Batteries, a lens, and media are required but not included with this item. Please be sure to purchase batteries, a lens, and media that best suit your needs.
Joining the F35 and SRW-9000PL in Sony's lineup of CineAlta 24p digital cinema cameras, the PMW-F3L Super 35mm XDCAM EX Full-HD Compact Camcorder with S-Log Gamma continues the democratization of high-end image capture. The camera's Super 35mm-size CMOS sensor offers a variety of advantages over smaller sensors, including increased control over depth of field, higher sensitivity in low light, lower image noise, and an exceptional dynamic range. Unlike smaller, broadcast-style sensors or the larger "full-frame" sensor found in some DSLRs, the PMW-F3's chip is on a par with Hollywood film cameras, in terms of field of view and depth of field. That means complete compatibility with cine-style film lenses and consistency of vision for cinematographers used to shooting on 35mm film.
Another advantage of the camera's highly efficient sensor is its low power consumption--only 24W. Not only does this mean a standard 12V battery can last nearly 3 hours, but the low amount of heat the sensor generates offsets the need for an internal fan--contributing to the camera's extremely light weight (just over 5 lb). As a result, this is the first CineAlta camcorder designed with a handheld form factor.
Using a solid-state workflow based on the XDCAM EX platform, the PMW-F3 records natively to professional SxS media, using the MPEG-2 long GOP codec in an 8-bit 4:2:0 color space. More demanding applications can utilize the camera's dual-link HD-SDI ports to output to an external recorder in 10-bit 4:2:2 or 10-bit RGB 4:4:4.
The combination of four HyperGamma settings with S-Log and LUT capability provide RAW-like flexibility to the image data, allowing for increased picture control and dynamic range. S-Log expands the camera's dynamic range to include at least 12.5 stops of exposure latitude. Meanwhile, the F3's Exposure Index mode sets the camera at an optimal ISO and adds a full stop of exposure, maximizing the sensor output for situations when highlights are a priority.
An included PL mount adapter strengthens the link between digital cinema and traditional film, providing an efficient means for using any number of professional PL-mount cine lenses--including full compatibility with Cooke/i and Arri LDS technology. Beneath the removable PL adapter, the camera's native, stainless steel FZ mount provides a foundation for added versatility. Its short flange distance allows for the development of smaller, lighter zoom lenses as well as compatibility with a wide array of both cine and photo lenses (using optional adapters).
Other features--such as variable frame rates, multiple-format recording, slow shutter, and uncompressed PCM audio--make the PMW-F3 an impressive companion to its larger Super 35 brethren. Not only will it intercut perfectly with the F35 and SRW-9000PL as a second unit or B camera, it can easily stand on its own in applications as diverse as indie film, television, commercials, music promos, and education. In the world of digital cinema, these are indeed interesting times--and the PMW-F3 represents another revolutionary stride toward affordable, motion-picture quality imaging.
*In 1440 x 1080/23.98p (SP) mode, images are handled as 23.98p and recorded as 59.94i signals via 2:3 pull-down.
*In 1440 x 1080/23.98P (SP) mode, images are handled as 23.98p and recorded as 59.94i signals via 2:3 pull-down.
| Image Device | Super 35mm Exmor CMOS Image Sensor (23.6 x 13.3 mm) |
| Picture Elements | 1920 x 1080 (Effective) |
| Lens Mount |
Sony FZ PL Mount (with supplied lens mount adapter) |
| Signal-to-Noise Ratio | 63 dB (typical) |
| Horizontal Resolution | Not specified by manufacturer |
| Sensitivity | F11 @ 2000 lux, ISO 800, 89.9% Reflectance (typical) |
| Minimum Illumination | Not specified by manufacturer |
| Signal System | NTSC / PAL |
| Built-in Filters | Neutral Density: CLEAR, 1/8, 1/64 |
| LCD Monitor |
3.5" Hybrid-type 16:9 Color LCD Monitor Approx. 921,000 effective pixels |
| Speaker | Mono |
| Viewfinder | 0.45", Aspect Ratio 16:9 |
| Shutter Speed |
1/32 - 1/2000 sec
Slow Shutter (SLS): 2, 3, 4, 5, 6, 7, and 8-frame accumulation |
| Gain Selection | -3, 0, 3, 6, 9, 12, 18 dB, AGC |
| White Balance | Preset, Memory A, Memory B/ATW |
| Memory Card Slot | ExpressCard/34 (x2) |
| Recording Format |
MPEG-2 Long GOP HD HQ mode: VBR, maximum bit rate: 35 Mb/s, MPEG-2 MP@HL HD SP mode: CBR, 25 Mb/s, MPEG-2 MP@H-14 SD mode: DVCAM Audio: Linear PCM (2ch, 16-bit, 48-kHz) |
| Frame Rates |
NTSC area: HD HQ mode: 1920 x 1080/59.94i, 29.97p, 23.98p 1440 x 1080/59.94i, 29.97p, 23.98p 1280 x 720/59.94p, 29.97p, 23.98p HD SP mode: 1440 x 1080/59.94i, 23.98p SD mode: 720 x 480/59.94i, 29.97p
PAL area:
Slow & Quick Motion Function |
| Recording/Playback Time |
HQ Mode: Approx. 100 min with SBP-32 (32 GB) memory card Approx. 50 min with SBP-16 (16 GB) memory card
SP/SD Mode: |
| Audio Dynamic Range | Not specified by manufacturer |
| Audio Signal Format | 2-channel 16-bit, 48 kHz linear PCM uncompressed |
| Audio Frequency Response | Not specified by manufacturer |
| Signal to Noise Ratio | Not specified by manufacturer |
| Input and Output Connectors |
SDI: BNC (x1 Output) Dual Link HD-SDI: BNC x2 (x1 Output) Composite: BNC (x1 Output) HDMI: HDMI Type A (x1 Output) FireWire: IEEE 1394 6-pin (x1 Input/Output) Line/Mic: 3-pin XLR (x2 Input) Audio: RCA x2 (x1 Output) Timecode: BNC (x1 Input, x1 Output) Genlock: BNC (x1 Input) USB: Standard A-Type (x1), Mini B-Type (x1) Headphone: 3.5mm Stereo Mini (x1 Output) Remote: 8-pin DC Input: 4-pin XLR (male) |
| Power Requirements | 12V DC |
| Power Consumption | 24W (Typical) |
| Operating Temperature | 32 - 104°F (0 - 40°C) |
| Dimensions (WxHxD) | 5.9 x 7.4 x 8.3" (15.1 x 18.9 x 21 cm) (protrusion not included) |
| Weight | 5.3 lb (2.4 kg) (camera only) |