 min (50p) |
| Audio | |
|---|---|
| Audio Dynamic Range | More than 100dB |
| Audio Signal Format | 12ch/24-bit/48kHz |
| Audio Frequency Response | 20 Hz to 20 kHz, +0.5 dB/-1.0 dB |
| Distortion | Less than 0.05% (at 1kHz, reference level) |
| Headroom | 20dB |
| Input/Output | |
|---|---|
| Input and Output Connectors |
HD-SDI: BNC (x2 Output) Audio: XLR (x2 Input) Timecode: BNC (x1 Input, x1 Output) Genlock: BNC (x1 Input) Test Out: BNC Earphone: 3.5mm Mini (x1 Output) RS-232C: 5-pin DSub (x1 I/O) Remote: 8-pin |
| Memory Card Slot | 2x Memory Stick (for camera setup files, VTR maintenance) |
| General | |
|---|---|
| Power Requirements | 12VDC +5.0V/-1.0V |
| Power Consumption | Approx. 60W (while recording, w/o options, power save mode) |
| Operating Temperature | -20° to +60°C (-4° to +140°F) |
| Dimensions (WxHxD) | 5.88 x 8.38 x 13" (14.8 x 21.1 x 33 cm) |
| Weight | 15.21 lbs (6.9kg) |
Reviewed by 1 customer
Displaying review 1
Pros
Cons
Best Uses
Comments about Sony SRW-9000PL HDCAM-SR Camcorder:
too good
Displaying review 1