Recording media is required but not included with this item. Please be sure to purchase recording media for this item.
The Sony HXR-NX3D1 NXCAM 3D Compact Camcorder is literally two camcorders in one, facilitating the capture of high-definition stereoscopic 3D video at full 1920 x 1080 resolution. The camera borrows several elements from Sony's NXCAM line, such as the HD native Exmor R CMOS sensor (1/4", with ClearVid pixel array), the 12x Sony "G" lens (10x in 3D mode), and solid-state recording of AVCHD in many formats. (For the HXR-NX3D1, the imaging elements are, of course, doubled.) But as a single-body handheld 3D camcorder, the professional NX3D1 brings several innovations to the table for this emerging class of camcorders.
First and foremost is a 3.5" lenticular LCD display, which allows you to monitor the stereo effect while you're shooting – without the need for any glasses. The screen offers several other options, as well: You can view just the left image, just the right image, or a composite mix of both, "flattened" so you can eyeball the disparity between the left and right video channels.
That disparity (convergence) is adjustable. Though the interaxial distance HXR-NX3D1 is fixed at 31mm, you can turn a dial to shift the active image window (i.e. panning across the group of pixels on the CMOS sensors that are actually being read out to the internal storage or SD card/Memory Stick), to dampen or increase the stereo effect of what you're recording.
In 3D mode, the files that the camera records are MVC, short for "multi-view coding." For simpler stereoscopic workflows, MVC files include both the left and the right channel clips as a single file. Sony Vegas Pro editing software supports the import of this type of file, and further support is planned from other editing solutions. For wider compatibility with NLEs, the included Content Management Utility software allows you to de-mux these two channels to independent left and right channels, converting MVC files to two 2D AVC files.
For any handheld video, image stabilization is crucial. For handheld stereo 3D, it's even more so – preventing viewer headaches is Job One. Sony's Optical Steady Shot corrects camera shake in three parameters: up/down, left/right, and rotational.
| Image Device |
2x 1/4" ExmorR CMOS with ClearVid pixel array Pixel Gross: Approx. 4,200,000 Video Actual: Approx. 1,990,000 (16:9) |
| Lens |
2x Sony G Lenses, 10x (optical in 3D), 12x (optical in 2D) F1.8-F3.4 |
| Focal Length |
2.9-29mm (35mm equivalent: 34.4-344mm) in 3D 2.9-34.8mm (35mm equivalent: 29.9-348mm) in 2D 1 Please Note:This spec applies when SteadyShot is in Active mode Off close |
| Focus | Full-range auto/Manual |
| Shutter Speed | 1/8-1/1000 (manual shutter speed control) |
| White Balance | Auto, outdoor (5800K), indoor (3200K), one-push (touchpanel) |
| Image Stabilizer | Optical SteadyShot image stabilization with Active mode (Wide to Tele) |
| Minimum Illumination |
3 lux (Low LUX mode, 1/30 (60p or 60i) 1/25 (50p or 50i) shutter 2D only) 11 lux (Standard mode) |
| LCD Monitor |
3.44" approx. (3.5 type, aspect ratio 16:9) 1,229,760 dots (2D 2562x480) 2D/3D view selectable |
| Viewfinder | N/A |
| Internal Memory | 96 GB |
| Memory Card Slot | Single, accepts SD/SDHC/SDXC (Class 4 or faster) or Memory Stick (Memory Stick PRO Duo (Mark2), Memory Stick PRO-HG Duo, Memory Stick PRO-HG Duo HX) |
| Slow Motion |
240 fields per second (fixed, 60i), 200 fields per second (fixed, 50i) as Smooth Slow Rec (2D only)
2
Please Note:The picture quality is degraded. close |
| Recording Format |
3D: MVC (1080/60i, 50i, 24p: original format) with Linear PCM/Dolby Digital 2-ch, 16-bit, 48 kHz audio HD: MPEG4-AVC/H.264 AVCHD format compatible (1080/60p, 50p: original format) with Linear PCM/Dolby Digital 2-ch, 16-bit, 48 kHz audio SD: MPEG-2 PS with Dolby Digital 2-ch, 16-bit, 48 kHz audio |
| Recording Frame Rate |
3D: 3D (28 Mb/s) 1920 x 1080 (60i, 50i, 24p) 16:9 HD: PS (28 Mb/s) 1920 x 1080 (60p, 50p) 16:9 FX (24 Mb/s) 1920 x 1080 (60i, 50i, 25p, 24p) 16:9 FH (17 Mb/s) 1920 x 1080 (60i, 50i, 25p, 24p) 16:9 HQ (9 Mb/s) 1440 x 1080 (60i, 50i) 16:9 LP (5 Mb/s) 1440 x 1080 (60i, 50i) 16:9 SD: SD (9 Mb/s) 720 x 480 (60i) or 720 x 576 (50i) 16:9, 4:3 |
| Maximum Recording Time |
145 min (Memory Stick 32 GB, 3D, Linear PCM) 170 min (Memory Stick 32 GB, HD FX, Linear PCM) 450 min (Int. memory 96 GB, 3D, Linear PCM) 530 min (Int. memory 96 GB, HD FX, Linear PCM) |
| Battery Operation Times | 190 min (HD), 140 min (3D) *TBD |
| Built-In Microphone | 2-ch stereo microphone |
| Audio Signal Format |
3D/HD: Linear PCM/Dolby Digital 2-ch, 16-bit, 48 kHz Standard definition: Dolby Digital 2-ch, 16-bit, 48 kHz |
| Input and Output Connectors |
Mic Input: Stereo mini jack (x1) 3.5mm Audio Input: XLR 3-pin (female) (x2), LINE / MIC / MIC+48V selectable A/V Output: A/V Remote connector Component Video Output: A/V Remote connector USB: USB device, Mini-AB / high-speed (x 1) Headphone Output: Stereo mini jack (x 1) 3.5mm HDMI Output: HDMI mini connector (x 1) |
| Power Requirements |
AC Adapter: 8.4V Battery: 6.8V |
| Power Consumption |
LCD - normal brightness (HD FX): 4.0W *T.B.D.
LCD - normal brightness (3D): 5.4W *T.B.D. |
| Operating Temperature | +32 to +104 °F (0 to +40 °F) |
| Storage Temperature | -4 to +140 °F (-20 to +60 °C) |
| Dimensions (WxHxD) |
With Battery: 3.4 x 3.1 x 5.8" (86.5 x 79.0 x 148.5mm) With Hood, Battery, Microphone & XLR Unit: 4.9 x 6.5 x 10.3" (124.5 x 165.5 x 262.5mm) |
| Weight (Approx.) |
With Battery: 1.5 lb (0.7 kg)
With Hood, Battery, Microphone & XLR Unit: 2.5 lb (1.1 kg) |
| Minimum System Requirements |
For Content Management Utility: Microsoft Windows XP Service Pack 3 (32-bit), Windows Vista Service Pack 2 (32/64-bit), Windows 7 Intel Core2 Duo 2.80 GHz (for AVCHD playback) 1 GB of RAM • 100 MB available hard-disk space for installation • 1024 x 768 display |
REVIEW SNAPSHOT®
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Comments about Sony HXR-NX3D1 NXCAM 3D Compact Camcorder:
If you own a Macintosh computer, this camera is nearly useless. The only way you can watch a video on a 3D iTV is by hooking the camera up to the TV. Yes, you can back up the recorded files onto an external HDD which gives you plenty of storage. But to view the videos, you must first connect the hard drive to the camera! Send your hard drive to your sister to watch the videos you shot in 3D, but don't forget to send the camera. There is NO editing software for Mac. Don't be fooled by the Wondershares of the world. They do not work. If you plan to shoot outdoors, change your plans. It is impossible to see anything on the LCD screen either in 3D or 2D. If you cover the screen with one hand like an umbrella, and get real close, you still can't see. A three thousand dollar camera needs a traditional electronic viewfinder for outdoor shooting. This camera looks very cool and is bound to make you look like a pro. At least while you are holding it. If I recommended this camera to a friend, I wouldn't be much of a friend. By the way, I own this camera and it's for sale.
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Comments about Sony HXR-NX3D1 NXCAM 3D Compact Camcorder:
I've owned this for less than a month now, but I can tell you that the HD and 3D quality of this camera is incredible. I doubt there's anything at this price break as good. The one and only complaint I have is that it's the exact same camera as the MUCH less expensive (half the price) Sony HDR-TD10. The only difference is the attachment that contains mic, the mic inputs and controls. Is Sony saying that a simple i/o port and microphone is worth as much as the camera? I didn't realize this when I bought it. Searched the internet for just the attachment. Had I found one, I would've bought it, sent this camera back, and purchased the TD10. Otherwise, this camera is more than I dreamed it would be in this price range.
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Comments about Sony HXR-NX3D1 NXCAM 3D Compact Camcorder:
Seems like a wonderful camera but I need users' advice.Is it really true that using this camera and editing in Final Cut is complicated? I read the Mario bros experience and I wonder if there are other options to edit in Final cut in a quickly and direct way. Please, let me know Maria
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Comments about Sony HXR-NX3D1 NXCAM 3D Compact Camcorder:
Dual lens 3D camcorders have come a long way since the Toshiba SK-3D7K. And the Sony NX3D1 is a significant camera. It offers the 3D videographer a simple tool for capturing stereoscopic video with very little set up time or fussing. The large "glasses free" stereoscopic display is the best i've scene. The ability to change the display from 3D to 2D with a left/right overlay allows for accurate setting of the stereo convergence. This camera has a better dynamic range than my twin Sony HC9 rig, and I'm happy to be leaving the world of tape based acquisition. Have the left and right movies compressed together is a double edged sword. It's great for storage but makes working with the files burdensome to anyone not editing in Vegas. Perhaps other editing platforms will support the MVC format in the future. Until then, transcoding of the files into separate L R movies is the only work around.
There is a lot to love about this camera, and at twice the cost of it's "Consumer" brother (Sony HDR-TD10) this camera has value. But there are some features and functions that will prevent this camera from becoming anything more than a nice point and shoot 3D camcorder with some fancy pro-like adornments.
Many of the important camera settings are unavailable in 3D mode. The first and most frustrating is the ability to set or adjust white balance in 3D mode. Shooting against a simple grey backdrop, i watched the colors shift as an actress moved in and out of the shot. The lack of Zebra display, or a Histogram forces you to rely on the LCD display to set exposure. And the display has different brightness in 2D and 3D mode giving me no confidence in eyeballing the exposure.
In 3D mode, the only image control you have is Convergence, Focus, and Exposure. I would like to be able to change the exposure meterin mode, change the white balance to suit the lighting conditions and perhaps have some kind of exposure and white balance shift available.
I understand that having a dual lens, dual sensor camera that records 1920 x 1080 @ 24p at a reasonable price point is a major achievement. I just wonder why white balance and some form of exposure display have been left off an otherwise handy semi-pro tool. I'm waiting to see what other manufacturer will offer in this price range.
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Comments about Sony HXR-NX3D1 NXCAM 3D Compact Camcorder:
got a Sony TD10 for 3D shooting, but when it comes to make 3D bluray, i discovered it is not compatible. Too bad... But Sony fixed that by releasing the NX3D1 that shoot 24p. Ok it is twice expensive, but the camera looks really pro and it really woth the money. [...]
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Comments about Sony HXR-NX3D1 NXCAM 3D Compact Camcorder:
The HXR-NX3D1 delivers solid stereoscopic footage from a very compact form-factor camera. Narrow IA turns out to be PERFECT for underwater work, which is my primary application for the camera. Lack of white balance control in 3D mode is a minor annoyance - but - proper underwater filters and lighting cure most of that problem. Video quality is surprisingly good from the modest 28 Mbps MVC codec. Color model is limiting (4:2:0) and there is not much latitude to correct any baked-in problems, but, Sony has done a remarkable job with the "out-of-the-camera" color quality.
Above water, the HXR-NX3D1 is a fantastic go-to camera for quick shots. The quality is good enough to intercut with our EX3 beamsplitter rigs. For the time being, the HXR-NX3D1 will probably be the 3D camera that gets the most use of all the rigs we have.
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Comments about Sony HXR-NX3D1 NXCAM 3D Compact Camcorder:
I bought this to use as a third camera in my professional work and this is a dream come true. The video quality in 3D and 2D is as good as my PMW-EX3 and it's 1/3 the size. Light weight and great on a Steadicam Merlin or Glidecam 2000. It's not a back breaker.
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Comments about Sony HXR-NX3D1 NXCAM 3D Compact Camcorder:
The form factor is nice, unobtrusive and doesn't call attention to itself (other than the gold "3D" letters on the viewfinder). The viewfinder is awesome and always carries the "wow" factor for whoever looks at it.2D HD resolution is ok, not great, but after going into 3D you might not want to go back to 2D anyway. 3D resolution looks very nice, maybe it's technically not very high because of the compression, but the added perception of depth takes it to another level and looks MUCH, MUCH better than the footage from the 3D bloggie ($250 vs. [$]). Image stabilization is great.The software included with the camera only works on a PC. Fortunately I had an old PC laptop lying around, so I'm able to extract the AVC files and then split them into a pair (L&R m2t's). Strange thing is: The MVC file is 25 Mb/s, not 28 Mb/s as stated. The split m2ts files are 16Mb/s each. 2 messages at Sony got me a callback 3 days later from a rude guy who really wasn't that well informed and ended up telling me someone would have to call me back. i just wanted to know why I was getting 25Mb/s and not the 28Mb/s printed in the specs. Maybe I'm doing something wrong (?)Once I have the m2t's on a hard drive, I bring them over to mac, use AUNSOFT Video converter to convert them to ProRes and then edit with FCP and Dashwood 3D. Hopefully in the not so distant future it will be easier to split the MVC files into something editable by a mac without much hassle.Another thing that I have noticed is that sometimes, one of the pairs (usually right) shows more compression or fuzziness than the other one. Not really sure if this is the result of the software in the cam, the Sony PC utility, or my transcoding to ProRes. I will be asking Sony if they ever call back...
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