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Waves Horizon Bundle (Native)

Waves Horizon Bundle (Native)

Waves Horizon Bundle (Native)

B&H # WAHNATQ MFR # HOZNATQQ
No Longer Available

Product Highlights

  • Includes 67 Plug-Ins
  • Plug-Ins for Tracking, Mixing, Mastering
  • RTAS, Audio Suite, AU, & VST Support
  • Mac/PC Compatible

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Overview
  • 1Description

The native Horizon Bundle from Waves is a collection of 67 plug-ins for tracking, mixing, and mastering purposes. It includes EQs, compressors, channel-strips, modeled analog units, and effects. The collection supports RTAS, Audio Suite, AU, and VST plug-in formats on both Mac and PC computers.

Please note: This bundle is an electronic download.

  • AudioTrack - Multi-Processor Plug-In (Native)

    AudioTrack Native from Waves is a plug-in that features three complete Waves processors in a single, easy-to-use interface. Ideal for multimedia, voiceovers, project studios, and more, the plug-in contains a four-band EQ, compressor/expander, and a gate.

    Main Features

    Four-band EQ
    Peak reference compression with automatic gain compensation
    Gate with adjustable attack and release
    Double precision bit resolution processing
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    EQ
    • On/Off - switch per band
    • Type - high-pass, low-shelf, bell, high-shelf and low-pass filter types per band
    • Gain - -18 dB to +18 dB per band
    • Frequency - 16 Hz to 21,357 Hz
    • Q - 0.5 to 30 (bell filter only)
    Compressor/Expander
    • Threshold - -52 dB to 0 dB
    • Ratio - 0.5:1 to 40:1
    • Attack - 0.1 ms to 1,000 ms
    • Release - 1 ms to 10,000 ms
    Gate
    • Threshold - -infinity to 0 dB
    • Floor - -infinity to 0 dB
    • Attack - 0.1 ms to 1,000 ms
    • Release - 1 ms to 10,000 ms
    Other
    • Input Energy Meter - -80 dB to 0 dB, post EQ including compressor and gate threshold indicators
    • Attenuation/Expansion Meter - -48 dB to +12 dB
    • Output Gain Fader - -24 dB to +12 dB
    • Output Meter - -30 dB to 0 dB with peak hold and clip indicators
  • C1 Parametric Compander - Dynamics Plug-In (Native)

    C1 Parametric Compander Native from Waves is a dynamics processor plug-in featuring three distinct modules. The Compressor/Expander, Gate/Expander, Filter/EQ sections allow the plug-in to fulfill multiple functions, either as separate processors, or combined for maximum flexibility.

    Main Features

    Three plug-in modules - compressor/expander, gate/expander, and filter/EQ
    Split-band dynamics
    Internal side-chaining
    Look-ahead feature for precision transient processing
    Up to 24-bit/192 kHz resolution (compressor and gate only)
    Mono and stereo components

    Controls

    Compressor/Expander
    • Bypass - enables or disables the module
    • LowRef Mode - low level reference conventional compressor operating mode
    • PeakRef Mode - peak level reference preserves peak levels (auto makeup gain)
    • Make-up Gain - -40 dB to +40 dB
    • Threshold - -100 dB to 0 dB
    • Ratio - 1 to 50:1 (compression), 0.5:1 to 1:1 (expansion)
    • Cancellation Mode - -50:1 to -5:1 to cancel out very loud signals
    • Attack - 0.01 ms to 1,000 ms
    • Release - 1 ms to 10,000 ms
    • PDR - program dependant release
    • EQ Mode - wideband, sidechain, or split
    • Gain Reduction Meter - -36 dB to +24 dB
    • Control Level Meter - -100 dB to 0 dB
    Gate/Expander
    • Bypass - enables or disables the module
    • Gate/Expander Control - switches between gate and expander modes
    • Floor - -infinity to +12 dB (gate/expander mode), -100N to -10N negative polarity (expander mode)
    • Gate Thresholds - gate open and gate close
    • Attack - 0.01 ms to 1,000 ms
    • Release - 1 ms to 10,000 ms
    • Hold - 0.01 ms to 5,000 ms
    • EQ Mode - wideband, sidechain, or split
    • Gain Reduction Meter - -108 dB to +12 dB
    • Control Level Meter - -100 dB to 0 dB
    Filter/EQ
    • Two Complementary Bands - active/sidechain path and passive path
    • Crossover Slope - 18 dB/octave to 36 dB/octave
    • Type Band-Pass - band-reject, hi-pass and low-pass
    • Frequency - 16 Hz to 21 Khz
    • Q - 0.1 to 0.6
    Other
    • Parameter Linking Links the Compressor/Expander and Gate/Expander controls
    • Look-Ahead - yes/no
    • Key Mode - stereo, left keys right, right keys left
    • Monitor - audio, side-chain or passive
    • Output Gain Fader- -40 dB to +18 dB
    • Output Meter- -30 dB to 0 dB with peak hold and clip indicators
  • C4 Multiband - Dynamics Processor Plug-In (Native)

    C4 Multiband Native from Waves is a multiband dynamics processor plug-in that features four-bands of up and down expansion, limiting, and compression, along with dynamic and standard EQ.

    By combining the technologies from the Renaissance Compressor and the C1 Parametric Compander, the plug-in provides comprehensive and transparent control over the contours of a mix.

    Main Features

    Four parametric bands
    ARC Auto Release Control
    Double precision bit resolution processing
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Input Gain Fader - -infinity to 0 dB
    • Range - -24 dB to +18 dB per band
    • Gain - -18 dB to +18 dB per band
    • Attack - 0.5 ms to 500 ms per band
    • Release - controls the amount of spill that the detector should ignore
    • Threshold - -80 dB to 0 dB per band
    • Energy Level Meter - -80 dB to 0 dB per band
    • Solo - per band bypass
    • DynamicLine Graph - shows reduction curve -18 dB to +18 dB, 16 Hz to 20 kHz
    • Frequency Band Marker - graphic control over frequency/gain per band
    • Master Controls - global control of threshold, gain, range, attack and release settings
    • Release Type - ARC or manual
    • Behavior - opto or electro
    • Knee Type - soft to hard, 0.00 to 0.75
    • Crossover
      Low - 40 Hz to 250 Hz
      Mid - 100 Hz to 5993 Hz
      High - 2 kHz to 16 kHz
    • Q - 0.1 to 0.75
    • Output Gain Fader - -18 dB to +18 dB
    • Output Meter - -80 dB to 0 dB
  • Center - Spacial Imagery Adjustment Plug-In (Native)

    Center from Waves is a plug-in ideal for tuning final mixes and mastering. An innovative processor, the plug-in allows for separating the phantom Center content from the Side (L/R) content in stereo sources to bring out or bring down the vocals, or whatever occupies the center space, without affecting everything else. Using an engine which considers the amplitude, frequency and time envelope of stereo sources, Center delivers the power to radically re-balance the spatial imagery.

    It is also possible to widen or narrow the Side content without disturbing the Center. Additionally, punch, high frequency and low frequency controls provide adjustments for enhancing those details for maximum impact. Perfect for post-production engineers and DJs as well, the software allows for repositioning, isolating, and even eliminating elements of the mix.

    This version is for use with any Native computer system where the host software supports Audio Units, RTAS and Audio Suite, or VST plug-in formats.

    Post Production
    • Enhance dialog or narration
    • Control the ambience/reverb of stereo location recordings
    • Improve mono compatibility
    Mixing and Mastering
    • Bring out the lead vocals in a finished mix
    • Re-image stereo drum overheads
    • Balance stereo recordings of individual or groups of acoustic instruments
    • Widen or narrow the stereo spread
    DJ
    • Remove vocals for karaoke
    • Remove instrumental tracks for remixes and mash-ups
    • Manipulate samples and drum loops
    Controls
    • High controls balance of high frequency content between the center and sides
    • Low controls balance of low frequency content between the center and sides
    • Punch controls the spread of transient content between the center and sides
    • Center controls the center gain
    • Sides controls the sides gain
    • Master Gain controls the overall stereo gain
    • Output Meters displays the stereo output after processing
    • Center Detection Meter displays the center content of the stereo source
  • CLA-2 - Compressor/Limiter Plug-In (Native)

    The CLA-2 (Native) from Waves is a plug-in modeled after a legendary classic compressor/limiter. Like the original electro-optical tube compressor, the plug-in retains the smooth, frequency-dependent behavior that has made the hardware a favorite of engineers everywhere.

    The software sounds great on guitars and bass, and brings out the best of vocal performances. The plug-in also contains presets developed by Chris Lord-Alge that provide a limitless choice of settings for classic sounding compression and limiting.

    Main Features

    Compressor and Limiter modes
    Zero latency
    Sidechain frequency filter
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Gain - 0 to 100
    • Peak Reduction - 0 to 100
    • Compressor Mode - compressor, limiter
    • HF Freq - 0 to 100
    • Analog - off, 50 Hz, 60 Hz
    • VU Display - input, gain reduction, output
  • CLA-3A - Compressor/Limiter Plug-In (Native)

    The CLA-3A (Native) from Waves is a plug-in modeled after a famous, early 70's solid-state compressor, originally known for its unique and highly transparent compression curve. Features of the original included a quick response and the subtle harmonic distortion, both of which are faithfully recreated in the software version. The plug-in is especially useful on bass, as well as on guitars and vocals.

    Main Features

    Compressor and Limiter modes
    Zero latency
    Sidechain frequency filter
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Gain - 0 to 10
    • Peak Reduction - 0 to 10
    • Compressor Mode - compressor, limiter
    • HF Freq - 0 to 100
    • Analog - off, 50 Hz, 60 Hz
    • VU Display - input, gain reduction, output
  • CLA-76 Blacky & Bluey - Compressor/Limiter Plug-In (Native)

    The CLA-76 Blacky & Bluey (Native) from Waves is a plug-in that features models of the famed mid-60's Class A line level limiting amplifier. A favorite studio tool, the original hardware had a superfast attack (as quick as 50 microseconds) that is reproduced in the software model. The plug-in can be used on numerous sources, but really shines when processing drums.

    Also featured in the plug-in is the unconventional "All Ratio Buttons In" setting that provided the trademark overdriven tone of the original, along with modeled pre-amp distortion. The original hardware underwent numerous revisions after it was first introduced with a blue strip on a silver faceplate. The black face version added low-noise circuits on additional circuit boards and reduced distortion. Both versions are represented here.

    Main Features

    Superfast attack
    Includes "All Buttons In" setting
    Pre-amp distortion modeling
    Zero latency
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Input - infinity to 0
    • Output - infinity to 0
    • Attack - 1 to 7 (1 ms to 50 µs)
    • Release - 1 to 7 (1 s to 50 ms)
    • Ratio - 4:1, 8:1, 12:1, 20:1, ALL
    • Comp Off - comp on, comp off
    • Analog - off, 50 Hz, 60 Hz
    • VU Display - input, gain reduction, output
  • DeBreath - Breath Detection Plug-In (Native)

    DeBreath Native from Waves is a plug-in that can rescue the otherwise perfect vocal take that is marred by too much heavy breathing. That can be especially obvious when close-mic'ing a singer.

    The plug-in utilizes a unique algorithm that automatically detects and separates a vocal take into two distinct components-only voice and only breath. At which point it is a simple matter of lowering the unwanted intrusions.

    For situations where breath removal might sound artificial, a control allows for adding room tone to cover up the reduction or removal.

    Main Features

    Unique template-matching algorithm for breath detection
    Breath and Energy display graphs
    Voice-only or Breath-only monitoring
    Up to 24-bit/96 kHz resolution
    Mono only

    Controls

    • Breath - 0% to 100% breath threshold
    • Energy (Gate) - -64 dB to 0 dB energy threshold
    • Reduction - -infinity to 0 dB gain reduction
    • Reduction Meter - -infinity to 0 dB
    • Fade Out - 0.1 ms to 200 ms
    • Fade In - 0.1 ms to 200 ms
    • Monitor - voice or breath
    • Room Tone - white noise on/off
  • DeEsser - Sibilance Removal Plug-In (Native)

    DeEsser Native from Waves is a plug-in used to reduce excess sibilance ("ess" and "shh" sounds) from vocal tracks. Inspired by vintage gear for precision de-essing and high frequency limiting, the plug-in delivers smooth and natural output without complicated adjustments.

    Main Features

    Sharp side-chain filters
    Wide-band or split compression modes
    Audio or side-chain monitoring
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Audio - split or wideband modes
    • Frequency - 2 kHz to 16 kHz cutoff frequency for the side-chain filter
    • Side-Chain Filter Type - high-pass or band-pass
    • Monitor - audio or side-chain
    • Threshold - -80 dB to 0 dB integrated with the input energy meter
    • Attenuation Meter - -30 dB to 0 dB with peak hold indicator
    • Output Meter - -30 dB to 0 dB with peak hold indicator
  • Doppler - Doppler Effect Plug-In (Native)

    Doppler Native from Waves is a plug-in that produces the effect of a sound source moving towards or away from a listener, simulating the classic Doppler effect. The plug-in allows for control of the frequency change, speed, and distance from the sonic source with pinpoint accuracy.

    Main Features

    Auto-detection or manual triggering
    Creative "click and drag" simplicity
    Energy, manual, continuous cycling and one-shot modes
    Reverb with time and brightness controls
    Up to 24-bit/48 kHz resolution
    Mono and stereo components

    Controls

    • Gain Modulation - 0% to 200%
    • Pan Modulation - 0% to 200%
    • Pitch Modulation - 0% to 200%
    • Air Damping - 0% to 200% high frequency damping
    • Reverb - 0% to 200% reverb level mix
    • Reverb Time - 0.1 s to 10 s
    • Brightness - dark to bright, 0.0 to 1.0
    • Bypass - for gain, pan, pitch, air damping, and reverb
    • Graphic Display Controls - direction arrows, start/end position marker, movement curve, elapsed time
    • Mode - continuous or one-shot
    • Trigger - energy or manual
    • Track Time - 0.5 s to 60 s
    • Center Time - 0 s to 30 s
    • Output Gain Fader - -12 dB to +12 dB
    • Output Meter - -100 dB to 0 dB
  • Doubler - Double Tracking Effects Plug-In (Native)

    Doubler Native from Waves is a plug-in for automatically creating a double-track effect, especially for vocals. Using adjustable delay and pitch modulation, the plug-in provides a rich texture on vocals, but works equally well on polyphonic instruments and full mixes.

    Main Features

    Two plug-in components, two- and four-voice
    Comprehensive controls for modifying the "doubles"
    Delays and filters
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Gain - -48 dB to 0 dB per voice and for the direct signal
    • Pan - -45° to +45° per voice and for the direct signal
    • Align - delays the direct signal according to the latency of the voices
    • FB High-Pass Filter - 16 Hz to 21,357 Hz
    • Range - 20 Hz or 80 Hz detune frequency boundary
    • Modulation Reset - resets rate and depth values
    • Delay - 0 ms to 100 ms per voice
    • Feedback - 0% to 100% per voice
    • Octave - on/off (shifts the voice one octave down)
    • Detune - -100 to +100 cent
    • Depth - -200 to +200 cent
    • Rate - 0.1 Hz to 400 Hz
    • Low Shelf Filter - -88 dB to +12 dB, 16 Hz to 21,357 Hz
    • High Shelf Filter - -88 dB to +12 dB, 16 Hz to 21,357 Hz
    • Output Gain Fader - -24 dB to 0 dB
    • Output Meters - -30 dB to 0 dB, with peak hold and clip indicators
    • In 1-3 - L, L+R, L-R, input signal for voices 1 and 3
    • In 2-4 - R, R+L, R-L, input signal for voices 2 and 4
  • Enigma - Multi-Effects Modulation Plug-In (Native)

    Enigma Native from Waves is a plug-in that allows for twisting, bending, and mangling of sounds with effects that go beyond phasing and flanging. The software uses a combination of filters, short delay feedback loops, reverb, LFO modulation, and more to create radical, and unusual sonic textures.

    Main Features

    Three plug-in modules - Notch, Modulator, and Feedback
    Tempo sync
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    Notch
    • Notches - 1 to 6 pairs (2 to 12)
    • +1/2 - adds half a pair of notches to the high-end
    • Phase - polarity reverse switch
    • Depth - 0 to 200
    • Stereo - 0 to 100
    • On/Off - per filter
    Notch Filters
    • Graph Markers - for frequency and X-Factor adjustment
    • Frequency:
      Low-Band Filter - 16 Hz to 16 kHz
      High-Band Filter - 16 kHz to 21 kHz
    • X-Factor - filter slope 0.10 to 2.00
    Modulator
    • Modulation - play or pause sync auto or manual
    • Waveform - sawtooth up, sawtooth down, triangle, sine and square
    • Rate - 0.01 s to 20 s
    • BPM - 0.6 BPM to 1,200 BPM
    • Min/Max Frequency - 16Hz to 21,357Hz
    Feedback
    • Feedback - on/off switch for the feedback component
    • Phase - polarity reverse switch
    • Decay Time - 10 ms to 5,000 ms
    • Delay - 0.01 ms to 200 ms
    • Density - 0 to 100
    Feedback Filters
    • Graph Markers - for frequency and X-Factor adjustment
    • Frequency:
      Low-Band Filter - 16 Hz to 16 kHz
      High-Band Filter - 16 kHz to 21 kHz
    • X-Factor - filter slope 0.10 to 2.00
    Other
    • Gain - -24 dB to 0 dB
    • Mix - 0% to 100%
    • Pre-Delay - 0 ms to 200 ms
    • Wet - output mode; stereo, mono, and mono + phase reverse
    • Output Meter - -30 dB to 0 dB, with peak hold and clip indicators
  • GTR3 Software System - Native (Upgrade from GTR Solo)

    GTR3 from Waves is modeling software for recording electric guitars into a Digital Audio Workstation. Developed in collaboration with Paul Reed Smith, the system places the world's best amps, cabinets, microphones and effects right at the user's fingertips.

    The software functions as either a plug-in available in VST, RTAS and Audio Units formats, or as a stand-alone ToolRack application.

    Note: This pricing is for users who purchased and registered GTR Solo and who wish to upgrade to the full GTR3 version

    Waves Amp

    Nineteen modeled amplifiers are intelligently categorized by sound and increasing levels of drive
    Sixteen custom guitar cabinets
    Seven bass amplifiers can be matched with six bass cabinets
    Controls include the traditional tone stack as well as pan and phase for two speaker cabinets and a normalized gain control
    Tone and drive controls, the cabinet and microphone placement can all be changed allowing for complete customization
    Includes dual-cabinet and dual-microphone options
    Eleven top studio microphone models deliver the unique performance of many sought-after microphones by Neumann, Brauner, AKG, Sennheiser, RCA, and more

    Waves Stomp

    Twenty-six individual stomp box effects with one PedalBoard able to hold up to six stomps
    Stomp boxes cover the entire gamut of guitar sound manipulation including multiple distortion, modulation, space and ambient effects, along with other basic processors
    Stomps easily selectable from a drop-down menu and rearranged on the PedalBoard by simply dragging to a new location
    Stomps and PedalBoard support full automation, using DAW automation, MIDI, or a continuous MIDI controller for real-time operation
    The PedalBoard is offered in Mono, Mono to Stereo and Stereo channel configurations with the stomps automatically changing from mono to stereo or stereo to mono if needed, depending on where they're dropped in the chain
    Sync-to-Host BPM function for time-based processes
  • H-Comp - Hybrid Compressor Plug-In (Native)

    H-Comp (Native) from Waves is a hybrid compressor plug-in that models the behavior of transformer, tube, and transistor circuits, and combines them with the repeatability of software. The compressor's release performance is specifically modeled on the corresponding analog behavior, while a wet/dry control allows for parallel compression.

    Other features include multiple sync functions, an output limiter, and via an external side-chain, access to the compressor circuitry for additional compression control.

    Main Features

    Analog modeled release behavior
    Wet/Dry mix for easy parallel compression
    Unique transient pass-through punch control
    BPM-sync release function
    Analog character modes
    Output limiter/clipper modes
    External side-chain support

    Controls

    • Threshold - 0 to -48 dB
    • Ratio - 1 to 50
    • Punch - 0 to 30
    • Attack - 0.5 to 100 ms
    • Release - 3 to 3000 ms (1/64T to 2-bar)
    • BPM (Manual) - 30 to 300 BPM
    • Mix - (dry/wet) 0 to 100
    • Sync - BPM/host/MS
    • Analog - off, modes 1 to 4
    • Limiter - on/off
    • Output - +/-18 dB
    • Meter Mode - in\GR\out, 0 to -48 dB
  • H-Delay - Hybrid Delay Plug-In (Native)

    H-Delay (Native) from Waves is a hybrid delay plug-in that features old school PCM42-style effects like filtering, flanging, and phasing, along with slap-back echo, ping-pong delay, and tempo-sync with modulation. The plug-in has full MIDI support.

    An intuitive interface aids in quickly creating an effect using a comprehensive set of controls, and a tap tempo pad for manually tapping in a tempo. Internal or host-to sync is also available, and the high- and low-pass filters can be linked.

    Main Features

    Up to 3,500 ms delay time
    Variable pitch delay time behavior
    Analog character and LoFi modes
    Infinite feedback support
    LFO-controlled pitch modulation
    Tap Pad for easy delay time setting
    Sync-to-host or manual BPM
    High- and low-pass filters
    Full MIDI support

    Controls

    • Delay - 1 to 3,500 ms or BPM multiples (note values)
    • Delay Sync - host/BPM/MS
    • BPM (Manual) - 30 to 300 BPM
    • Modulation Depth - 0 to 100
    • Modulation Rate - 0.1 to 6,000 Hz/beat
    • Ping Pong - on/off
    • Feedback - 0 to 200
    • Phase Reverse L/R - in/out
    • LP Filter - 20 Hz to 20 kHz
    • HP Filter - 20 Hz to 20 kHz
    • LP/HP Filter Link - link filters
    • Dry/Wet Mix - 0 to 100
    • Analog - off, modes 1 to 4
    • LoFi - on/off
    • Output - +/-18 dB
    • Output Meter - -48 to 0 dBFS
    • Tap Pad - tap tempo input surface
  • IR-L - Convolution Reverb Plug-In (Native)

    IR-L Native from Waves is a convolution based reverb plug-in that is capable of recreating the sound of real acoustic spaces. Over 100 impulse responses are provided, editable via the easy and efficient streamlined interface.

    Unlike some convolution reverbs that deliver a static response, the IR-L has the ability to extended the RT60 decay time by up to four times while still preserving the reverb's envelope and frequency content.

    Main Features

    RT60 extends reverb time up to four times while preserving natural envelope and frequency content
    Over 100 Impulse Responses
    Double precision bit resolution processing
    Up to 24-bit/96 kHz resolution
    Mono, mono-to-stereo and stereo components
    Upgradeable to IR1 or IR360°

    Controls

    Global
    • CPU Mode: Full CPU or Low CPU
    • Latency: shows the current latency in ms
    • Dry: 0 mS to 30 mS delay of the dry signal
    • Dry/Wet: 0% to 100%
    • Crosstalk: 0 to 100 (IR-L Efficient module only)
    • Direct: on/off
    • Direct Pre-delay: 0 mS to 500 mS
    • Output Gain Fader: -50 dB to 0 dB
    • Output Meter: -30 dB to 0 dB with peak hold and clip indicators

    IR Graph
    • Gain and Time: -90 dB to 0 dB, 0s to 10s
    • Zoom: in and out on the time axis
    • Zoom Reset: defaults to 6s display

    Reverb Time Section
    • Convolution Start: 0s to 1s
    • Convolution Length: 0s to 6s
    • RT60 Indicator: 0.1s to 10s
    • Ratio: 0.25 to 1.00
  • L1 Ultramaximizer - Loudness Maximizer Plug-In (Native)

    L1 Ultramaximizer Native from Waves is a plug-in that provides dynamics control for any audio application, from multimedia to mastering. The software features look-ahead peak limiting, level maximization, and high resolution re-quantization, and is well known for its transparency and punch.

    Main Features

    Two plug-in components: L1 Ultramaximizer and L1 Ultramaximizer+
    IDR (Increased Digital Resolution) dither with noise shaping filter
    Double precision bit resolution processing
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Input Gain Faders: -20 dB to 0 dB
    • Input Meter: -30 dB to 0 dB with an integrated Threshold control, Peak Hold indicators
    • Output Meter: -30 dB to 0 dB with an integrated
    • Output Ceiling: control, peak hold indicators
    • Link: links threshold and output ceiling
    • Release: 0.01 mS to 1000 mS
    • Attenuation Meter: 0 dB to 30 dB with peak hold indicator
    • Domain: analog or digital

    IDR Controls
    • Quantize: none, 24-, 20-, 16-, 12-, or 8-bit
    • Dither: Type 1, 2 or none
    • Shaping: moderate, normal, ultra or none
  • L2 Ultramaximizer - Loudness Maximizer Plug-In (Native)

    L2 Ultramaximizer Native from Waves is a plug-in that provides dynamics control for mixing, mastering, and more. The software features look-ahead brickwall peak limiting, level maximization, and ultra high resolution re-quantization for crystal clear level gain.

    Main Features

    Manual and ARC Automatic Release Control
    IDR (Increased Digital Resolution) with double precision bit re-quantization and dither with 9th-order noise shaping filter
    Double precision bit resolution processing
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Input Meter : -30 dB to 0 dB with an integrated Threshold control, Peak Hold indicators
    • Output Meter : -30 dB to 0 dB with an integrated Output Ceiling - control, peak hold indicators
    • Link : links threshold and output ceiling
    • Release : 0.01 ms to 1000 ms
    • ARC : Auto Release Control
    • Attenuation Meter : 0 dB to 30 dB with peak hold indicator

    IDR Controls
    • Quantize : none, 24-, 22-, 20-, 18- or 16-bit
    • Dither Type : 1, 2 or none
    • Shaping : moderate, normal, ultra or none
  • L3 Multimaximizer - Multi-Band Limiter Plug-In (Native)

    The L3 Multimaximizer Native from Waves, is a pair of plug-ins for Native based DAW systems that perform multi-band peak limiting, delivered in two versions. The Multimaximizer and Ultramaximizer plug-ins both utilize a patent-pending "Peak Limiting Mixer" (PLMixer) engine, the only difference being that less control is provided on the Ultramaximizer.

    Unlike most wide band limiters, the L3 uses linear phase crossover filters to divide the audio spectrum into five bands. The PLMixer then uses psychoacoustic criteria to intelligently decide how much attenuation to apply to each band so that all available headroom is used.

    The result is that inter-modulation is minimized and overall loudness is maximized, while brick-wall limiting is still maintained - all while retaining the simplicity of a single master threshold control. With its transparent operation, brick-wall limiting, extreme tonal range and dithering and noise shaping control, the L3 can function as a complete mastering processor.

    Main Features

    The PLMixer doesn't require a wide band peak limiter to catch overshoots generated by individual band adjustments. Instead, the mixer automatically controls the gain relationship between the bands.
    A Priority control allows the user to control the relative limiting of each band. This unique control lets users adjust the tonal character of the L3 over a wide range, while maintaining brick-wall limiting.
    The L3 allows a 12 dB boost or cut in each band in addition to the limiting applied to each band. In effect, this feature functions exactly like a Linear Phase EQ placed before the limiting section of the L3, making the L3 an all-in-one final mastering tool.
    Features a linear phase crossover which doesn't introduce phase distortion between the frequency bands. The crossover points are selectable by the user.
    While the technology of the PLMixer allows the L3 to be transparent, additional controls allow it to emulate the color and character of vintage limiters. The Separation control adjusts the independence of each band - when set to 0, the bands do not react separately, and so the L3 functions and sounds like a wide band limiter.
    The Master Release alters the L3's Adaptive Release Control (ARC,) offering a Warm, Scaled, Aggressive and Manual tonal options in addition to the standard ARC setting.
    IDR (Increased Digital Resolution) with double precision bit re-quantization and dither with 9th-order noise shaping filter.
    Also includes the L3 Ultramaximizer.
    Up to 24-bit / 96kHz resolution.
    Mono and Stereo components.

    Controls

    Peak Limiter
    • Input Meter: -30 dB to 0 dB with an integrated Threshold control, Peak Hold indicators
    • Output Meter: -30 dB to 0 dB with an integrated Output Ceiling control, Peak Hold indicators
    • Attenuation Meter: -30 dB to 0 dB
    Master Release: ARC, Aggressive, Warm, Scaled, Manual
    Master Release Link: Links per band release control
    Crossover Controls
    • Low: 40 Hz - 351 Hz
    • Low Mid: 150 Hz - 2,997 Hz
    • High Mid: 1,022 Hz - 4,757 Hz
    • High: 4 kHz - 16 kHz
    Separation: 0 to 100
    DynamicLine Graph: Shows reduction curve -24 dB to +12 dB, 16 Hz to 20 kHz
    Frequency Band Marker: Graphic control over Frequency, Gain and Priority per band
    Gain: -12 dB to +12 dB per band
    Priority: -12 to +12 per band
    Release: 0.1 mS to 2,500 mS per band
    Gain and Priority Link Switch
    IDR Controls
    • Quantize: 24, 22, 20, 18, or 16-bit
    • Dither Type: 1, 2, or None
    • Shaping: Moderate, Normal, Ultra, or None
  • L3-16 Multimaximizer - Peak Limiter Plug-In (Native)

    The L3-16 Multimaximizer Native, from Waves, is a plug-in that performs multi-band peak limiting. The plug-in divides the audio source into sixteen variable bands and utilizes a patent-pending "Peak Limiting Mixer" (PLMixer) engine.

    Unlike most wide band limiters, the L3-16 uses linear phase crossover filters to divide the audio spectrum into the sixteen bands. The PLMixer then uses psychoacoustic criteria to intelligently decide how much attenuation to apply to each band so that all available headroom is used.

    The result is that inter-modulation is minimized and overall loudness is maximized, while brick-wall limiting is still maintained. Also included in the package are the L3 Multimaximizer and Ultramaximizer, and the low latency L3LL Multimaximizer and Ultramaximizer versions.

    Main Features

    Intuitive Paragraphic interface with frequency, Q, and filter-type controls
    Built-in linear phase equalizer
    Linear phase filtering for maximum output, free of phase distortion
    ARC Automatic Release Control across the band-split spectrum
    IDR Increased Digital Resolution with double precision bit re-quantization and 9th-order noise shaping
    Thirty-four Release Character presets for mastering and sound design
    Up to 24-bit / 96 kHz resolution
    Mono and Stereo components

    Controls

    Peak Limiter
    • Input Meter: -30 dB to 0 dB with an integrated Threshold control, Peak Hold indicators
    • Output Meter: -30 dB to 0 dB with an integrated Output Ceiling control, Peak Hold indicators
    • Attenuation Meter: -30 dB to 0 dB
    Release
    0.10 mS to 10.00 mS
    Release Character
    Release and priority factory presets
    Separation
    Low, Medium, High
    Priority / Gain Controls
    • Priority: -18 dB to +18 dB per band
    • Gain: -18 dB to +18 dB per band
    • Gain and Priority Link
    • Freq: 16 Hz to 21,357 Hz per band
    • Q: 0.5 to 2.0 per band
    • Filter Type: Bell, Low Shelf, High Shelf per band
    • In/Out: per band
    DynamicLine Graph
    Shows reduction curve -18 dB to +15 dB, 16 Hz to 20 kHz
    Frequency Band Markers
    Graphic control over EQ and Priority curves
    IDR Controls
    • Quantize: 24, 22, 20, 18, or 16-bit
    • Dither Type: 1, 2, or None
    • Shaping: Moderate, Normal, Ultra, or None
  • Linear Phase Equalizer - Mastering EQ Plug-In (Native)

    The Linear Phase Equalizer Native from Waves is a plug-in that was conceived and created with mastering as its main focus. The linear phase filters preserve the original musical balance with absolutely zero phase shift, while providing precision control over the harmonic spectrum.

    Main Features

    Two plug-in components: Lowband and Broadband
    Nine linear phase filter types
    Five bands of paragraphic equalization, plus dedicated low frequency band
    +/-30 dB per band gain change range
    Double precision bit resolution processing
    Up to 24-bit/96 kHz resolution
    Mono and stereo components

    Controls

    Global
    • Gain: -30 dB to +30 dB per band
    • On/Off: per band
    • Output Gain Fader: -30 dB to 0 dB
    • Output Meter: -30 dB to 0 dB with peak hold and clip indicators
    • Trim: output gain adjustment
    • Dither: on/off
    • Graph Scale: 12 dB or 30 dB
    • Frequency Band Markers: graphic control over frequency and gain

    Low Frequency Bands
    • 10 Hz to 600 Hz (lowband)
    • 21 Hz to 1,000 Hz (broadband)

    Mid and High Frequency Bands
    • 32 Hz to 600 Hz (lowband)
    • 258 Hz to 21,963 Hz (broadband)

    Filter Type
    • Lowband: bell, resonant low shelf, V-slope low shelf, resonant high shelf, V-slope high shelf
    • Broadband Low Frequency: bell, low shelf, high shelf, low pass, high pass
    • Broadband Mid and High Frequency: bell, resonant low shelf, V-slope low shelf, resonant high shelf, V-slope high shelf, resonant high pass, V-slope high pass, resonant low pass, V-slope low pass

    Q
    • Lowband: 0.26 to 6.5
    • Broadband Low Frequency: 0.60 to 2
    • Broadband Mid and High Frequency: 0.26 to 6.5
  • Linear Phase Multiband - Multiband Compression Plug-In (Native)

    The Linear Phase Multiband Native from Waves is a plug-in that provides multiband dynamics control for mixing, mastering, and more. The software utilizes technologies like Adaptive Thresholds, Automatic Makeup Gain, and Finite Response Filters.

    The inclusion of linear phase crossovers allows the plug-in to function without any phase-based distortion, and each of the five bands features threshold, gain, range, attack and release controls for transparent, yet powerful multiband compression.

    Main Features

    Five discrete bands of compression
    Linear phase crossovers
    ARC Automatic Release Control
    Double precision bit resolution processing
    Up to 24-bit/96 kHz resolution
    Mono and stereo components

    Controls

    • Threshold:0 dB to -80 dB per band
    • Gain: -18 dB to +18 dB per band
    • Range: -24 dB to +18 dB per band
    • Attack: 0.5 mS to 500 mS per band
    • Release: 5 mS to 5000 mS per band
    • Solo: per band
    • Bypass: per band
    • Master Link Controls: threshold, gain, range, attack and release
    • DynamicLine Graph: shows reduction curve, -18 dB to +18dB, 16 Hz to 20 kHz
    • Frequency Band Marker: graphic control over frequency/gain per band
    • Dither: on/off
    • Makeup: manual or auto makeup gain
    • Adaptive: -80 dB to +12 dB
    • Release: ARC or manual
    • Behavior: opto or electro
    • Knee: soft to hard, 0.01 to 1.00
    • Output Gain Fader: -30 dB to 0 dB
    • Output Meter: -30 dB to 0 dB with peak hold and clip indicators
    • Trim: output gain adjustment
    Crossover Frequencies
    • Low: 40 Hz to 350 Hz
    • Low-Mid: 150 Hz to 3000 Hz
    • High-Mid: 1 kHz to 8 kHz
    • High: 4 kHz to 16 kHz
  • MaxxBass - Bass Enhancement Plug-In (Native)

    MaxxBass (Native) from Waves is a plug-in for enhancing the perceived loudness of the bass content in an audio source. The software uses psycho-acoustics to calculate precise harmonics that are related to the fundamental tones of sound. When these harmonics are combined with the original signal, it creates the effect of lower, deeper frequencies that is apparent on virtually any speaker.

    The plug-in also allows smaller speakers to appear to deliver a stronger and lower bass signal without damaging the smaller cones inside the speakers. The technology has been used to enhance the bass on many hit records, and in major motion pictures to deliver earth shattering effects.

    Main Features

    Extends perceived bass response by up to 1.5 octaves
    Preserves the dynamic range and character off the original bass
    Mixed Output, MaxxBass, and Original bass monitoring
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Cutoff Frequency Fader: 32 Hz to 256 Hz
    • Ratio: 1.00:1 to 4.00:1
    • Response: 10 mS to 30 mS
    • High Pass Filter Slope: 6 dB/octave, 12 dB/octave and 24 dB/octave
    • Decay: -24 dB to -9 dB
    • Input Gain Fader: -inf. to 0 dB
    • Original Bass Fader: -inf. to +12 dB
    • MaxxBass Fader: -inf. to +12 dB
    • Output Meter: -40 dB to 0 dB with peak hold and clip indicators
    • Monitor Section: Audio, MaxxBass and Original Bass
  • MaxxVolume - Dynamics Plug-In (Native)

    MaxxVolume Native from Waves is a four-way dynamics processor plug-in, that combines several technologies from other Waves' processors into a single, unified interface. Building on the L2 Ultramaximizer, C1 Parametric Compander, Renaissance Vox, and Renaissance Compressor, the plug-in provides a unique functionality for mixing and mastering, as well as broadcast and post-production.

    When used with vocals, the processor allows the vocal to stay in focus with automatic level riding. When working with instruments, the plug-in can control the dynamic range without the artifacts of compressors and limiters. And for Broadcast, the engineer can bring any program material to a fixed destination level, making it ideal for radio and TV, Podcasting, internet streaming, and more.

    Main Features

    Four-way loudness maximizing plug-in
    Includes low-level compression for controlling the maximum amount of gain makeup applied to the signal below the specified threshold
    Gating function that sets the level below which gating (downward expansion) is applied. Ranges from 0dB to -96dB
    Includes high-level compression
    Leveler (Auto Gain Control) sets both the threshold above which leveling is applied, and the target to which the audio signal is leveled
    Double precision bit resolution processing
    Up to 24-bit / 192kHz resolution
    Mono and Stereo components

    Controls

    Low Level
    • Threshold: -96dB to 0dB
    • Threshold: on/off toggle
    • Gain: 0dB to +48dB
    • Gain Meter: 0dB to +48dB
    Gate
    • Threshold: -96dB to 0dB
    • Threshold: on/off toggle
    Energy Meter
    • -96dB to 0dB
    Leveler
    • Threshold: -48dB to 0dB
    • Threshold: on/off toggle
    High Level
    • Threshold: -48dB to 0dB
    • Threshold: on/off toggle
    • Gain: -48dB to 0dB
    • Gain Meter: -48dB to 0dB
    Output Meter
    • -96dB to 0dB with peak hold and clip indicators
  • MetaFlanger - Flanger Plug-In (Native)

    MetaFlanger (Native) from Waves is a plug-in for creating the sound of great vintage tape flanging and phaser emulation. The software is capable of generating anything from gentle choruses and dual-delay flanging sounds, to sharp phasing and extreme jet sweeps.

    Main Features

    Tape delay emulation switch
    LFO depth and waveform display
    Modulation Stop switch to freeze the LFO
    Extensive presets including emulations of vintage gear
    Tempo sync
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Mix: 0% to 100%
    • Mix Phase: wet signal phase inversion on/off
    • Feedback: 0% to 100%
    • Feedback Phase: phase inversion on/off
    • Filter Type: low-pass or high-pass
    • Filter Frequency: 0.1 kHz to 20 kHz
    • Filter On/Off
    • Delay: 0.1 mS to 50 mS
    • Tape: wet/dry signals delay alignment
    • Modulation Rate: 0 Hz to 20 Hz
    • Tempo Sync: manual or auto
    • Modulation Depth: 0% to 100%
    • Link: links modulation rate and depth controls
    • Waveform: sine or triangle
    • Modulation Meter: graphic display of rate and depth
    • Stop: freezes the modulation effect
    • Stereo: 0° to 180°
    • Output Gain Fader: -12 dB to +12 dB
    • Output Meter: -30 dB to 0 dB with peak hold and clip indicators
  • MondoMod - Modulation Plug-In (Native)

    MondoMod (Native) from Waves is a modulation plug-in for creating unique sonic textures ranging from tranquil to turbulent. The software uses a combination of linked AM (Amplitude Modulation), FM (Frequency Modulation) and Rotation modulators.

    The plug-in has five selectable waveforms for the LFO, and the overall tempo of the modulators can be synchronized to the host software.

    Main Features

    Three main modules: AM for tremolo, FM for vibrato and Rotation for panning
    LFO with five selectable waveforms
    Tempo sync
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Tempo Sync: Manual or Auto
    • Modulation Rate Hz: 0.01 Hz to 60 Hz (disabled when sync is in auto mode)
    • Modulation Rate BPM: 0.5 to 3600 BPM (disabled when sync is in auto mode)
    • X-Factor: Modulation Multiplier, 0.25 to 100
    • Waveform: sine, square, saw up, saw down or triangle
    • AM Depth Fader: 0% to 100%
    • AM Meter: graphic display of rate and depth
    • AM On/Off: enables or disables AM module
    • AM Phase: 0°, 90°, 180° and 270° (applied to modulation only)
    • Rotation Center: -180° to +180°
    • Rotation Range: 0° to 360°
    • Rotation Meter Graphic: display of center position and range
    • Rotation On/Off: enables or disables AM module
    • FM Depth Fader: 0% to 100%
    • FM Meter: graphic display of rate and depth
    • FM On/Off: enables or disables FM module
    • FM Phase: 0°, 90°, 180° and 270° (applied to modulation only)
    • Output Gain: -12 dB to +12 dB
    • Mix: 0% to 100%
    • Output Meter: -30 dB to 0 dB with peak hold and clip indicators
  • Morphoder - Vocoder Plug-In (Native)

    The Morphoder Native from Waves is a plug-in that redefines the sound of the classic vocoder. The plug-in allows for combining two distinct audio signals to create new and perhaps strange sonic combinations with unmatched clarity and definition.

    At the heart of the plug-in is an eight-voice synthesizer with formant control and a modulator with a Linear Phase EQ. MIDI control is also available. A four-octave virtual keyboard provides note input directly from within the plug-in.

    Main Features

    Eight-voice stereo synthesizer
    Formant control
    Modulator with Linear Phase EQ
    MIDI control
    Up to 24-bit/96kHz resolution
    Mono, mono to stereo and stereo components

    Controls

    Modulator
    • Left
    • Right
    • Left and Right
    • Sidechain
    Carrier
    • Internal
    • Track
    • Left
    • Right
    • Sidechain
    Noise Filter
    • high-pass
    • low-pass
    • bypass
    Noise Filter Frequency
    • 50Hz to 10kHz
    Synthesizer Section
    • Synth: 10 factory presets
    • Tune: 220Hz to 880Hz
    • Spread: 0.0 to 1.0
    Gain (G):
    • -30dB to +30dB gain per band
    Frequency (F):
    • 86Hz to 16.02kHz per band
    Q:
    • 0.26 to 6.50 per band
    In/Out
    • Switch per band
    Frequency Band Marker
    • Graphic control over frequency and gain per band
    Pressure
    • 0dB to 50dB
    Formant
    • 0.50 to 2.00
    Smoothing
    • 50 to 800
    Release
    • 50mS to inf.
    MIDI Input
    • On/Off
    Note Sustain
    • On/Off
    Keyboard
    • 4-octave virtual keyboard
    Output Mixer
    • Carrier: -inf. to 0dB
    • Modulator: -inf. to 0dB
    • Noise: -inf. to 0dB
    • Morph: -inf. to +6dB
    • Solo/Mute: per output parameter
    Output Meter
    • -30dB to 0dB with peak hold and clip indicators
  • PAZ Analyzer - Audio Signal Analyzer Plug-In (Native)

    The PAZ Analyzer from Waves is an audio analysis plug-in that is as accurate as it is easy to use. The analyzer generates a comprehensive real-time visual representation of the audio's stereo positioning, frequency spread, and Peak/RMS levels. It shows L/R peak and RMS displays, with individually re-settable peak hold values. It has optional resolution in 10Hz steps for precise analysis below 250Hz, and the 52 or 68 band analysis graphic output can be saved to memory via a text file. The PAZ shows real-time vector display with zoom at up to 24-bit/192kHz resolution, and works with mono or stereo components.

    The plug-in functions with any digital audio software that supports RTAS, Audio Units or VST plug-in formats and is cross platform compatible between Mac and Windows.

    Audio analysis tool with 3 plug-in components - Position, Frequency and Meter
    Peak or RMS frequency analysis modes
    L/R peak and RMS displays, with individually re-settable peak hold values
    Optional resolution in 10Hz steps for precise analysis below 250Hz
    52 or 68 band analysis
    Graphic output can be saved to memory
    Results can be saved as text file
    Real-time vector display with zoom
    Up to 24-bit/192kHz resolution
    Mono and stereo components
  • PuigChild 660 & 670 - Compressor/Limiter Plug-In (Native)

    The PuigChild 660 & 670 Native from Waves is a plug-in that emulates the sound of the now legendary Fairchild compressor. Originally designed for vinyl mastering, the now remaining hardware units command "artwork" prices and are virtual unobtainable to mere mortals.

    However, the sound characteristics of the unit are universally sought after. The Waves plug-in has captured every distinctive nuance of Jack Joseph Puig's Fairchild 670, along with every detail of its rich harmonic complexity. Linked and unlinked modes are included, as is a lateral vertical mode for optimal stereo imaging.

    Main Features

    Lateral Vertical Mode (MS compression) for optimal stereo imaging
    Linked and unlinked modes
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Input Gain: -20 to 0
    • Threshold: 0 to 10 (0.1 steps)
    • Time Constant: 1, 2, 3, 4, 5, 6
    • On/Off: on, off
    • Mains: off, 50 Hz, 60 Hz
    • Link: left/right, linked, lateral/vertical
    • Output: -18 dB to 18 dB (0.1 steps)
  • PuigTec Equalizers - Program and Midrange EQ Plug-Ins (Native)

    PuigTec Equalizers Native from Waves is pair of EQ plug-ins, that together provide a full-range vintage EQ chain. Both of the original Pultec hardware units on which these plug-ins have been modeled, have been, and are still today, mainstay at high-end studios.

    The EQP-1A is known for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf. The distinctive midrange tonal characteristics of the MEQ-5 make it the perfect complement to the EQP-1A.

    Main Features

    EQP-1A
    • Unique resonant low shelf boost
    • Avid ICON support
    • Up to 24-bit/96 kHz resolution
    • Mono and stereo components
    MEQ-5
    • Midrange complement to EQP-1A
    • Avid ICON support
    • Up to 24-bit/96 kHz resolution
    • Mono and stereo components

    Controls

    EQP-1A
    • Low Band Boost: 0 to 11 (18 dB boost, 0.1 steps)
    • Low Band Attenuation: 0 to 11 (18 dB cut, 0.1 steps)
    • Low Band Frequency: 20, 30, 60, 100 Hz
    • High Bell Boost: 0 to 11 (18 dB boost, 0.1 steps)
    • High Bell Bandwidth (Q): - 0 to 11 (0=sharp 11=wide, 0.1 steps)
    • High Bell Frequency: 3, 4, 5, 8, 10, 12, 16 kHz
    • High Shelf Attenuation: 0 to 11 (18 dB cut, 0.1 steps)
    • High Shelf Frequency (Atten Sel): 5, 10, 20 kHz
    • In: in/out
    • Output: -18 dB to 18 dB (0.1 steps)
    • Mains: Off, 50 Hz, 60 Hz
    MEQ-5
    • Low Mid Frequency: 200, 300, 500, 700, 1000 Hz
    • Low Mid Peak: 0 to 11 (10 dB boost, 0.1 steps)
    • Mid Frequency: 200, 300, 500, 700, 1000 Hz, 1.5, 2, 3, 4, 5, 7 kHz
    • Mid Dip: 0 to 11 (10dB cut, 0.1 steps)
    • High Mid Frequency: 1.5, 2, 3, 4, 5 kHz
    • High Mid Peak: 0 to 11 (10 dB boost 0.1 steps)
    • In: in/out
    • Output: -18 dB to 18 dB (0.1 steps)
    • Mains: Off, 50 Hz, 60 Hz
  • Q10 - Paragraphic EQ Plug-In (Native)

    Q10 (Native) from Waves is a paragraphic EQ plug-in that features up to ten bands. The software delivers precision equalization for mixing and mastering alike. Each band features the same extended frequency range and the ability to narrow the bandwidth (Q) for more surgical tasks.

    With presets that cover a wide range of applications, and advanced noise shaping, the Q10 provides the tools for creating special effects and spectral modifications that range from subtle to extreme.

    Main Features

    Seven plug-in components - 1, 2, 3, 4, 6, 8 and 10 bands
    Separate or linked processing and parameter control
    Advanced noise-shaping for optimum fidelity
    Presets for multimedia, pseudo-stereo, band limiting, comb filtering, crossovers, hum removal, and more
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Input Gain Fader: -24 dB to 0 dB
    • Input Phase Invert: +/-
    • On/Off: switch per band
    • Filter Type: band-pass, low-shelf, high-shelf, low-pass and high-pass per band
    • Gain: -18 dB to +18 dB per band
    • Frequency: 16 Hz to 21,357 Hz per band
    • Q: 0.5 to 100 per band
    • Frequency Band Markers: graphic control over frequency and gain per band
    • Output Gain Fader: -24 dB to +12 dB
    • Trim: output gain adjustment
    • Output Meter: -30 dB to 0 dB with peak hold and clip indicators
    • Control Mode: link left + right, left only, right only
  • Renaissance Axx - Dynamics Plug-In (Native)

    The Renaissance Axx Native from Waves is a dynamics plug-in engineered especially for guitar and bass. Settings can be dialed in very easily via a three-parameter interface that includes a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.

    Main Features

    Streamlined three-parameter control
    Ideal for guitar and bass
    Double precision bit resolution processing
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Threshold: -60 dB to 0 dB
    • Input Meter: -60 dB to 0 dB
    • Attack: 0 ms to 50 ms
    • Attenuation Meter: 0 dB to -30 dB
    • Output Gain Fader: -30 dB to 0 dB
    • Output Meter: -60 dB to 0 dB with peak hold and clip indicators
    • Clip-Guard Output Limiter
  • Renaissance Bass - Bass Enhancement Plug-In (Native)

    The Renaissance Bass Native from Waves is a bass enhancement plug-in that features the company's MaxxBass psycho-acoustic technology. Tightening up the bass component of mix, or any material for that matter, has never been easier, while at the same time providing the ability to extend the perceived bass depth by up to 1.5 octaves without stressing the speaker system.

    Main Features

    Extends perceived bass response by up to 1.5 octaves
    Delivers bigger bass for any system
    Clip-free performance
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Frequency Cutoff: 32 Hz to 256 Hz
    • In/Out: adds or removes the original bass from the output signal
    • Original Bass Meter: -30 dB to 0 dB
    • Harmonic Intensity: -24 dB to +24 dB
    • Harmonics Meter: -30 dB to 0 dB
    • Output Gain Fader: -30 dB to 0 dB
    • Output Meter: -30 dB to 0 dB with numeric peak hold and clip indicators
  • Renaissance Channel - Channel Strip Plug-In (Native)

    Renaissance Channel Native from Waves is a channel strip plug-in that features equalization, compression, limiting, and gating in a single convenient interface. Borrowing processors from the company's Renaissance line of plug-ins, the channel strip can easily function both during tracking, and for mixing.

    Main Features

    Four processors in one
    Independent gate and compression
    Double precision bit resolution processing
    Selectable EQ/Dynamics signal flow
    Stereo Rotation control
    Up to 24-bit/192 kHz resolution
    Mono, mono to stereo, and stereo components

    Controls

    4-Band Paragraphic
    • EQ On/Off: switch per band and for the EQ module
    • Filter Type: bell, resonant low/high shelf, low/high pass
    • Gain: -18 dB to +18 dB per band
    • Frequency: 16 Hz to 21,357 Hz per band
    • Q: 0.26 to 6.50 per band
    • Frequency Band Marker: graphic control over frequency and gain per band

    Gate/Compressor Sidechains
    • Source: internal, pre-EQ or external
    • On/Off: filter activate
    • Filter Type: hi pass, band pass, low pass and band reject
    • Frequency: 16 Hz to 21,357 Hz
    • BW (Q): 0.10 to 8.00
    • Listen: monitor the sidechain signal
    • Energy Meters: displays the sidechain signal level, integrated threshold control

    Compressor/Expander
    • RVox or RComp: dynamic behavior
    • On/Off: switch
    • Threshold: -60 dB to +18 dB
    • Ratio: 0.50:1 to 50.0:1
    • Attack: 0.00 ms to 500 ms
    • Release: 5.00 ms to 5,000 ms
    • ARC: manual or auto

    Expander/Gate
    • Gate or Exp: dynamic behavior
    • On/Off: switch
    • Threshold: -inf. to +18 dB
    • Floor: -inf. to 0 dB
    • Release: 10 ms to 5,000 ms

    Routing Switch: EQ>dynamics, dynamics>EQ
    Overall Attenuation Meters: -inf. to +6 dB
    Output Gain Fader: -30 dB to +30 dB
    Clip-Guard Output Limiter
    Output Meter: -30 dB to 0 dB with peak hold and clip indicators
    Phase Inversion Switch
    Rotation: -45° to +45°
  • Renaissance Compressor - Compressor Plug-In (Native)

    The Renaissance Compressor Native from Waves is a compressor plug-in that features two compression modes, vintage opto and modern electro compression. Featuring a streamlined interface, the plug-in utilizes technologies from both the company's renowned C1 Parametric Compander, along with the L1 Ultramaximizer.

    Main Features

    Vintage Opto and modern Electro compression modes
    Internal brickwall limiting for clip-free output
    ARC (Auto Release Control) for increased RMS levels
    Double precision bit resolution processing
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • ARC: Automatic Release Control or manual
    • Compressor Behavior: opto or electro
    • Character: warm or smooth
    • Input Meter: -60 dB to 0dB with peak hold indicators
    • Threshold: -60 dB to 0 dB
    • Ratio: 0.50:1 to 50.00:1
    • Attenuation Meter: -20 dB to +6 dB with peak hold
    • Attack: 0.5 ms to 500 ms
    • Release: 5 ms to 5000 ms
    • Output Gain: -30 dB to +30 dB
    • Output Meter: -60 dB to 0 dB with peak hold and clip indicators
    • Clip-Guard Output Limiter
  • Renaissance DeEsser - Sibilance Removal Plug-In (Native)

    The Renaissance DeEsser Native from Waves is a plug-in used to reduce excess sibilance ("ess" and "shh" sounds) from vocal tracks. A state-of-the-art sibilance attenuator reduces undesirable high frequencies while preserving the integrity of the source.

    A variety of presets for both male and female voices, along with the functionality of audio or side-chain monitoring, make it easy to spot problem areas and clean them up with accuracy and ease.

    Main Features

    Ideal for tracking, mastering, live sound, and broadcast
    Adaptive threshold and adjustable gain reduction
    Phase compensated crossover
    Audio or Side-chain monitoring
    Double precision bit resolution processing
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Frequency: 2 kHz to 16 kHz
    • Filter Type: high-pass or band-pass
    • Compression Mode: split or wideband
    • Range: 0 dB to -48 dB
    • Threshold: 0 dB to -80 dB
    • Monitor: audio or sidechain
    • Output Meter: -40 dB to 0 dB with peak hold and clip indicators
  • Renaissance Equalizer - EQ Plug-In (Native)

    The Renaissance Equalizer Native from Waves is a paragraphic EQ plug-in that features real-time EQ graphing, vintage-modeled filter curves, and extended internal headroom.

    Three versions are available covering 2, 4 or 6 bands of equalization and because of the filter curves, the plug-in is able to deliver a "warm" analog processing to any audio source.

    Main Features

    2, 4, and 6 band versions
    Filter-curves based on vintage analog equalizers
    Double precision bit resolution processing
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Gain: -18 dB to +18 dB per band
    • Frequency: 16 Hz to 21,357 Hz per band
    • Q Factor: 0.26 to 6.5 per band
    • Filter Types: asymmetric bell, resonant high/ low-shelf, high/ low-pass, per band
    • In/Out: switch per band
    • Frequency Band Marker: graphic control over frequency and gain per band
    • Output Gain Fader: -24 dB to +12 dB
    • Output Meter: -30 dB to 0 dB with peak hold and clip indicators
    • Trim: output gain adjustment
    • Link: left+right, left or right
  • Renaissance Reverb - Classic Reverb Plug-In (Native)

    The Renaissance Reverb Native from Waves is a reverb plug-in that features the classic rich reverb tails of high-end hardware, while delivering precision control over all aspects of reverb simulation.

    The software provides an advanced early reflection system, and dual-band EQ and damping controls. An interesting feature of the early reflections is the ability to input negative values, thus delaying the dry signal. This can create an interesting bloom effect before the onset of the dry signal.

    Main Features

    Twelve reverb types
    De-correlation for subtle early reflections changes and fine tuning
    Negative Predelay value delays the dry signal
    Up to 24-bit/96kHz resolution
    Mono to stereo and stereo components

    Controls

    Damping Controls
    • Low Freq: 16 to 1,600Hz
    • Low Ratio: 0.10 to 2.00
    • High Freq: 1,000 to 21,000Hz
    • High Ratio: 0.10 to 2.00
    • Frequency Band Marker: graphic control over frequency and ratio per band

    EQ Controls
    • Low Freq: 16 to 1,600Hz
    • Low Gain: -24 to +12dB
    • High Freq: 1,000 to 21,000Hz
    • High Gain: -24 to +12dB
    • Frequency Band Marker: graphic control over frequency and gain per band

    Universal Controls
    • Decorrelation Variation: 0 to 6
    • Pre-delay: -160 to +160ms
    • Time: 0.1 to 20 seconds
    • Size: 1 to 100
    • Diffusion: 0 to 100
    • Decay: 0.04 to linear
    • Early Reflections: off to 0dB
    • Reverb: off to 0dB
    • Wet/Dry: 0 to 100% wet
    • Gain: -24 to 0dB
    • Output Meter: -30 to 0dB with peak hold and clip indicators
  • Renaissance Vox - Dynamics Processor Plug-In (Native)

    Renaissance Vox Native from Waves is a plug-in that provides dynamics control optimized for vocals. The interface features simple, streamlined controls for compression, gate/expansion, limiting, and level maximization. With a few adjustments, vocals can take on a vivid and smooth sound.

    Main Features

    Soft-knee compressor with auto make-up gain
    Gentle downward expander for noise gating
    Double precision bit resolution processing
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Gate Threshold: -inf. to 0 dB
    • Input Energy Meter: -80 dB to 0 dB with peak hold indicators
    • Gain Reduction: 0 dB to -36 dB
    • Attenuation Meter: -36 dB to 0 dB
    • Output Gain: -36 dB to 0 dB
    • Output Meter: -40 dB to 0 dB with peak hold indicators
    • Clip-Guard Output Limiter
  • S1 Stereo Imager - Stereo Enhancement Plug-In (Native)

    S1 Stereo Imager Native from Waves is a plug-in that provides the tools necessary to adjust stereo audio material. Using psycho-acoustic spatial imaging techniques, the software can enhance and alter stereo separation using a choice of three distinct components - Shuffler, Imager, and MS Matrix. It can, amongst other things, make the stereo field wider or narrower, place objects outside of the speakers, or compensate for a "lopsided" image.

    Main Features

    Three components - Shuffler, Imager, and MS Matrix
    Left/Right and M/S input modes and metering
    Double precision bit resolution processing
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Gain - -24dB to 0dB
    • Width - 0.0 to 3.0
    • Shuffle - 1.0 to 3.0
    • Frequency - 350 Hz to 1400 Hz
    • Input Mode - M/S or L/R
    • Left/Right Phase - +/-
    • Input Channel Swap
    • Bass Trim - -3 dB to +3 dB
    • Asymmetry - -90° to +90°
    • Rotation - 45° to +45°
    • Output Mode - M/S or L/R
    • Output Meter - -24 dB to 0 dB with peak hold and clip indicators
    • Stereo Image Graph - graphic control over all image parameters
  • SoundShifter - Pitch and Time-Shift Plug-In (Native)

    SoundShifter Native from Waves is a three component plug-in that delivers exceptional pitch or time shifting without losing the punch, groove and transients of the original source material.

    The plug-in further provides superior timing accuracy while maintaining clarity and delivers results that are free of artifacts and distortion.

    Main Features

    Robust, high quality, independent time scaling and pitch shifting
    Parametric Tool provides easy off-line time/pitch scaling with a fixed ratio
    Graphic Tool is for time/pitch scaling with variable automated ratios
    Real Time Tool is for use where immediate real-time pitch shifting is required
    Four algorithm modes are available for optimizing the processing based on the specific needs of the source material
    SoundShifter can be selected as the default processor for use within the Pro Tools Time-Trimmer tool
    Multiple control and display options
    Mono and Stereo components

    Controls

    Parametric Component
    Global Controls
    • SMPTE Format: 24fps,25fps, 29.97fps, 29.97fpsDrop, 30fps, 30fpsDrop
    • Meter: time signature 4/1, 4/2, 4/4, 4/8, 4/16, 4/32
    • Mode: Transient, Smooth, Sync and Punch
    • Reference Link Mode: Unlinked, Time, Pitch and Strapped

    Time Controls
    • Bypass: on/off
    • Ratio: 0.5 to 2.0
    • Source/Destination Table: time, tempo, bars, samples, SMPTE, and feet+frame

    Pitch Controls
    • Bypass: on/off
    • Ratio: 0.5 to 2.0
    • Semitones: -12 to +12
    • Cents: -99 to 99
    • Interval: +/- all intervals up to an octave
    • Reference Frequency: source and destination value
    Pitch Component
    • Ratio: 0.5 to 2.0
    • Semitones: -12 to +12
    • Cents: -99 to 99
    • Interval: +/- all intervals up to an octave
    • Reference Frequency: source and destination value
    • Input Mode: Transient, Smooth, Sync and Punch
    Graphic Component
    • Graphical Editor: Up to 999 edit points
    • Edit: pitch or time
    • Bypass Switch: pitch or time
    • Zoom Control: Up to x1,000 horizontal (X) and vertical (Y)
    • Zoom Reset
    • View: time, bars, samples, SMPTE and feet+frames
    • View Properties: tempo, time signature, SMPTE format (According to View select)
    • Link Mode: Link to Time, Pitch or Unlinked
    • Input Mode: Transient, Smooth, Sync and Punch
    • Start: Shows the selection's start time as in the host application
    • Edit Point Info: source time, destination and cents controls per edit point
    • Total Time: input and output values
    • Reset Graph: button
    • Load Waveform: Loads the current region selection to the Edit Graph
  • SuperTap - Analog Style Delay Plug-In (Native)

    SuperTap Native from Waves is a delay plug-in inspired by the sound and legacy of analog tape. Featuring extensive modulation, panning, and filter options, the software delivers analog style with digital precision. Ease of use is further enhanced by the sync to host tempo functionality, or by using the Tap-Pad feature to tap a tempo in.

    Main Features

    2-Tap and 6-Tap components
    Tap-Pad for tempo tapping or pattern switching
    Global LFO modulation and two feedback modes
    Spatial positioning vector display
    Up to 24-bit/192 kHz resolution
    Mono, mono to stereo, and stereo components

    Controls

    Tempo
    • BPM: 40 BPM to 1200 BPM
    • mS: 50 mS to 1,500 mS
    • Tap Pad: manual tap input
    • Tap Pad Mode: tempo or pattern
    • Sync: auto or manual

    Modulation
    • On/Off: switch
    • Sync: manual or tempo
    • Rate: 0 Hz to 20 Hz
    • Depth: 0 mS to 10 mS

    EQ
    • On/Off: switch per taps and feedback
    • Tap Filter Type: bell 1, bell 2, high shelf, low shelf, high pass and low pass
    • Feedback Filter Type: low pass, low shelf and low decay
    • Frequency: 0.1 kHz to 20 kHz per taps and feedback
    • Gain: -12 dB to +12 dB for taps; -12 dB to 0 dB for feedback

    On/Off: switch for direct signal, taps and feedback
    Direct Signal Gain: -42 dB to 0 dB
    Tap Gain: -48 dB to 0 dB
    Feedback Amount: 0% to 100%
    Rotate: -45° to +45° of direct signal, taps and feedback
    Taps and Feedback Delay Sliders: 0 ms to 5,944 mS or by tempo grid
    Feedback Mode: normal or tap
    Snap: on/off snap to grid
    Grid Resolution: free, quarters, quarter triplets, eighths, eighth triplets and sixteenths
    Grid Mode: BPM or mS
    Output Gain Fader: -12 dB to +12 dB
    Output Meter: -30 dB to 0 dB with peak hold and clip indicators
  • TransX - Transient Modifying Plug-In (Native)

    TransX Native from Waves is a processor that modifies the shape of transients, either sharpening or softening the edges. The native based plug-in is perfect for breathing life into dull sounding drum loops, accentuating or attenuating instrumental attacks, and modifying room acoustics.

    The plug-in can also highlight sustains and can be used on individual tracks or with judicious use, on complete mixes.

    Main Features

    Plug-in features two components - Trans-X Multi (4-band) and Trans-X Wide (wide-band)
    Adds punch, softens edges, highlights sustain
    Trans-X Multi features individual range and sensitivity for each band
    Up to 24-bit / 192 kHz resolution
    Mono and stereo components

    Controls

    • Xover: Crossover cutoff (Multi module only) Low 40Hz to 250Hz; Mid 100Hz to 6kHz; High 2kHz to 16kHz
    • Frequency Band Marker: Graphic control over frequency and range per band (Multi module only)
    • Range: -24dB to +18dB
    • Sensitivity: -10dB to +10dB
    • On/Off: Switch per band (Multi module only)
    • Duration: 0.01mS to 500mS transients attack time
    • Release: 0.50mS to 500mS output gain fader -18dB to +18dB
    • Output Meter: -80dB to 0dB with peak hold and clip indicators
    • Trim: Output gain adjustment
  • TrueVerb - Real Room Simulation Plug-In (Native)

    TrueVerb Native from Waves is a reverb plug-in designed to simulate real acoustic spaces. It combines reverb with an early reflections simulator to create natural-sounding virtual acoustic environments. The software features a flexible graphic interface and a wide range of editing parameters.

    Main Features

    Thru and Send modes
    Independent and Linked distance and reverb modes
    Time and Frequency Response graphic interface
    Up to 24-bit/96 kHz resolution
    Mono and stereo components

    Controls

    Decorrelation
    • Early Reflection: variation 0 to variation 6
    • Reverb: variations 0 and 1

    Reverb Damping
    • Low: 16 Hz to 1,600 Hz
    • Low Ratio: 0.10 to 2.00
    • High: 1,600 Hz to 21,000 Hz
    • High Ratio: 0.10 to 2.00
    • Frequency Band Marker: graphic control over frequency and gain per band

    Output Mix
    • Direct: -24 dB to 0 dB with on/off switch
    • Early Reflections: -24 dB to 0 dB with on/off switch
    • Reverb: -24 dB to 0 dB with on/off switch

    Dimension: 1.00 to 3.99
    Room Size: 50 m3 to 20,000 m3
    Distance: 0.5 m to 40 m
    Link: links the reverb, room size and pre-delay parameters
    Balance: -48 dB to +12 dB
    Decay Time: 0.2 s to 100 s
    Pre-Delay: 10.5 ms to 160 ms
    Density: 0.000 to 1.000
    Room-Size/Distance Markers: graphic control over size and distance
    ER Low Cut: 16 Hz to 512 Hz
    ER Low Cut Bypass
    Reverb High Shelf: -12 dB to 0 dB
    ER Absorb: -6 dB to 0 dB
    Frequency: 1,600 Hz to 21,000 Hz
    Input Gain: -inf. to 0 dB
    Output Meter: -24 dB to 0 dB with peak hold and clip indicator
  • Tune LT - Pitch Correction Plug-In (Native)

    Waves Tune LT Native is a special edition of Waves Tune using an intuitive interface, and simplified controls. Like its big brother, it offers easy to use pitch/formant correcting with an exceptional level of sound quality and transparency.

    Waves Tune LT will automatically tune a vocal track, making the changes as gentle or as aggressive as required, using default parameters or custom settings. Selecting the root note and scale allows the plug-in to correct to the notes in that key. In addition to dozens of preset scales, custom scales can be created.

    Operates in sync and controls host transport using ReWire
    Pitch Edit Graph with Waveform Overview, Timeline, Piano Roll and Pitch Editor
    Three timeline modes including bars/beats, minutes/seconds and samples
    Up to 24-bit / 96kHz resolution
    Mono and Stereo components

    Controls

    Global
    • Reference Pitch: 220 Hz to 880 Hz
    • Formant: Corrected/Non-Corrected
    • Pitch Shift Meter: -100 cents to 100 cents
    • Timeline and Display Preferences Menu
    Edit Window
    • Piano Roll: 2 octave display
    • Select All
    • Clear Selection
    • Auto Scrolling On/Off
    • Horizontal/Vertical Zoom
    • Reset Zoom
    Segmentation
    • RootNote: Semi-tone Scale
    • Scale: 43 Pre-defined presets
    Edit Tools
    • Note
    • Zoom
    Undo/Redo
    • 2 levels
    Correction
    • Speed: 0 mS to 800 mS
    • NoteTransition: 0 mS to 800 mS
    • Ratio: 0% to 100%
  • UltraPitch - Harmonizing Plug-In (Native)

    UltraPitch Native from Waves is a plug-in designed for achieving thick stereo chorusing, doubling, parallel harmonization, vocal slap back and spread effects, and much more. With three modules it is possible to transpose, harmonize, modulate, and transform any sound. Also included are many factory presets, including essential classic patches.

    Main Features

    Three plug-in modules, including Shift, 3-Voice and 6-Voice
    Pitch Detector and Voice Character graphs
    Random asynchronicity using Animation Amount control
    Linked or Free formant correction curves
    Up to 24-bit/48 kHz resolution
    Mono, and mono to stereo components

    Controls

    Voice Section
    • On/Off: per voice and global
    • Gain: -24 dB to 0 dB per voice and global
    • Pan: -45° to +45° per voice and global
    • Delay: 0 mS to 100 mS per voice and global
    • Pitch: -octave to octave per voice
    • Formant: -12 to 12 per voice
    • Voice Markers: graphic control over pan, pitch and format

    Pitch Detector Section
    • Scrolling Speed: slow to fast
    • Min Pitch Limiter: 35 Hz to 800 Hz
    • Max Pitch Limiter: 100 Hz to 1200 Hz
    • Detection Mode: default, voice steady, voice stressed, voice opera, music steady, clear tones and bass

    Input Gain Fader: -24 dB to 0 dB
    Input Gain Meters: -30 dB to 0 dB with peak hold and clip indicators
    Animation: 0 mS to 100 mS
    Pitch and Formant Link Modes: free, voice, song, brass, woods, strings, linear and inverted
  • UM225 & UM226 - Stereo-to-Surround Sound Processing Plug-Ins (Native)

    The UM225 & UM226 Native from Waves use patented center and rear channel extraction processes, together with a unique LFE channel enrichment process, to deliver improved 5.0 and 5.1 surround imaging.

    In order to achieve optimal surround from stereo, the character of the original mix needs to be maintained… including absolute levels, relative levels, and relative positions in space. At the same time, the potential of the center, rear, and LFE channels must be realized to create a rich, enveloping 360 degree mix. The UM225 & UM226 are excellent sounding stereo-to-surround processors, allowing creative conversion of stereo sources to surround in real time.

    Main Features

    Profile modes for music and movies
    Enhanced clarity and separation of frontal center
    LFE channel LoAir enrichment with cutoff-frequency control
    Adjustable rear channel ambience and delay
    Intuitive surround graph
    Includes 5.0 and 5.1 components

    Controls

    • Profile Mode: 1 to 8
    • LF Profile: L/R to C Balance
    • HF Profile: L/R to C Balance
    • Punch: L/R to C Balance
    • L/R Width: 1 to 2
    • UpMix Amount: 0 to 100 (2.0 to 5.0/5.1)
    • Rear LPF: 20 kHz to 1 kHz
    • Rear Ambience: 0 to 100
    • Rear Delay: 3 to 75
    • LFE LPF: 40 Hz to 120 Hz
    • LFE LoAir: On/Off
    • Output Trims: L-R/Center/LsRs/LFE: +/- 12dB
    • Master Output: 0 to -24 dB
    • Left/Center/Right/Ls/Rs/LFE Speaker: On/Off
    • Left/Right Input Meters: -60 dBFS to 0 dBFS
    • Left/Center/Right/Ls/Rs/LFE Output Meters: -60 dBFS to 0 dBFS
    • Surround Graph
  • V-Comp - Vintage Hardware Compressor Plug-In (Native)

    V-Comp Native from Waves is a dynamics plug-in that uses time constants and a fixed nominal output gain to recreate the famous output-bus sound signature of a vintage 2254 hardware compressor. The plug-in is very responsive, with only a little gain reduction needed to glue a mix together.

    Main Features

    Modeled on the acclaimed 2254 compressor
    Up to 24-bit/96 kHz resolution
    Mono and stereo components

    Controls

    Input: -18 dBu to +18 dBu
    Output: -18 dBu to +18 dBu
    Meter Switch: input, output or gain reduction
    Meter Display: displays input, output, or gain reduction levels
    Analog Switch: off, 25%, 50% and 100%

    Limiter Section
    • Limiter: on/off
    • Limit level: +4 dBu to +12 dBu
    • Attack: fast or slow
    • Release: 100 mS, 200 mS, 800 mS and auto

    Compressor Section
    • Compress: on/off
    • Ratio: 1.5:1, 2:1, 3:1, 4:1 and 6:1
    • Release: 400 mS, 800 mS, 1.5 seconds and auto
    • DeEsser: on/off
  • V-EQ3 - Vintage Style EQ Plug-In (Native)

    The V-EQ3 Native from Waves is a three-band EQ plug-in modeled after the 1066 and 1073 console modules, two of the most sought after EQs. It features the same classic frequency cutoff points as the originals, along with a variable high-pass filter.

    Main Features

    Three-band EQ plug-in
    Modeled on the renowned 1066 and 1073 modules
    High-pass filter
    Up to 24-bit/96 kHz resolution
    Mono and stereo components

    Controls

    • HP Filter Frequency: off, 45, 50, 70, 80, 160, 300 and 360 Hz
    • EQ: on/off
    • Phase: reverses output signal phase
    • LF Shelf Filter Frequency: off, 35, 60, 100, 110 and 220 Hz
    • LF Shelf Filter Gain: -18 dBu to +18 dBu
    • MF Bell Filter Frequency: off, 0.36, 0.70, 1.2, 1.6, 3.2, 3.8, 4.8, 7.0 and 7.2 kHz
    • MF Bell Filter Gain: -18 dBu to +18 dBu
    • HF Shelf Filter Frequency: off, 10k Hz and 12 kHz
    • HF Shelf Filter Gain: -18 dBu to +18 dBu
    • Output Gain: -18 dBu to +18 dBu
    • Analog: on/off
    • Trim: output gain adjustment
  • V-EQ4 - Vintage Style EQ Plug-In (Native)

    The V-EQ4 Native from Waves is a four-band EQ plug-in modeled after the 1081 console module. It features detailed high frequency boosts, plus high-pass and low-pass filters. The software manages to convey the vintage character of the original hardware while simultaneously delivery modern digital usability.

    Main Features

    Four-band EQ plug-in
    Modeled on the renowned 1081 console module
    High- and low-pass filters
    Up to 24-bit/96 kHz resolution
    Mono and stereo components

    Controls

    • HP Filter Frequency: off, 27, 47, 82, 150, 270 Hz
    • LP Filter Frequency: off, 3.9, 5.6, 8.2, 12, 18 kHz
    • EQ: on/off
    • Phase: reverses output signal phase
    • LF Filter Frequency: off, 33, 56, 100, 180, 330 Hz
    • LF Filter Gain: -18 dBu to +18 dBu
    • LF Filter Type: shelf or bell
    • LMF Bell Filter Frequency: off, 220, 270, 330, 390, 470, 560, 680, 820, 1000, 1200 Hz
    • LMF Bell Filter Gain: -18 dBu to +18 dBu
    • LMF HiQ: on/off
    • HMF Bell Filter Frequency: off, 1.5k, 1.8, 2.2, 2.7, 3.3, 3.9, 4.7, 5.6, 6.2, 8.2 kHz
    • HMF Bell Filter Gain: -18 dBu to +18 dBu
    • HMF HiQ: on/off
    • HF Filter Frequency: off, 3.3, 4.7, 6.8, 10, 15 kHz
    • HF Filter Type: shelf or bell
    • Output: -18 dBu to +18 dBu
    • Analog: on/off
    • Trim: output gain adjustment
  • Vocal Rider - Automatic Level-Riding Plug-In (Native)

    Vocal Rider Native from Waves automatically rides the levels of vocal tracks during mixdown. Vocal Rider relieves the engineer from having to manually ride a physical mixing console fader, or from drawing in each individual level change on a DAW track.

    All the engineer has to do is the target range of the vocal level in relation to the rest of the mix. Then, Vocal Rider compensates for all deviations from the target, intelligently raising or lowering the vocal volume, instantly. And unlike everyday compression, Vocal Rider adds absolutely no additional coloring to the track.

    The Vocal Rider Live component includes an exclusive Spill control to differentiate the vocal from background instrumentation and noise, for better tracking and performance.

    Main Features

    Automatically keeps vocal and dialog levels steady
    Save time by automating the vocal riding part of the mixing process
    Write the automatic riding to an automation track for fine tuning
    Real-Time means no latency and no pre-scan needed
    Dedicated Vocal Rider Live component
    Up to 24bit/96kHz resolution

    Controls

    Target
    Sets the reference range for vocal mix positioning
    Vocal Sensitivity
    Differentiates vocal content from noise floor and ambience
    Vocal Activity LED
    Indicates when vocal activity is detected
    Spill
    Differentiates between vocal signal and ambient stage noise (Vocal Rider Live component only)
    Attack
    Sets the vocal detection attack behavior
    Music Sensitivity
    Determines the amount Vocal Rider adapts to instrumental levels
    Music Sensitivity LED
    Indicates Vocal Rider's response to instrumental levels
    Range Min/Max
    Set the boundaries of the Rider Fader movement range
    Effective Range
    Displays the total gain range available for automatic riding
    Idle Arrow
    Sets the Rider Fader value when there is no vocal activity
    Rider Fader
    Vocal Rider's automatic control
    Automation Mode
    Controls the Rider Fader operation
    Output
    Trims the vocal output gain, post-auto riding
    Clip LED
    Shows when output is clipping
  • Kramer Master Tape - Modeled Vintage Reel-to-Reel Machine Plug-In (Native)

    Kramer Master Tape from Waves is a plug-in that models the audio characteristics of a vintage 1/4" reel to reel tape machine. The plug-in provides the usual controls found on tape machines, such as adjustable tape speed, bias, and flux, in addition to control over things that were at one time considered faults, like wow & flutter and noise. These are now considered desirable characteristics that can add an organic feel to otherwise lifeless digital audio.

    Furthermore, the plug-in also includes what was once an unintended consequence of using tape, namely a flexible slap and feedback delay, ideal for rock, dance, dub, or any other audio application. For recording, mixing, mastering, and more, the plug-in delivers the richness and warmth of real tape saturation to any DAW.

    Main Features

    Modeled on a rare vintage 1/4" reel-to-reel machine
    Adjustable tape speed, bias, flux, wow & flutter
    Slap and feedback delay
    Up to 24-bit/192kHz resolution
    Mono and stereo components

    Controls

    • Speed - selects the simulated tape speed
    • Monitor - selects the monitoring mode
    • Bias - controls the level of the ultrasonic bias signal
    • VU Meter - displays input or output level
    • VU Calibration - controls the VU meter headroom calibration
    • Delay Time - controls the time of the tape delay effect, with settings for 7.5 ips (266mS) and 15 ips (133mS)
    • Delay Type - toggles between delay modes
    • Feedback - controls the amount of the delayed output signal
    • Lowpass - controls the LP cutoff frequency on the delay path
    • Record Level - controls the input level
    • Link I/O - links Record and Playback Levels controls
    • Playback Level - controls the total signal output level
    • Flux - controls the level of simulated magnetic radiation emitted from the record head
    • Noise - controls the level of added modeled noise but not noise modulations and signal additive noise
  • Eddie Kramer PIE Modeled Compressor (Native)

    The native Eddie Kramer PIE Modeled Compressor from Waves is a mono and stereo compressor plug-in modeled on the vintage analog Pye compressor heard on numerous classic rock records. The plug-in emulates the original Pye down to replicating the naturally occurring analog noise and hum from the unit, which can be switched off depending on your preference. The compressor itself has compression ratios up to 5:1 as well as a limiter mode. It features auto make-up gain and can handle resolutions up to 24-bit and 192kHz.

    Main Features
    • Analog noise & hum for added realism
    • Compression and limiting modes
    • Auto-makeup gain
    • Up to 24-bit 192kHz resolution
    • Mono and Stereo components
    • Supports RTAS, AudioSuite, VST, AU
    • PC and Mac compatible
    Controls
    • Threshold: sets the gain reference point beyond which compression begins
    • Ratio controls: the amount of gain reduction for signal above the threshold
    • Decay Time (Release Time): sets the recovery speed of the gain attenuation when the input drops below the threshold
    • Output: sets the output level
    • Meter Select: toggles between Input, Output, and Gain Reduction metering
    • Analog: controls analog characteristics caused by noise floor and hum, based on the power supplies of the original units
    • VU Meter: displays input or output level in dBVU
    • Clip LED: lights up when levels exceed 0 dBFS
    • VU Calibrate: controls the VU meter headroom calibration
  • HLS Channel - Helios Console Modeled Channel (Native)

    The HLS Channel Native from Waves models a Helios mixing console just like the one used in historic sessions at London's acclaimed Olympic Studios.

    HLS Channel was developed in association with producer/engineer Eddie Kramer, one of the premier engineers at Olympic Studios during that classic period of rock n' roll. Waves modeled the unique behavior, coloration, and drive of the Helios console's preamps. The equalizers were modeled for their sweet saturation, high-end presence, and fat low-frequency boost. Waves even modeled the console's inherent noise and hum. The HLS Channel also features a precision-modeled VU meter that recreates the sensitivity, ballistic behavior, look, and feel of the original.

    Main Features

    Authentic Modeling
    Modeled on a Helios from the Rolling Stones mobile truck, which was used on classic recordings in the early '70s
    Up to 24-bit / 96 kHz resolution
    Mono and Stereo components

    Controls

    • Source Select: toggles between Mic and Line levels
    • Preamp: determines the amount of preamp coloration
    • High Frequency Gain: controls high shelf gain at 10 kHz
    • Mid Gain: sets the amount of gain applied to the midrange bell filter
    • Mid Frequency: selects frequency for the midrange bell filter
    • Mid Mode: selects between boost (PK) and cut (TR)
    • Low Band Freq/Cut: selects the boost frequency, or attenuation of the 50 Hz low shelf
    • Low Band Boost: sets the amount of boost (in dB) for the selected frequency
    • EQ Cut: turns the EQ on (in) and off (cut), while maintaining the analog and preamp characteristics
    • Analog: toggles analog noise and hum modeling on/off, and sets hum pitch to either European or American current
    • Noise: pads the modeled noise and hum by 20 dB
    • Meter: toggles the meter display between input and output monitoring
    • Clip LED: lights up when levels exceed 0 dBFS
    • VU Meter: displays input or output level in dBVU
    • VU Calibrate: controls the VU meter headroom calibration
    • Trim: displays the maximum peak level of the output signal and its distance from 0 dBFS
    • Input: controls the input level
    • Output: controls the output level
  • Bass Rider - Automatic Bass Leveling Plug-In (Native)

    Bass Rider (Native) from Waves is an easy-to-use plug-in that rides bass levels automatically, delivering perfect bass levels without changing the natural sound of the instrument. Optimized especially for the frequency range and envelope characteristics of bass instruments, the plug-in functions equally well on any bass tracks, be it DI, amplified, acoustic, synthesizer, upright, etc.

    With dedicated studio and live components, the plug-in is a real time saver. Unlike a compressor, the processor works note by note without disturbing their inner dynamics, so that they sustain and decay naturally. Since Bass Rider keeps the levels steady with automatic gain adjustment, the user is free to use additional compression to add color and character if required.

    Main Features

    Rides bass levels automatically
    Optimized for bass instruments
    Retains the natural character of the bass
    Dedicated studio and live components
    Up to 24-bit/192 kHz resolution
    Mono and stereo components

    Controls

    • Target Energy Meter - shows the energy of the input signal
    • Target Slider - sets the desired bass level range and calibrates the Rider Fader "0" position
    • Sensitivity - controls the note detector sensitivity
    • Response - controls the note detector response
    • Spill - controls the amount of spill that the detector should ignore
    • Artifacts - controls the note detector's tolerance to artifacts
    • Max Range - sets the upper boundary of the Rider Fader movement
    • Min Range - sets the lower boundary of the Rider Fader movement
    • Rider Fader - Bass Rider's automatic fader control
    • Output - trims the vocal output gain, post-auto riding
    • Idle Arrow - sets the Rider Fader value when there is no bass activity
    • Effective Range - displays the total gain range available for automatic riding
  • CLA Guitar - Guitar Processing Plug-In (Native)

    CLA Guitar Native from Waves is a plug-in that delivers a wide variety of guitar tones that can be used for any kind of song production. It includes six essential effects, each with three color coded presets - bass, treble, compression, reverb, delay, and pitch (chorusing/doubling).

    Main Features

    Complete all-in-one processing chains
    Three modes - clean, crunch, and heavy, with DI and re-amping modes for each
    Optimized control ranges
    Up to 24-bit/96 kHz resolution
    Mono-to-stereo and stereo components

    Controls

    • Guitar Mode - toggles between guitar modes: clean, crunch, heavy, bypass
    • Re-Amplify - engages a modeled guitar amp, tailored for the current guitar mode
    • Input Sensitivity - used to achieve optimal plug-in input level
    • Input Meter - displays input signal peak level
    • Balance - adjusts the offset between left and right signals (stereo component only)
    • Sensitivity LED - indicates the presence of proper levels
    • Bass - controls low frequency gain
    • Bass Color - toggles between low frequency filters
    • Treble - controls high frequency gain
    • Treble Color - toggles between high frequency filters
    • Compress - controls the dynamic range
    • Compress Color - toggles between compression characters
    • Reverb - controls the reverb wet mix
    • Reverb Color - toggles reverb types
    • Delay - controls the delay wet mix
    • Delay Color - toggles between delay times and characters (syncs to session BPM)
    • Pitch - controls the pitch modulation wet mix
    • Pitch Color - toggles between pitch modulation types
    • Output - controls the output level
    • Output Meter - displays output signal peak level
    • Clip LEDs - light up when levels exceed 0 dBFS
  • Maserati DRM - Drum Slammer Plug-In (Native)

    Maserati DRM Native from Waves is live or programmed drum track enhancing software, featuring Tony Maserati's settings for making the tracks cut through a thick mix. The "Drum Slammer" works for a wide variety of drum sounds and includes controls for bass and treble EQ, plus a "snap" control which modifies the transient component of the drum sounds.

    Seven drum types can each be adjusted, including bass drum, snare top, snare bottom, high hat, toms, overhead and room tones.

    Main Features

    Complete all-in-one processing chains
    Seven drum types
    Optimized control ranges
    Up to 24-bit/96 kHz resolution
    Mono and stereo components

    Controls

    • Type - toggles between the seven drum types (BD, SNR Top, SNR Bottom, HH, Toms, OH, Room)
    • Sensitivity - controls nominal input levels
    • Thump - controls low frequencies
    • Snap - controls the "snap" effect of the drum
    • Treble - controls the high frequencies
    • Output - controls the output level
    • Meter Switch - toggles between the input and output monitors
  • OneKnob Filter (Native)

    The native OneKnob Filter from Waves is a single-knob operated sweepable filter plug-in with switchable resonance modes. It can be used for live DJ performances, on full mixes, loops, or synth tracks. The OneKnob Filter supports RTAS, AudioSuite, AU, and VST plug-in formats on both Mac and PC.

  • OneKnob Driver (Native)

    The native OneKnob Driver from Waves is a single-knob operated overdrive plug-in inspired by guitar overdrive pedals. It can produce tones ranging from light overdrive to full distortion. In addition to guitar tracks, the OneKnob Driver can be used on vocals, piano, synths, drums, and bass. It supports RTAS, AudioSuite, AU, and VST plug-in formats on both Mac and PC.

In the Box
Bundle Items

Also Includes

  • L3 Ultramaximizer
  • L3 Multimaxizer
  • L3-LL Ultramaximizer
  • MV2
  • PS22 Stereo Maker
  • Q-Clone EQ
Table of Contents
  • 1Description
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Specifications
  • AudioTrack - Multi-Processor Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • C1 Parametric Compander - Dynamics Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • C4 Multiband - Dynamics Processor Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Center - Spacial Imagery Adjustment Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • CLA-2 - Compressor/Limiter Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • CLA-3A - Compressor/Limiter Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • CLA-76 Blacky & Bluey - Compressor/Limiter Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • DeBreath - Breath Detection Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • DeEsser - Sibilance Removal Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Doppler - Doppler Effect Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Doubler - Double Tracking Effects Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Enigma - Multi-Effects Modulation Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • GTR3 Software System - Native (Upgrade from GTR Solo)
    System Requirements
    Mac G5 Dual 2GHz or Intel Dual Core 1.83GHz
    OS X 10.4.8 or 10.5
    512MB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, Audio Units and VST plug-in formats
    PC Pentium IV 2.8GHz/AMD Athlon XP 3GHz
    Windows XP 32-bit SP2/Vista 32-bit
    512MB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite and VST
  • H-Comp - Hybrid Compressor Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • H-Delay - Hybrid Delay Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • IR-L - Convolution Reverb Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • L1 Ultramaximizer - Loudness Maximizer Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • L2 Ultramaximizer - Loudness Maximizer Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • L3 Multimaximizer - Multi-Band Limiter Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • L3-16 Multimaximizer - Peak Limiter Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Linear Phase Equalizer - Mastering EQ Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Linear Phase Multiband - Multiband Compression Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • MaxxBass - Bass Enhancement Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • MaxxVolume - Dynamics Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • MetaFlanger - Flanger Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • MondoMod - Modulation Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Morphoder - Vocoder Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • PAZ Analyzer - Audio Signal Analyzer Plug-In (Native)
    System Requirements
    Mac G5 Dual 2GHz or Intel Dual Core 1.83GHz
    OS X 10.4.11 to 10.6.2 (or 10.5.x for PPC)
    1GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, Audio Units and VST plug-in formats
    PC Pentium IV 2.8GHz/AMD Athlon 64 or equivalent
    Windows XP 32-bit SP2 and SP3, Vista Business or Ultimate32-bit, Windows 7 32-bit
    1GB RAM (XP), 2GB RAM Vista/7
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite and VST
  • PuigChild 660 & 670 - Compressor/Limiter Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • PuigTec Equalizers - Program and Midrange EQ Plug-Ins (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Q10 - Paragraphic EQ Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Renaissance Axx - Dynamics Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Renaissance Bass - Bass Enhancement Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Renaissance Channel - Channel Strip Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Renaissance Compressor - Compressor Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Renaissance DeEsser - Sibilance Removal Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Renaissance Equalizer - EQ Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Renaissance Reverb - Classic Reverb Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Renaissance Vox - Dynamics Processor Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • S1 Stereo Imager - Stereo Enhancement Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • SoundShifter - Pitch and Time-Shift Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • SuperTap - Analog Style Delay Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • TransX - Transient Modifying Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • TrueVerb - Real Room Simulation Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Tune LT - Pitch Correction Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • UltraPitch - Harmonizing Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • UM225 & UM226 - Stereo-to-Surround Sound Processing Plug-Ins (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • V-Comp - Vintage Hardware Compressor Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • V-EQ3 - Vintage Style EQ Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • V-EQ4 - Vintage Style EQ Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Vocal Rider - Automatic Level-Riding Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Kramer Master Tape - Modeled Vintage Reel-to-Reel Machine Plug-In (Native)
    System Requirements
    Mac G5 Dual 2GHz or Intel Dual Core 1.83GHz
    OS X 10.4.11 to 10.6.2 (or 10.5.x for PPC)
    1GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, Audio Units and VST plug-in formats
    PC Pentium IV 2.8GHz/AMD Athlon 64 or equivalent
    Windows XP 32-bit SP2 and SP3, Vista Business or Ultimate32-bit, Windows 7 32-bit
    1GB RAM (XP), 2GB RAM Vista/7
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite and VST
  • Eddie Kramer PIE Modeled Compressor (Native)
    System Requirements Mac:
    OS X 10.6.8 to 10.8.3
    Core Duo 2.3 GHz
    4 GB RAM
    1024 x 768 Screen Resolution

    PC:
    Windows 7 & 8
    Intel Core 2 Duo 2 GHz, AMD Athlon 64, or equivalent
    4 GB of RAM
    1024 x 768 32-Bit Screen Resolution
    Supported Formats RTAS
    AudioSuite
    VST
    AU
    Supported Resolution 24-Bit/192 kHz
  • HLS Channel - Helios Console Modeled Channel (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Bass Rider - Automatic Bass Leveling Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • CLA Guitar - Guitar Processing Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • Maserati DRM - Drum Slammer Plug-In (Native)
    System Requirements Mac
    Core Duo 2.3 GHz
    OS X 10.6.8 to 10.7
    4 GB RAM
    1024 x 768 minimum display resolution
    Host application that supports Audio Units, RTAS, AudioSuite, and VST plug-in formats

    PC
    Intel Core 2 Duo GHz/AMD Athlon 64 or equivalent
    Windows 7
    4 GB RAM
    1024 x 768 32-bit minimum display resolution
    Host application that supports RTAS, AudioSuite, and VST plug-in formats
  • OneKnob Filter (Native)
    System Requirements Mac:
    OS X 10.6.8 to 10.8.3
    Core Duo 2.3 GHz
    4 GB RAM
    1024 x 768 Screen Resolution

    PC:
    Windows 7 & 8
    Intel Core 2 Duo 2 GHz, AMD Athlon 64, or equivalent
    4 GB of RAM
    1024 x 768 32-Bit Screen Resolution
    Supported Formats RTAS
    AudioSuite
    VST
    AU
  • OneKnob Driver (Native)
    System Requirements Mac:
    OS X 10.6.8 to 10.8.3
    Core Duo 2.3 GHz
    4 GB RAM
    1024 x 768 Screen Resolution

    PC:
    Windows 7 & 8
    Intel Core 2 Duo 2 GHz, AMD Athlon 64, or equivalent
    4 GB of RAM
    1024 x 768 32-Bit Screen Resolution
    Supported Formats RTAS
    AudioSuite
    VST
    AU

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