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Digieffects Destabilize Effect for Damage v2

B&H # DIDEALCDS MFR # DE-ALC-DS
Digieffects Destabilize Effect for Damage v2

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Product Highlights

  • Post-production Video Effect
  • Practical Camera Shake Effect Emulation
  • Separate Color Channel Alpha Compositing
  • Color Channel Separation
  • Individual Controls - Color Channel
  • Nodal Rotation Control
  • Multiple Axes Motion Blur
  • Rendering Elimination via AutoAnimate
  • Windows / Mac Compatibility
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Questions? Ask our experts:

Digieffects' Destabilize Effect for Damage v2 simulates a practical camera shake allowing you to create complex footage such as in close proximity to ghosts, collapsing overpasses, and wide crevasses sucking landscapes; thus proving to be a better and more effective alternative to tripod-steady footage.

You can inject more drama into the scene by simulating conceptual effects such as separate color channel alpha compositing and color channel separation. With individual controls for color channel, nodal rotation control, and multiple axes of motion blur Destabilize allows you to add more tension and energy to an otherwise simple and straightforward shot.

You can use the Deinterlace control for to eliminate fields by interpolating single or both fields, leading to the creation of a non-interlaced, progressive output. With options such as none, lower/upper only, and merge, the Deinterlace control provides wide flexibility. You can manually adjust the RGB value of color individually via the Color Control, while adjusting the Motion Control provides you with the ability to insert practical camera shake movements into the video clip.

Controls such as Maximum, Frequency, Amplitude, and Phase allow you to control various parameters of the Destabilize effect. Using the Erratic control allows you to introduce random changes in the cycling behavior of the effect, thus eliminating the mechanical feel from the cyclical behavior of the effect. You can use the Zoom Base control to prevent the image from shaking out of the video overlay, and introduce variance in the zoom applied during camera shake via the Zoom Factor control. You can introduce separation between the individual red, blue, and green channels via the Channel Separation control. The Advanced control allows you to further fine-tune the effect and smooth out abnormal anomalies such as huge spikes in the modulation oscillations.

Controls in the Pre-color Correct feature affect your clip before it is operated on by the OverExpose primary effect. With support for AutoAnimate, you can easily preview your Destabilize effect without rendering. The Destabilize Effect for Damage v2 is compatible with Windows and Mac operating systems.

Simulates a practical camera shake allowing you to create complex footage such as in close proximity to ghosts, collapsing overpasses, and wide crevasses sucking landscapes; thus proving to be a better and more effective alternative to tripod-steady footage
Injects more drama into the scene by simulating conceptual effects such as separate color channel alpha compositing and color channel separation
Allows you to add more tension and energy to an otherwise simple and straightforward shot via individual controls for color channel, nodal rotation control, and multiple axes of motion blur
Deinterlace Control - eliminates fields by interpolating single or both fields, leading to the creation of a non-interlaced, progressive output
Deinterlace Control - provides wide flexibility with options such as none, lower/upper only, and merge
Allows you to manually adjust the RGB value of color individually via the Color Control
Motion Control provides you with the ability to insert practical camera shake movements into the video clip
Offers control over various parameters of the effect via Maximum, Frequency, Amplitude, and Phase controls
Allows you to introduce random changes in the cycling behavior of the effect via the Erratic Control, thus eliminating the mechanical feel from the cyclical behavior of the effect
Prevents the image from shaking out of the video overlay via Zoom Base control
Introduces variance in the zoom applied during camera shake via the Zoom Factor control
Allows separation between the individual red, blue, and green channels via the Channel Separation control
Advanced Control - allows you to further fine-tune the effect and smooth out abnormal anomalies such as huge spikes in the modulation oscillations
Pre-color Correct - affects your clip before it is operated on by the OverExpose primary effect
Allows you to easily preview your Blockade effect without rendering via AutoAnimate support
Compatible with Windows and Mac operating systems
Mac System Requirements
  • Operating System - OS X 10.4+
  • Processor - G4/G5/Mac Intel Processors
  • Memory - Minimum of 2 GB System Memory
PC Requirements
  • Operating System - XP Professional SP2/Windows Vista/Windows 7
  • Processor - Intel Pentium 4 or AMD Athlon XP
  • Memory - Minimum of 2 GB System Memory
Compatible Software
  • Final Cut Pro
  • After Effects
  • Premiere Pro
  • Combustion
  • Boris RED
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