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Waves Grand Masters Collection (TDM)

Waves Grand Masters Collection (TDM)

Waves Grand Masters Collection (TDM)

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Waves Grand Masters Collection (TDM)

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Product Highlights

  • Includes 16 Mastering Plug-Ins
  • Includes Metering, EQ, Multiband Comps
  • TDM, RTAS, Audio Suite, AU, VST Support
  • Mac & PC Compatible

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Overview
  • 1Description

The TDM Grand Masters Collection from Waves is bundle of 16 plug-ins designed to provide you with the tools to master your tracks. It includes EQ, multiband compression, stereo management, and limiter plug-ins. They support TDM, RTAS, Audio Suite, AU, and VST plug-in formats on Mac and PC.

Please note: This collection is an electronic download.

  • MaxxVolume - Dynamics Plug-In (TDM)

    MaxxVolume TDM from Waves is a four-way dynamics processor plug-in, that combines several technologies from other Waves' processors into a single, unified interface. Building on the L2 Ultramaximizer, C1 Parametric Compander, Renaissance Vox, and Renaissance Compressor, the plug-in provides a unique functionality for mixing and mastering, as well as broadcast and post-production.

    When used with vocals, the processor allows the vocal to stay in focus with automatic level riding. When working with instruments, the plug-in can control the dynamic range without the artifacts of compressors and limiters. And for Broadcast, the engineer can bring any program material to a fixed destination level, making it ideal for radio and TV, Podcasting, internet streaming, and more.

    Main Features

    Four-way loudness maximizing plug-in
    Includes low-level compression for controlling the maximum amount of gain makeup applied to the signal below the specified threshold
    Gating function that sets the level below which gating (downward expansion) is applied. Ranges from 0dB to -96dB
    Includes high-level compression
    Leveler (Auto Gain Control) sets both the threshold above which leveling is applied, and the target to which the audio signal is leveled
    Double precision bit resolution processing
    Up to 24-bit / 192kHz resolution
    Mono and Stereo components

    Controls

    Low Level
    • Threshold: -96dB to 0dB
    • Threshold: on/off toggle
    • Gain: 0dB to +48dB
    • Gain Meter: 0dB to +48dB
    Gate
    • Threshold: -96dB to 0dB
    • Threshold: on/off toggle
    Energy Meter
    • -96dB to 0dB
    Leveler
    • Threshold: -48dB to 0dB
    • Threshold: on/off toggle
    High Level
    • Threshold: -48dB to 0dB
    • Threshold: on/off toggle
    • Gain: -48dB to 0dB
    • Gain Meter: -48dB to 0dB
    Output Meter
    • -96dB to 0dB with peak hold and clip indicators
  • PuigTec Equalizers - Program and Midrange EQ Plug-Ins (TDM)

    PuigTec Equalizers TDM from Waves is pair of EQ plug-ins, that together provide a full-range vintage EQ chain. Both of the original Pultec hardware units on which these plug-ins have been modeled, have been, and are still today, mainstay at high-end studios.

    The EQP-1A is known for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf. The distinctive midrange tonal characteristics of the MEQ-5 make it the perfect complement to the EQP-1A.

    Main Features

    EQP-1A
    • Unique resonant low shelf boost
    • Avid ICON support
    • Up to 24-bit/96 kHz resolution
    • Mono and stereo components
    MEQ-5
    • Midrange complement to EQP-1A
    • Avid ICON support
    • Up to 24-bit/96 kHz resolution
    • Mono and stereo components

    Controls

    EQP-1A
    • Low Band Boost: 0 to 11 (18 dB boost, 0.1 steps)
    • Low Band Attenuation: 0 to 11 (18 dB cut, 0.1 steps)
    • Low Band Frequency: 20, 30, 60, 100 Hz
    • High Bell Boost: 0 to 11 (18 dB boost, 0.1 steps)
    • High Bell Bandwidth (Q): 0 to 11 (0=sharp 11=wide, 0.1 steps)
    • High Bell Frequency: 3, 4, 5, 8, 10, 12, 16 kHz
    • High Shelf Attenuation: 0 to 11 (18 dB cut, 0.1 steps)
    • High Shelf Frequency (Atten Sel): 5, 10, 20 kHz
    • In: in/out
    • Output: -18 dB to 18 dB (0.1 steps)
    • Mains: Off, 50 Hz, 60 Hz
    MEQ-5
    • Low Mid Frequency: 200, 300, 500, 700, 1000 Hz
    • Low Mid Peak: 0 to 11 (10 dB boost, 0.1 steps)
    • Mid Frequency: 200, 300, 500, 700, 1000 Hz, 1.5, 2, 3, 4, 5, 7 kHz
    • Mid Dip: 0 to 11 (10dB cut, 0.1 steps)
    • High Mid Frequency: 1.5, 2, 3, 4, 5 kHz
    • High Mid Peak: 0 to 11 (10 dB boost 0.1 steps)
    • In: in/out
    • Output: -18 dB to 18 dB (0.1 steps)
    • Mains: Off, 50 Hz, 60 Hz
  • Dorrough Meter Collection (TDM)

    The Dorrough Meter Collection from Waves features models of Dorrough's most popular loudness meters - the 280D/240D, 380D/340D and 40AES/EBU. Developed in association with Dorrough Electronics, they provide precision loudness monitoring for every conceivable audio scenario.

    The meters can be for input metering to attain optimal recording levels, as group/auxiliary meters to achieve optimal group loudness, or as master output meters for monitoring output levels.

    3 models of Dorrough's loudness meters - the 280D/240D, 380D/340D and 40AES/EBU
    Superfast peak response
    Sum and difference energies for optimal stereo-to-mono compatibility
    Left/right phase correlation
    Displays number of overs
    Peak and average level relations
    3 selectable styles - horizontal (280D/240D), vertical (380D/340D), and arc (40AES/EBU)
    3 selectable sizes - extra large, large, and small
    Selectable reference levels
    Switch between display sizes and styles with the click of a mouse
    40dB scale in 1.0dB steps
    Mono and stereo components
  • Center - Spacial Imagery Adjustment Plug-In (TDM)

    Center from Waves is a plug-in ideal for tuning final mixes and mastering. An innovative processor, the plug-in allows for separating the phantom Center content from the Side (L/R) content in stereo sources to bring out or bring down the vocals, or whatever occupies the center space, without affecting everything else. Using an engine which considers the amplitude, frequency and time envelope of stereo sources, Center delivers the power to radically re-balance the spatial imagery.

    It is also possible to widen or narrow the Side content without disturbing the Center. Additionally, punch, high frequency and low frequency controls provide adjustments for enhancing those details for maximum impact. Perfect for post-production engineers and DJs as well, the software allows for repositioning, isolating, and even eliminating elements of the mix.

    This version is for use with Avid's Pro Tools HD systems.

    Post Production
    • Enhance dialog or narration
    • Control the ambience/reverb of stereo location recordings
    • Improve mono compatibility
    Mixing and Mastering
    • Bring out the lead vocals in a finished mix
    • Re-image stereo drum overheads
    • Balance stereo recordings of individual or groups of acoustic instruments
    • Widen or narrow the stereo spread
    DJ
    • Remove vocals for karaoke
    • Remove instrumental tracks for remixes and mash-ups
    • Manipulate samples and drum loops
    Controls
    • High controls balance of high frequency content between the center and sides
    • Low controls balance of low frequency content between the center and sides
    • Punch controls the spread of transient content between the center and sides
    • Center controls the center gain
    • Sides controls the sides gain
    • Master Gain controls the overall stereo gain
    • Output Meters displays the stereo output after processing
    • Center Detection Meter displays the center content of the stereo source
  • L3 Multimaximizer - Multi-Band Limiter Plug-In (TDM)

    The L3 Multimaximizer TDM from Waves, is a plug-in that performs multi-band peak limiting and comes in two versions, the Multimaximizer and Ultramaximizer. Both plug-ins utilize a patent-pending "Peak Limiting Mixer" (PLMixer) engine, the only difference being that less control is provided on the Ultramaximizer.

    Unlike most wide band limiters, the L3 uses linear phase crossover filters to divide the audio spectrum into five bands. The PLMixer then uses psychoacoustic criteria to intelligently decide how much attenuation to apply to each band so that all available headroom is used.

    The result is that inter-modulation is minimized and overall loudness is maximized, while brick-wall limiting is still maintained - all while retaining the simplicity of a single master threshold control. With its transparent operation, brick-wall limiting, extreme tonal range and dithering and noise shaping control, the L3 can function as a complete mastering processor.

    Main Features

    The PLMixer doesn't require a wide band peak limiter to catch overshoots generated by individual band adjustments. Instead, the mixer automatically controls the gain relationship between the bands.
    A Priority control allows the user to control the relative limiting of each band. This unique control lets users adjust the tonal character of the L3 over a wide range, while maintaining brick-wall limiting.
    The L3 allows a 12 dB boost or cut in each band in addition to the limiting applied to each band. In effect, this feature functions exactly like a Linear Phase EQ placed before the limiting section of the L3, making the L3 an all-in-one final mastering tool.
    Features a linear phase crossover which doesn't introduce phase distortion between the frequency bands. The crossover points are selectable by the user.
    While the technology of the PLMixer allows the L3 to be transparent, additional controls allow it to emulate the color and character of vintage limiters. The Separation control adjusts the independence of each band - when set to 0, the bands do not react separately, and so the L3 functions and sounds like a wide band limiter.
    The Master Release alters the L3's Adaptive Release Control (ARC,) offering a Warm, Scaled, Aggressive and Manual tonal options in addition to the standard ARC setting.
    IDR (Increased Digital Resolution) with double precision bit re-quantization and dither with 9th-order noise shaping filter.
    Also includes the L3 Ultramaximizer.
    Up to 24-bit / 96kHz resolution.
    Mono and Stereo components.

    Controls

    Peak Limiter
    • Input Meter: -30 dB to 0 dB with an integrated Threshold control, Peak Hold indicators
    • Output Meter: -30 dB to 0 dB with an integrated Output Ceiling control, Peak Hold indicators
    • Attenuation Meter: -30 dB to 0 dB
    Master Release: ARC, Aggressive, Warm, Scaled, Manual
    Master Release Link: Links per band release control
    Crossover Controls
    • Low: 40 Hz - 351 Hz
    • Low Mid: 150 Hz - 2,997 Hz
    • High Mid: 1,022 Hz - 4,757 Hz
    • High: 4 kHz - 16 kHz
    Separation: 0 to 100
    DynamicLine Graph: Shows reduction curve -24 dB to +12 dB, 16 Hz to 20 kHz
    Frequency Band Marker: Graphic control over Frequency, Gain and Priority per band
    Gain: -12 dB to +12 dB per band
    Priority: -12 to +12 per band
    Release: 0.1 mS to 2,500 mS per band
    Gain and Priority Link Switch
    IDR Controls
    • Quantize: 24, 22, 20, 18, or 16-bit
    • Dither Type: 1, 2, or None
    • Shaping: Moderate, Normal, Ultra, or None
  • L2 Ultramaximizer - Loudness Maximizer Plug-In (TDM)

    L2 Ultramaximizer TDM from Waves is a plug-in that provides dynamics control for mixing, mastering, and more. The software features look-ahead brickwall peak limiting, level maximization, and ultra high resolution re-quantization for crystal clear level gain.

    Main Features

    Manual and ARC Automatic Release Control
    IDR (Increased Digital Resolution) with double precision bit re-quantization and dither with 9th-order noise shaping filter
    Double precision bit resolution processing
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Input Meter - -30 dB to 0 dB with an integrated Threshold control, Peak Hold indicators
    • Output Meter - -30 dB to 0 dB with an integrated Output Ceiling - control, peak hold indicators
    • Link - links threshold and output ceiling
    • Release - 0.01 ms to 1000 ms
    • ARC Auto Release Control
    • Attenuation Meter - 0 dB to 30 dB with peak hold indicator

    IDR Controls
    • Quantize - none, 24-, 22-, 20-, 18- or 16-bit
    • Dither Type - 1, 2 or none
    • Shaping - moderate, normal, ultra or none
  • Linear Phase Equalizer - Mastering EQ Plug-In (TDM)

    The Linear Phase Equalizer TDM from Waves is a plug-in that was conceived and created with mastering as its main focus. The linear phase filters preserve the original musical balance with absolutely zero phase shift, while providing precision control over the harmonic spectrum.

    Main Features

    Two plug-in components: Lowband and Broadband
    Nine linear phase filter types
    Five bands of paragraphic equalization, plus dedicated low frequency band
    +/-30 dB per band gain change range
    Double precision bit resolution processing
    Up to 24-bit/96 kHz resolution
    Mono and stereo components

    Controls

    Global
    • Gain: -30 dB to +30 dB per band
    • On/Off: per band
    • Output Gain Fader: -30 dB to 0 dB
    • Output Meter: -30 dB to 0 dB with peak hold and clip indicators
    • Trim: output gain adjustment
    • Dither: on/off
    • Graph Scale: 12 dB or 30 dB
    • Frequency Band Markers: graphic control over frequency and gain

    Low Frequency Bands
    • 10 Hz to 600 Hz (lowband)
    • 21 Hz to 1,000 Hz (broadband)

    Mid and High Frequency Bands
    • 32 Hz to 600 Hz (lowband)
    • 258 Hz to 21,963 Hz (broadband)

    Filter Type
    • Lowband: bell, resonant low shelf, V-slope low shelf, resonant high shelf, V-slope high shelf
    • Broadband Low Frequency: bell, low shelf, high shelf, low pass, high pass
    • Broadband Mid and High Frequency: bell, resonant low shelf, V-slope low shelf, resonant high shelf, V-slope high shelf, resonant high pass, V-slope high pass, resonant low pass, V-slope low pass

    Q
    • Lowband: 0.26 to 6.5
    • Broadband Low Frequency: 0.60 to 2
    • Broadband Mid and High Frequency: 0.26 to 6.5
  • Linear Phase Multiband - Multiband Compression Plug-In (TDM)

    The Linear Phase Multiband TDM from Waves is a plug-in that provides multiband dynamics control for mixing, mastering, and more. The software utilizes technologies like Adaptive Thresholds, Automatic Makeup Gain, and Finite Response Filters.

    The inclusion of linear phase crossovers allows the plug-in to function without any phase-based distortion, and each of the five bands features threshold, gain, range, attack and release controls for transparent, yet powerful multiband compression.

    Main Features

    Five discrete bands of compression
    Linear phase crossovers
    ARC Automatic Release Control
    Double precision bit resolution processing
    Up to 24-bit/96 kHz resolution
    Mono and stereo components

    Controls

    • Threshold:0 dB to -80 dB per band
    • Gain: -18 dB to +18 dB per band
    • Range: -24 dB to +18 dB per band
    • Attack: 0.5 mS to 500 mS per band
    • Release: 5 mS to 5000 mS per band
    • Solo: per band
    • Bypass: per band
    • Master Link Controls: threshold, gain, range, attack and release
    • DynamicLine Graph: shows reduction curve, -18 dB to +18dB, 16 Hz to 20 kHz
    • Frequency Band Marker: graphic control over frequency/gain per band
    • Dither: on/off
    • Makeup: manual or auto makeup gain
    • Adaptive: -80 dB to +12 dB
    • Release: ARC or manual
    • Behavior: opto or electro
    • Knee: soft to hard, 0.01 to 1.00
    • Output Gain Fader: -30 dB to 0 dB
    • Output Meter: -30 dB to 0 dB with peak hold and clip indicators
    • Trim: output gain adjustment
    Crossover Frequencies
    • Low: 40 Hz to 350 Hz
    • Low-Mid: 150 Hz to 3000 Hz
    • High-Mid: 1 kHz to 8 kHz
    • High: 4 kHz to 16 kHz
  • V-Comp - Vintage Hardware Compressor Plug-In (TDM)

    V-Comp TDM from Waves is a dynamics plug-in that uses time constants and a fixed nominal output gain to recreate the famous output-bus sound signature of a vintage 2254 hardware compressor. The plug-in is very responsive, with only a little gain reduction needed to glue a mix together.

    Main Features

    Modeled on the acclaimed 2254 compressor
    Up to 24-bit/96 kHz resolution
    Mono and stereo components

    Controls

    Input: -18 dBu to +18 dBu
    Output: -18 dBu to +18 dBu
    Meter Switch: input, output or gain reduction
    Meter Display: displays input, output, or gain reduction levels
    Analog Switch: off, 25%, 50% and 100%

    Limiter Section
    • Limiter: on/off
    • Limit level: +4 dBu to +12 dBu
    • Attack: fast or slow
    • Release: 100 mS, 200 mS, 800 mS and auto

    Compressor Section
    • Compress: on/off
    • Ratio: 1.5:1, 2:1, 3:1, 4:1 and 6:1
    • Release: 400 mS, 800 mS, 1.5 seconds and auto
    • DeEsser: on/off
  • V-EQ3 - Vintage Style EQ Plug-In (TDM)

    The V-EQ3 TDM from Waves is a three-band EQ plug-in modeled after the 1066 and 1073 console modules, two of the most sought after EQs. It features the same classic frequency cutoff points as the originals, along with a variable high-pass filter.

    Main Features

    Three-band EQ plug-in
    Modeled on the renowned 1066 and 1073 modules
    High-pass filter
    Up to 24-bit/96 kHz resolution
    Mono and stereo components

    Controls

    • HP Filter Frequency: off, 45, 50, 70, 80, 160, 300 and 360 Hz
    • EQ: on/off
    • Phase: reverses output signal phase
    • LF Shelf Filter Frequency: off, 35, 60, 100, 110 and 220 Hz
    • LF Shelf Filter Gain: -18 dBu to +18 dBu
    • MF Bell Filter Frequency: off, 0.36, 0.70, 1.2, 1.6, 3.2, 3.8, 4.8, 7.0 and 7.2 kHz
    • MF Bell Filter Gain: -18 dBu to +18 dBu
    • HF Shelf Filter Frequency: off, 10kHz and 12 kHz
    • HF Shelf Filter Gain: -18 dBu to +18 dBu
    • Output Gain: -18 dBu to +18 dBu
    • Analog: on/off
    • Trim: output gain adjustment
  • V-EQ4 - Vintage Style EQ Plug-In (TDM)

    The V-EQ4 TDM from Waves is a four-band EQ plug-in modeled after the 1081 console module. It features detailed high frequency boosts, plus high-pass and low-pass filters. The software manages to convey the vintage character of the original hardware while simultaneously delivery modern digital usability.

    Main Features

    Four-band EQ plug-in
    Modeled on the renowned 1081 console module
    High- and low-pass filters
    Up to 24-bit/96 kHz resolution
    Mono and stereo components

    Controls

    • HP Filter Frequency: off, 27, 47, 82, 150, 270 Hz
    • LP Filter Frequency: off, 3.9, 5.6, 8.2, 12, 18 kHz
    • EQ: on/off
    • Phase: reverses output signal phase
    • LF Filter Frequency: off, 33, 56, 100, 180, 330 Hz
    • LF Filter Gain: -18 dBu to +18 dBu
    • LF Filter Type: shelf or bell
    • LMF Bell Filter Frequency: off, 220, 270, 330, 390, 470, 560, 680, 820, 1000, 1200 Hz
    • LMF Bell Filter Gain: -18 dBu to +18 dBu
    • LMF HiQ: on/off
    • HMF Bell Filter Frequency: off, 1.5k, 1.8, 2.2, 2.7, 3.3, 3.9, 4.7, 5.6, 6.2, 8.2 kHz
    • HMF Bell Filter Gain: -18 dBu to +18 dBu
    • HMF HiQ: on/off
    • HF Filter Frequency: off, 3.3, 4.7, 6.8, 10, 15 kHz
    • HF Filter Type: shelf or bell
    • Output: -18 dBu to +18 dBu
    • Analog: on/off
    • Trim: output gain adjustment
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Specifications
  • MaxxVolume - Dynamics Plug-In (TDM)
    System Requirements
    Mac Properly configured Pro Tools HD system running under OS X

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

    PC Properly configured Pro Tools HD system running under Windows 7

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

  • PuigTec Equalizers - Program and Midrange EQ Plug-Ins (TDM)
    System Requirements
    Mac Properly configured Pro Tools HD system running under OS X

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

    PC Properly configured Pro Tools HD system running under Windows 7

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

  • Dorrough Meter Collection (TDM)
    System Requirements
    Mac Properly configured Pro Tools HD system running under OS X

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

    PC Properly configured Pro Tools HD system running under Windows 7

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

  • Center - Spacial Imagery Adjustment Plug-In (TDM)
    System Requirements
    Mac Properly configured Pro Tools HD system running under OS X

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

    PC Properly configured Pro Tools HD system running under Windows 7

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

  • L3 Multimaximizer - Multi-Band Limiter Plug-In (TDM)
    System Requirements
    Mac Properly configured Pro Tools HD system running under OS X

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

    PC Properly configured Pro Tools HD system running under Windows 7

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

  • L2 Ultramaximizer - Loudness Maximizer Plug-In (TDM)
    System Requirements
    Mac Properly configured Pro Tools HD system running under OS X

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

    PC Properly configured Pro Tools HD system running under Windows 7

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

  • Linear Phase Equalizer - Mastering EQ Plug-In (TDM)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Linear Phase Multiband - Multiband Compression Plug-In (TDM)
    System Requirements
    Mac Properly configured Pro Tools HD system running under OS X

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

    PC Properly configured Pro Tools HD system running under Windows 7

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

  • V-Comp - Vintage Hardware Compressor Plug-In (TDM)
    System Requirements
    Mac Properly configured Pro Tools HD system running under OS X

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

    PC Properly configured Pro Tools HD system running under Windows 7

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

  • V-EQ3 - Vintage Style EQ Plug-In (TDM)
    System Requirements
    Mac Properly configured Pro Tools HD system running under OS X

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

    PC Properly configured Pro Tools HD system running under Windows 7

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

  • V-EQ4 - Vintage Style EQ Plug-In (TDM)
    System Requirements
    Mac Properly configured Pro Tools HD system running under OS X

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

    PC Properly configured Pro Tools HD system running under Windows 7

    Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

Waves Grand Masters Collection (TDM) Review

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