This item is usually Drop Shipped from the MFR/Distributor within 7-10 days (subject to availability). Your order will be charged at the time of placing the order with the vendor. Item is non-cancelable and non-returnable.
International orders*The 223s from dbx is a dual channel, stereo 2-way or mono 3-way crossover. A crossover is essential for efficient PA operation because it filters the full band input signal into specific frequencies that match a speaker's optimum frequency-reproduction range. This leaves the amplifier free to use its full power on the usable signal, eliminating distortion and delivering clear sound.
The unit features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Quality components and meticulous attention to detail offers exceptional sound and rugged reliability, while exuding great precision from the solid "click" controls to the high quality 1/4" TRS inputs and outputs.
| Filter Type | Linkwitz-Riley, 24 dB/octave, state-variable |
| Operating Modes | Stereo 2-way, switchable to mono 3-way |
| Crossover Frequencies |
Stereo Mode - Low/High: 45 to 960Hz or 450Hz to 9.6kHz (x10 setting) Mono Mode - Low/Mid: 45 to 960Hz or 450Hz to 9.6kHz (x10 setting) Mono Mode - Mid/High: 45 to 960Hz or 450Hz to 9.6kHz (x10 setting) |
| Inputs |
2 x 1/4" TRS phone
1
Please Note:Electronically balanced/unbalanced, RF filtered close |
| Input Impedance | 50kΩ balanced, 25kΩ unbalanced |
| Maximum Input Level | >+22dBu balanced or unbalanced |
| Outputs |
4 x 1/4" TRS phone
2
Please Note:Electronically balanced/unbalanced, RF filtered close |
| Output Impedance | 200Ω balanced, 100Ω unbalanced |
| Maximum Output Level | >+21dBu balanced/unbalanced into 2kΩ or greater |
| Frequency Response |
FR: <3Hz to >90kHz, +0/-3.0dB Bandwidth: 20Hz to 20kHz, +0/-0.5dB |
| Dynamic Range | >106dB unweighted, any output |
| Noise |
SNR ref: +4dBu, 22kHz measurement bandwidth Stereo Mode: >94dB (low output) >91dB (high output) Mono Mode: >94dB (low output) >93dB (mid output) >91dB (high output) |
| THD + N |
<0.004% @ +4dBu, 1kHz <0.04% @ +20dBu, 1kHz |
| Crosstalk | <-80dB, 20Hz to 20kHz |
| CMRR | >40dB, typically >55dB @ 1kHz |
| Switches |
Low Cut (front panel) Phase Invert (front panel) x10 (rear panel) Mode LF sum |
| Indicators |
Stereo Operation Mono Operation Low Cut x10 Phase Invert |
| Operating Temperature | 32°F to 113°F (0°C to 45°C) |
| Power Requirements |
100VAC~50/60Hz, 120VAC~60Hz 15W power consumption |
| Dimensions (WxHxD) | 19 x 6.9 x 1.75" (483 x 175 x 45mm) |
| Weight | 3.7 lb (1.7kg) |
Reviewed by 1 customer
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Pros
Cons
Best Uses
Comments about dbx 223s - Crossover (1/4" TRS):
I use this crossover as part of a bass rack. It has features that are tough to find elsewhere at this price point. One is a very effective 40 Hz subsonic filter that prevents cone flap at high volumes. Another is a wide range of selectable crossover frequencies. The unit is dead quiet, and this is the unbalanced (phone plug) version. I really don't know how dbx crams so many features into a crossover at this price point, but I'm not complaining!
The unit has a feel of quality to it -- both controls and metal fab. Seems likely to survive road work.
I did not check "professional recording" in the "best uses" section because I own the single-ended version. But if the balanced (XLR) version performs as well as this one -- and I see no reason it shouldn't -- then I wouldn't hesitate to recommend it for studio work as well.
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