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Avid Media Composer 5.5 Academic Edition with Mojo DX (Mac/Win)

  • Price: $6,995.00
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    This item is usually Drop Shipped from the MFR/Distributor within 2-4 weeks (subject to availability). Your order will be charged at the time of placing the order with the vendor. Item is non-cancelable and non-returnable.

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    For international orders, credit cards will be charged at time you place your order.
  • B&H # AVMCMDXACAD
  • Mfr# 7500-20068-01

Product Highlights

  • Real-Time HD Video Editing
  • Hardware / Software Bundle
  • HD-SDI Input/Output & HDMI Monitoring
  • Native QuickTime, Canon MPEG-2 Editing
  • Native RED, XDCAM HD, DVCPRO HD Editing
  • Native HDCAM SR Lite Editing
  • Direct AVCHD Import / Mix & Match Media
  • Full-Quality RGB 4:4:4 Processing
  • Advanced 2D/3D Effects, Color Correction
  • Manipulate Transitions on Timeline

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Avid Media Composer 5.5 Academic Edition with Mojo DX (Mac/Win) is a professional hardware/software nonlinear editing system that provides a comprehensive and powerful set of creative editing tools for even the most challenging film or video production. Long a staple of the motion picture industry, this fast, versatile software offers real-time HD editing, file-based workflows, cutting-edge features, and media management you can count on.

Media Composer 5.5 software tightly integrates Mojo DX video hardware with your host computer's CPU and GPU, giving you a high-bandwidth effects engine that delivers without compromise, no matter what formats and codecs you use. Experience faster editing – plus digital capture, monitoring, and output – with Media Composer 5.5 & Mojo DX. The hardware supplies HD-SDI input/output, HDMI output for monitoring, as well as reference sync input for timecode.

Media Composer 5.5 continues to natively support RED and QuickTime formats (including Apple ProRes and .mov files captured by Canon's DSLRs), and Canon's 4:2:2 MPEG-2 codec. There's also direct AVCHD import and expanded support for Matrox MXO2 Mini external monitoring. You can edit practically any tapeless format instantly, without the need for transcoding, and edit mixed resolutions and formats on the same timeline.

There's a huge collection of built-in 2D and 3D effects and transitions as well as tools for motion tracking, keying, compositing, title creation, color correction, and editing & mixing audio. With Media Composer 5.5 you can execute effects, transitions, and color correction with more direct control. Introduced for this version is the ability to manipulate transitions in the timeline directly with the expanded Smart Tool.

Also expanded is support for external hardware such as I/O devices from Avid and other manufacturers, as well as control surfaces to help you edit more comfortably and efficiently.

Ideal for offline, file-based, and mobile editing, Media Composer 5.5 is used for editing films, TV programs, short-form videos, and pretty much any other media you can come up with. Mac or PC, in the studio or in the field – edit where you want and how you want, with the most powerful editing system around.

Note! This product contains the Academic Edition of Media Composer 5.5. This is an educational package that requires proof of current educational status.

What's New
  • Capture, monitor, and output video with support for the AJA Io Express interface
  • Natively access and edit Sony HDCAM SR Lite media through AMA (Avid Media Access)
  • Accelerate Panasonic AVC-Intra projects – and use multiple streams – with support for the new Nitris DX AVC-Intra hardware interface
  • Take hands-on control of your video and audio editing/mixing with EUCON support for Artist Control, Artist Mix, and Artist Transport control surfaces
  • Directly manipulate transitions in the timeline with the expanded Smart Tool
  • Quickly find files across local and shared storage bins using the improved Find tool
  • Capture and monitor audio in Media Composer projects using Pro Tools hardware
  • Specify audio track formats during import or through AMA, and expand your creative palette with 20 included AIR effects plug-ins
  • Get more flexibility with audio signal routing when sending material to air (Send to Playback), with up to 16 audio output channels
  • View portions of the software interface in localized languages, including Japanese, Simplified Chinese, Korean, French, Spanish, German, and Italian
  • Get better Long GOP performance when using Send to Playback with AirSpeed servers
  • Use proxies of H.264 material in AirSpeed MultiStream environments for faster response time and increased stream counts
  • New format support with Matrox MX02 Mini now includes SD 23.976, 720p 23.98, 1080p 23.98, 1080p 24, 1080p 25, and 1080p 29.97 as well as the ability to select PsF or true P output in 1080p modes. Also MX02 Mini with Max acceleration has been qualified on Mac OS systems
Edit More Quickly and Easily Than Ever
Experience the fastest, most flexible workflows that enable you to work the way you want – in more ways than ever
Get the Look, Sound & Quality You Want
Polish your projects with a huge collection of built-in 2D and 3D effects, transitions, and tools for motion tracking, keying, compositing, titling, color correcting, and editing/mixing audio
Experience an Open Timeline
With Media Composer, you can work with more media formats than any other editing system, choose hardware options to accelerate your editing, and integrate into any workflow for the ultimate efficiency
Designed for Collaboration
Work efficiently and seamlessly with others using a wide array of workflows and solutions from Avid
A Worldwide, World-Class Community
With a huge community of Avid video users and professional support from Avid, your editing career is in good hands throughout its many stages
System Requirements Windows
  • Computer: Avid-qualified Windows-based computer or laptop (see details)
  • OS: Windows 7 Professional (64-bit), Windows XP Professional SP3 (32-bit), Windows Vista Business SP2 (64-bit), Windows Vista Ultimate SP2 (64-bit)
  • Processor: Intel Core 2 Duo 2.33 GHz processor or faster
  • Memory: 2 GB of RAM (4 GB of RAM recommended; Windows Vista requires 4 GB of RAM)
  • Graphics Card: NVIDIA Quadro FX family** (FX 560 or higher)
  • Internal Hard Drive: Minimum 80 GB 7200 rpm hard disk

**Only NVIDIA cards are supported; full-screen playback requires a minimum of 128 MB of graphics memory.

Mac

  • Computer: Avid-qualified Mac-based computer or laptop  (see details)
  • OS: Mac OS X 10.6.3 (Snow Leopard)
  • Processor: Intel Dual or Intel Dual Core 2.66 GHz Xeon processor or faster, or Intel Core 2 Duo 2.33 GHz processor or faster (laptops)
  • Memory: 2 GB of RAM (4 GB of RAM recommended)
  • Graphics Card: NVIDIA GeForce family**
  • Internal Hard Drive: Minimum 80 GB 7200 rpm hard disk


**Full-screen playback requires a minimum of 128 MB of graphics memory.

Additional Requirements for Mojo DX Hardware

  • Avid-qualified Windows- or Mac-based computer with a PCIe x4 card slot, or
  • Avid-qualified laptop** with an ExpressCard slot and the optional Avid ExpressCard Hardware Interface Board
**DNxHD capture with Mojo DX is only supported with Windows-based Intel Core i7 laptops (Quad Core with Hyper-Threading)
Video SD
1:1 interlaced 8-bit
1:1 interlaced 10-bit
1:1 progressive 8-bit
1:1 progressive 10-bit

HD
1:1 8-bit (no capture)
1:1 10-bit (no capture)
YUV 4:2:2
RGB 4:4:4 (via dual link HD-SDI)

Formats NTSC
23.976p
24p
30i

PAL
24p
25i
25p

HD - 720
720p/23.976
720p/25
720p/29.97
720p/50
720p/59.94

HD - 1080
1080p/23.976
1080p/24
1080p/25
1080p/29.97
1080i/59.94
1080i/50

Codecs Avid DNxHD
All DNxHD formats (review the DNxHD Technology white paper for details)

Avid Compressed SD Resolutions
AVR (playback only)
15:1s, 4:1s, 2:1s
20:1, 10:1, 3:1, 2:1
35:1p, 28:1p, 14:1p, 3:1p, 2:1p
4:1m, 10:1m, 3:1m(p), 8:1m(p)

Avid Proxy Formats
Interplay MPEG-2 proxy, MPEG-4 proxy, 720p H.264 proxy (transcode service only)

Canon XF
50 Mb/s, 4:2:2

DV
DV25 / DVCAM (25 Mb/s): 4:1:1 NTSC, 4:1:1 PAL, 4:2:0 PAL, 24p
DV50 (50 Mb/s)

HDV
JVC HDV (19Mb/s) - 720p
Sony HDV (25Mb/s)
Canon HDV 1080 at 24p/50i / 59.94i
Native project formats: 1080i/59.94, 1080i/50, 720p/23.976 (with support for 24p material), 720p/25, 720p/29.97, 720p/50, 720p59.94
Capture over IEEE-1394, edit, play back, export to file without timecode (export not for 24p material)

Ikegami GFCAM
GFCAM 50 Mb/s
GFCAM 100 Mb/s

Microsoft VC-1
VC-1 (edit/play back on Intel Macs only)

Panasonic DVCPRO (SD)
DVCPRO - 25 Mb/s
DVCPRO50 - 50 Mb/s

Panasonic DVCPRO (HD)
DVCPRO HD - 100 Mb/s
AVC-Intra (no encode from baseband over HD-SDI)
Native project formats: 1080i/59.94, 1080i/50, 720p/59.94, 720p/25, 720p/23.976

QuickTime
ProRes
Most QuickTime-compatible movies (playback performance dependent on codec, frame size, and hardware configuration)
Full metadata support

RED
R3D (frame sizes scaled to HD)
RLX support
Full metadata support

Sony XDCAM (SD)
DV - 25 Mb/s
IMX30 - 30 Mb/s
IMX40 - 40 Mb/s
IMX50 - 50 Mb/s

Sony HDCAM SR Lite
220 Mb/s

Sony XDCAM EX
MPEG - 25 Mb/s CBR
MPEG - 35 Mb/s VBR

Sony XDCAM HD
MPEG - 18 Mb/s VBR
MPEG - 25 Mb/s VBR
MPEG - 25 Mb/s CBR
MPEG - 35 Mb/s VBR
MPEG - 50 Mb/s CBR
MPEG-4 Proxies

File Support Canon XF
Full native direct access to Canon XF media and metadata
Native editing of all listed formats (see Native Codec Support)

MXF
Full native direct access to MXF media and metadata
Native editing of all formats

Sony XDCAM / XDCAM EX / XDCAM HD
Full native direct access to XDCAM Media and metadata
Native editing of all listed SD and HD data rates (see Native Codec Support)
Import via File Access Mode (FAM) over IEEE-1394
Ingest via FTP client over Ethernet
Ingest, Playout and Write-back of finished program to XDCAM media

RED
Full native direct access to RED (.R3D) media and metadata (frame size scaled to HD)
Native editing of all listed formats (see Native Codec Support)
Direct edit of RED (.R3D) files from a RED-FLASH card or RED-DRIVE

QuickTime
Full native direct access to QuickTime media and metadata (including Canon 5D and 7D media)
Native editing of all listed formats (see Native Codec Support)
Direct edit of QuickTime movie files

Sony HDCAM SR Lite
Full native direct access to HDCAM SR Lite media and metadata
Native editing of all listed HD data rates (see Native Codec Support

Panasonic P2
Full native direct access to P2 Media and metadata
Native DVCPRO HD editing of all listed HD formats (see Native Codec Support)
Direct edit of P2 media from cards or disk drive
Support for P2 Store
Write-back of finished program to P2 media (Windows only)

Ikegami GFCAM
Full native direct access to GFCAM material and metadata
Native GFCAM editing of all listed formats (see Native Codec Support)
Direct edit of GFCAM media from GFPAK cards or disk drive

Connectivity PCI-E (audio/video I/O)
RS-422 (serial machine control)
Soundcard audio input
Soundcard audio output
Graphics card output (full-screen video playback)

Mojo DX Video Connections
Digital Video: SDI I/O (SD and HD, combined connector)

Mojo DX Audio Connections
Digital Audio: 8 channels of embedded SD-SDI audio I/O, 16 channels of embedded HD-SDI audio I/O, 8 channels of optical ADAT I/O, 2 channels of optical S/PDIF I/O
Analog Audio: 2 channels of 1/4" TRS I/O, stereo headphone output (3.5mm TRS)

Mojo DX Monitoring and Sync
Monitoring: HDMI output (all rates supported, including full 1920 x 1080 HD)
Timecode and Sync: Reference Sync (Black and Burst or HD TriLevel input, combined connector), Word Clock (output only)

Peripherals

Bella -  Pro Series Keyboard 3.0 for Avid Media Composer
  • Price: $129.95
 

Tutorials

Class on Demand -  Complete Training for Avid Media Composer
  • Price: $179.95
 

This is a special order item. Est. arrival at B&H is 7-14 days (subject to availability). Your order will be charged at the time of shipment.

What's in the Box

Avid Media Composer 5.5 Academic Edition with Mojo DX (Mac/Win)
  • Media Composer
  • Mojo DX Hardware
  • EDL Manager
  • FilmScribe
  • Interplay Transfer
  • Log Exchange
  • MediaLog
  • MetaFuze
  • MetaSync Manager
  • Avid DVD by Sonic
  • Getting Started Training Videos
  • User Guides and Other Documentation
 
 
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