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Korg Kronos X - Music Workstation (61 Keys)

B&H # KOKRONOSX61 Mfr # KRONOSX61
Usually ships in 7-14 business days

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You Pay: $3,199.99
Product Highlights
  • 61 Semi-Weighted Keys
  • 9 Synthesizer Engines
  • Open Sampling System
  • Dynamic Voice Allocation
  • 16 MIDI and 16 Audio Tracks Sequencer
  • 2,560 Programs (1,536 preloaded)
  • 1,792 Combinations (480 preloaded)
  • 264 Drumkits (78 preloaded)
  • 2 GB RAM and 62 GB SSD
  • Color TouchView Display

The Kronos X Music Workstation (61 Keys) from Korg comes in three varieties, distinguished only by the number and type of keys. This 61-key version features a semi weighted keyboard and includes nine sound engines - realistic piano, expressive electric piano, tone wheel organ, digital synthesis, and analog/physical modeling. For the live performer or studio musician/composer/sound designer, the instrument contains everything needed to create great tracks.

For the performing keyboard player the keyboard provides extensive control options. In addition to the responsive keyboard, controllers include joysticks, sliders, knobs, switches, a ribbon controller, assignable pedal inputs, and a high-resolution color TouchView display. Performance-oriented additions include an easy-to-use set list mode and a smooth sound transition feature which allows notes from a previous patch to decay naturally rather than be cut off.

For the producer, music director, and musician, the workstation is equipped with a 16-track MIDI track plus 16 audio track sequencer. An open sampling system, multiple effects and a large selection of preset sounds allow for total in-keyboard production. Add to that the ability to use KARMA, a dedicated drum track, and the sequencer's RPPR greatly speeds up the music creation process. And for the sound designer, the keyboard delivers numerous synthesizer engines for endless programming possibilities.

Features

  • Synthesizer containing nine sound engines, including realistic piano, electric piano, tone wheel organ, digital synthesis, and analog/physical modeling
  • 61-key semi-weighted keyboard
  • Approximately 2 GB of available PCM RAM allows more sample data to be loaded simultaneously
  • 62 GB SSD capacity allows support for sound library expansions, such as the Kronos Sound Libraries and the KARO Sound Libraries
  • User Sample Bank allows users to create large sample libraries that take advantage of the PCM RAM and SSD capacity
  • Includes artist signature sounds created by top musician
  • Sixteen part combis allow all engines to function together with Dynamic Voice Allocation keeping the polyphony high
  • Use up to sixteen effects at once
  • Twelve insert effects
  • Two master effects
  • Two total effects
  • On-board sequencer offers sixteen MIDI tracks plus sixteen audio tracks (24-bit/48 kHz resolution)
  • Open sampling system allows Instant sampling and resampling from any mode - program, combination or sequencer
  • KARMA technology generates infinitely variable performance-driven phrases, musical effects and backing tracks
  • Expanded Drum Track for play-along grooves and inspiration
  • Set List Mode - organize the programs, combis, and songs needed for a performance set in a single, easy-to-select screen, including performance notes
  • Smooth sound transition allows held or sustained notes to keep sounding when changing sounds or modes
  • Direct support for playing drums and chords from Korg pad-equipped USB controllers, including the nanoPAD, nanoPAD2, padKONTROL along with general support for all class-compliant USB controllers, including the Korg nano series and microKEY series
  • Support for the Kronos Editor and Plug-in Editor software
  • USB Ethernet adapter compatibility enables high-speed data communication between the Kronos X and a computer
  • Comprehensive interface based around a large 8" TFT TouchView display
Nine Synthesizer Engines

SGX-1 Premium Piano
  • Accurately captured the character of a concert piano
  • Able to play large samples directly from the internal high-capacity Solid State Disk (SSD)
  • Offers two distinctive grand pianos - a German D piano, and a Japanese C model
  • Each uses un-looped stereo samples sampled at eight velocity levels for each key
  • Attention to detail includes sampling and reproducing the body resonances of the grand piano, as well as the mechanical when the keys are played, or the damper pedal is pressed and released

EP-1 MDS Electric Piano
  • Recreates six of the most popular classic electric pianos
  • MDS (Multi-Dimensional Synthesis) technology eliminates the transitions between velocity-switched samples and does away with the unnatural behavior of looped samples
  • Provides the user with control over the tines, reeds, and noise elements that make up the essential character of the instruments
  • Responds to the subtleties of the player's keyboard touch and delivers excellent dynamics
  • Each model provides realistic simulations of the period amp, cabinet, speaker, and vintage effects that gave the original instruments their distinctive sound

CX-3 Tone Wheel Organ
  • Precisely models this classic tone wheel instrument
  • Reproduces the vacuum tube amp and effects such as Vibrato/Chorus, and the rotary speaker
  • The instability, fold-back, leakage, and noise of the tone wheels have been analyzed and recreated
  • EX mode allows for switching from 9 to 18 drawbars (13 footages plus 5 to define the percussion) for richer and more detailed sounds

HD-1 High Definition Synthesizer
  • PCM, sampling and Wave Sequencing sound engine
  • Low-aliasing sample playback oscillators, full‐bandwidth multi-mode resonant filters, and fast and smooth envelopes and LFOs
  • Provides access a larger sample set (gigabytes in size) than could be normally stored using internal memory
  • Covers all of the essential sounds from orchestral to classic rock to hip-hop
  • Excellent fit for film, video and sound effect work
  • Wave Sequences play a series of samples over time, creating distinctive rhythmic timbres or smooth, complex evolving sounds
  • Step-sequencer modulation outputs allow Wave Sequences to control any modulate-able program parameter
  • Ambient Drums feature two kits, each providing three different mic'ing positions that capture the whole kit, (with the snare on and off), plus the individual hits
  • Allows the custom blending of the drum's direct sound and ambient sound layer
AL-1 Analog Synthesizer
  • Same analog modeling sound engine first featured on the KORG OASYS
  • Ultra low aliasing oscillators recreate all the power of true analog synthesis without artifacts
  • Morphing waveforms allow for changing the oscillator shapes in real‐time.
  • Resonance modeling provides a choice between classic filter sounds, and the MultiFilter allows for creating custom hybrid filter shapes
  • Hard sync, analog‐style FM, drive, low‐boost, and ring modulation offer plenty of tone-twisting power

MS-20EX Legacy Analog Collection
  • Analog modeling sound engine
  • The original MS-20 combined a 37-note keyboard with a vertically oriented control panel, delivering a thick and solid sound, aggressive filters, and patching that opened up limitless potential for creating sounds
  • Using CMT (Component Modeling Technology) the MS-20EX faithfully reproduces the MS-20 while expanding its patch panel functionality
  • Modulate filters with audio-rate oscillators
  • Turn audio inputs into control signals
  • Control all of the original knobs with modulation sources including additional envelopes, LFOs, and real‐time controllers

PolysixEX Legacy Analog Collection
  • Analog modeling sound engine
  • The Polysix first appeared in 1981, offering six-voice polyphony, program memory, a self-oscillating four-pole filter, smooth analog oscillator and sub-oscillator, plus a lush Chorus/Ensemble effect
  • The strings and pads that were a major feature of the Polysix, invaluable when recreating the sounds of the early '80s
  • Includes the classic arpeggiator built into the original
  • Modulation has been added of every control on the front
  • Well-suited to hands-on control via the Kronos X's Tone Adjusting knob, slider, or switch for almost all of the original Polysix controls
  • Capable of high polyphony

MOD-7 Waveshaping VPM Synthesizer
  • Combines Variable Phase Modulation (VPM), wave-shaping, ring modulation, samples, and subtractive synthesis, plus a modular patch‐panel system
  • Offers everything from classic FM keyboards, bells and basses (including the ability to import sounds from vintage DX synths) to rhythmic soundscapes and epic pads
  • Flexible sample‐mangling capabilities
  • Combine multiple stages of filtering, waveshaping, ring modulation and use samples as FM modulators, all patched together

STR-1 Plucked String Synthesizer
  • Physical modeling sound engine
  • Highly playable sounds whose tone responds to the touch in ways that are difficult for a PCM sound engine to replicate
  • Includes acoustic guitar, electric guitar, harpsichord, clavinet, harps, bells and ethnic instruments
  • Allows the creation of sounds that obey physical laws, but that don't exist in reality - play harmonics on a metal bar "plucked" by a piano or sing into a guitar string
  • Process samples and live audio input through the physical model including audio feedback from any of the Kronos X effects
Built-In Expansion PCM Libraries

  • EXs1 - ROM Expansion
  • EXs2 - Concert Grand Piano
  • EXs3 - Brass and Woodwinds
  • EXs4 - Vintage Keyboards
  • EXs5 - ROM Expansion 2
  • EXs6 - SGX-1 German D Piano
  • EXs7 - SGX-1 Japanese C Piano
  • EXs8 - Rock Ambience Drums
  • EXs9 - Jazz Ambience Drums
Qualified USB Ethernet Adapters

  • Apple MC704ZM/A
  • CISCO Linksys USB300M
  • TRENDnet TU-ET100C
  • BUFFALO LUA3-U2-ATX
  • BUFFALO LUA-U2-KTX
  • BUFFALO LUA3-U2-AGT
  • Planex UE-100TX-G3
  • Logitec LAN-TX/U2B
  • Logitec LAN-TX/U2H3
  • I-O DATA ETX3-US2
  • Logitec LAN-TX/U2H3
  • I-O DATA ETX3-US2
System Kronos System Version 2.0
Keyboard 61-key, semi-weighted
Synthesis Method SGX-1: Premium Piano (Acoustic Piano)
EP-1: MDS Electric Piano (Electric Piano)
HD-1: High Definition Synthesizer (PCM Virtual Memory Technology)
AL-1: Analog Synthesizer (Analog Modeling)
CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
STR-1: Plucked String (Physical Modeling)
MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX: (CMT Analog Modeling)
PolysixEX: (CMT Analog Modeling)
Polyphony SGX-1: 100 voices
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices
Multitimbral 16 part combinations
Presets 256 GM Level2 programs
9 GM Level2 drum programs
314 MB PCM ROM (1,505 multi-samples, 1388 drum samples)
User Memory 2,560 Programs (1,536 preloaded)
1,792 Combinations (480 preloaded)
264 Drumkits (78 preloaded)
598 Wave Sequences (165 preloaded)
Programs SGX-1 Premium Piano
PCM:
EXs6 - German D Piano
EXs7 - Japanese C Piano
Piano Type:
32
Oscillator Control:
Damper resonance, damper noise, mechanical noise, note release

EP-1 MDS Electric Piano
Model Types:
Tine EP I, Tine EP II, Tone EP V, Tine EP DMP, Reed EP200, Reed EP200A
Oscillator Control:
Harmonic sound level, attack noise, level, release noise level, attack brightness, hammer width
Panel Control:
Preamp volume, tone, vibrate, amp/cabinet
Effects:
Small phase, Orange phase, clack phase, vintage chorus, black chorus, EP chorus, vintage flanger, Red comp, VOX wah
Reed Type:
Preamp volume, tone, vibrate, amp/cabinet

HD-1 Advanced Vector Synthesis
Structure:
Single: OSC1
Double: OSC1 and OSC2
Two separate drum kits
Oscillators:
8 velocity zones per oscillator, with switching, crossfades and layering
Filters:
2 multi-mode filters per voices (low-, high-, band-pass, band-reject), 4-mode filter routings (single, serial, parallel, 24 dB mode)
Driver:
Per voice non-linear driver and low boost circuit
EQ:
3 bands with sweepable mid
Modulation:
3 envelope generators, 2 LFOs per voice, common LFO, 4 key tracking generators, AMS (Alternate Modulation Source), two AMS mixers

EXi Advanced Vector Synthesis
EQ:
3 bands with sweepable mid
Modulation:
Common step sequencer, AMS (Alternate Modulation Source), common LFO, 2 Key Tracking Generators

AL-1 Analog Synthesizer
Oscillators:
OSC1, OSC2, sub-oscillator and noise generator, ring modulation, FM and sync
Audio Input:
Run real-time audio through the synthesis engine
Filters:
2 multi-mode filters (low-, high-, band-pass, band-reject), 4-mode filter routings (single, serial, parallel, 24 dB mode), MultiFilter mode (only Filter-A, modulatable mix of low-, high-, band-pass, and dry input
Driver:
Per voice non-linear driver and low boost circuit
Modulation:
5 envelope generators, 4 per-voice LFOs, 2 AMS mixers, per-voice step sequencer

CX-3 Tone Wheel Organ Modeling
EX Mode:
4 additional, user-specified drawbars and expanded percussion
Internal Effects:
Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
Drawbar Control:
9 front-panel sliders
Split:
Upper, lower
Modulation:
2 AMS mixers

STR-1 Physically Modeled String
Excitation:
3 independent excitation sources - pluck, noise, PCM
16 preset "pluck" types, with modulatable width and randomization
Noise generator with saturation and dedicated low-pass filter
PCM Oscillator:
4 velocity zones per oscillator
Uses any mono ROM, EXs, or RAM multi-samples
Excitation Filter:
Dedicated 2-pole multi-mode filter for shaping the string excitation
Low -, high-, band-pass, band reject modes
Audio Input and Feedback:
Run real-time audio through the string, including feedback through effects
Feedback includes modulate-able instrument-to-amp distance and orientation
Filters:
Dual multi-mode filters per voice - single, serial, parallel (with split stereo output), 24 dB (4-pole) low-, high-, band-pass, band-reject
Multi Filter Mode (Filter A):
Modulatable mix of low-, high-, band-pass, dry input
Modulation:
5 envelopes, 4 per-voice LFOs, 2 key track generators, string tracking generators, 4 AMS mixers
Programs MOD-7 Waveshaping VPM Synthesizer
Oscillators:
6 VPM/Waveshaper/ring modulation oscillators
Phase and modulatable pitch per oscillator
101 Waveshaper tables plus modulatable drive and offset
PCM Oscillator:
4 velocity zones per oscillator
Uses any mono ROM, EXs, or RAM multi-samples
Noise generator with saturation and dedicated low pass filter
Audio input:
Run real-time audio through the VPM oscillators and filters
Filters:
Dual multi-mode filters per voice
Parallel and 24 dB (4-Pole) configurations
Low-, high-, band-pass, band-reject
Multi Filter mode (Filter A only):
Modulatable mix of low-, high-, band-pass, dry input
Patch Panel:
Supports both algorithm (78 types) selection and free patching
Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion
Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
Modulation:
10 envelopes, 4 per-voice LFOs, 9 key tracking generators, per-voice step sequencer, 4 standard AMS mixers, 4simple AMS mixers

MS-20EX
Oscillators:
VCO1, VCO2, ring modulation, pink and white noise generator
Audio Input:
Run real-time audio through the synthesis engine and ESP
Filters:
12 dB/octave high- and low-pass self-resonant
ESP section:
24 dB/octave low- and high-cut, available per voice
Patch Panel:
Patchable audio and modulation at audio rates
Patch Points:
Keyboard CV out, keyboard trigger out, VCO1+VCO2 CV in, VCO2 CV in, VCO1+VCO2 external frequency control in, VCO1 out, VCO2 out
External signal in, external HP filter cutoff frequency control in, external LP filter cutoff frequency control in, HPF out, LPF in, LPF out
VCO+VCF:
Total external modulation in
VCA:
External initial gain control in, VCA in
EG:
EG1 envelope signal normal out, EG1 envelope signal reverse out, EG1+EG2 trigger in, EG1 trigger in, EG2 envelope signal reverse out
MG:
Triangle out, rectangle out
Noise Generator:
Pink noise out, white noise out
Sample and Hold:
Clock trigger in, sample signal in, S/H out
Modulation VCA:
CV in, signal in, signal out
Manual Controller:
Control wheel out, momentary switch
ESP:
Signal in, AMP out, BPF in, BPF out, F-V CV out, envelope out, trigger out
Others:
EXi audio in, mixer 1 in, mixer 1 out, mixer 2 in, mixer 2 out
ESP (External Signal Processor):
Use incoming audio as a trigger and/or CV source
Modulation:
Original DAR and HADSR EGs 1 and 2, original MG (with MIDI sync), Sample-and- Hold, MVCA
4 additional multi-stage envelopes, 4 additional per-voice LFOs, and 4 AMS mixers

PolysixEX Program
Oscillators:
Saw, Pulse, PWM VCO
Off, 1 octave below, 2 octaves below sub oscillators
Filter:
24 dB/octave low-pass self-resonant filter
Effects:
Integrated Polysix chorus, phase, and ensemble
Arpeggiator:
MIDI-synced with adjustable range, mode, latch
Modulation:
Original ADSR EG and MG (with MIDI sync), 2 additional multi-stage envelopes, 2 additional per-voice LFOs, and 4 AMS mixers
Combination Number of Timbres:
16 Maximum
Master Keyboard Functionality:
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI devices
Advanced Vector Synthesis:
Control oscillator volumes and synthesis and effects parameters via the Vector Joystick and the
tempo-synchronized Vector Envelope.
Drums Drumkit
System:
Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

Drum Track
Drum Track Patterns:
697 preset (common with the preset patterns of the MIDI sequencer)
KARMA Modules:
One module in program mode, four modules in combination and sequencer modes
Generated Effects (GE):
2,048 presets, 1,536 Users (96 come preload)
Controllers:
On/off, latch, chord, assign, module, control, KARMA real-time control sliders (1-8), KARMA scene (1-8), KARMA switches (1-8), KARMA wave-sequencing, GE sub category, freeze randomize, time signature control, tempo synchronize, Auto RTC (Real Time Control) setup
Sampling System:
Open sampling system (resampling, in-track sampling)
Bit Depth/Sampling Frequency:
RAM: 16-bit/48 kHz stereo/mono sampling
Disc: 16 or 24-bit/48 kHz stereo/mono sampling
Sampling Time:
RAM: Depends on the amount of available PCM RAM
Disc: Maximum 80 minutes stereo (879 MB: 16-bit)
Sample Locations:
16,000 samples/4,000 multi-samples (128 indexes per multi-sample)
Ripping:
Direct sampling (ripping) from audio CD (CD-DA)
Formats:
Korg, AKAI S1000/S3000 data (with advanced program parameter conversion), SoundFont 2.0, AIFF, WAV
Editing:
Time stretch, time slice, crossfade loop, and other standard editing features
Effects Insert Effects:
12 stereo in / stereo out
Master Effects:
2 stereo in / stereo out
Total Effects:
2 stereo in / stereo out
Timbre EQ:
High, low, and mid-band
Effect Types:
185
Modulation:
Dynamic modulation and common LFO
Effects Control Busses:
Two stereo side chains
Effect Presets:
783, maximum 32 per 1 effect (preset user)
Sequencer Sequencer/Hard Disc Recording
Tracks:
16-track MIDI sequencer + 16-track hard disk recorder + master track
Number of Songs:
200
Resolution:
1/480
Tempo:
40.00 to 300.00 (1/100 BPM resolution)
Maximum Memory:
400,000 MIDI events or 300,000 audio events
MIDI Tracks:
16 tracks plus the master track
697 preset/100 user patterns (per song)
18 preset/16 user template songsFormat:
Korg (Kronos, OASYS), SMF formats 0 and 1
Audio Tracks: 16-track playback, 4-track simultaneous recording, WAV file format 16-/24-bit
Maximum Single-File Recording Time (Mono):
80 minutes
Automation:
Volume, pan, EQ, send 1/2, 5,000 regions (maximum), event anchors, BPM adjust
RPPR (Realtime Pattern Play and Record):
1 pattern set per song
MIDI 3 x 5-pin DIN In, Out, Thru
Inputs Audio:
2 x 1/4" TRS balanced
Impedance: 10kΩ
Nominal Level: +4 dBu
Maximum Level: +16 dBu, source Impedance: 600Ω
S/PDIF:
1 x TOSLink optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz
USB-B:
24-bit/ 48 kHz, 2 channels (shared with output)
Outputs L/MONO, R Audio:
2 x 1/4" TRS balanced
Individual 1-4 Audio:
4 x 1/4" TRS balanced
350Ω stereo, 175Ω mono,
Nominal Level: +4.0 dBu
Maximum Level: +16.0 dBu (when load impedance is 600Ω or greater)
Headphones:
1 x 1/4" TRS
Impedance: 33Ω
Maximum Level: 60+60 mW (when load impedance is 33Ω)
S/PDIF:
1 x TOSLink optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz, (same signals as L/MONO, R)
USB-B:
24-bit, 48 kHz, 2 channels (same signals as L/MONO, R)(shared with input)
USB 2 x USB Type A for connection to external USB devices (support 480 Mbps)
1 x USB Type B MIDI/audio interface - 16 channel MIDI input, 16 channel MIDI output, 2 channel audio input, 2 channel output
Frequency Response 20 Hz to 22 kHz, +/-1.0 dB, 10kΩ load
THD + N 0.01%, 10kΩ load, 20 Hz to 22kHz (typical)
SNR 95 dB (typical)
Dynamic Range 95 dB (typical)
Crosstalk 95 dB @ 1 kHz (typical)
Internal Storage 62 GB SSD (2.5")
Sample RAM 2 GB PCM RAM
Memory available for RAM samples will change based on the use of Expansion PCM libraries
General Disk Mode:
Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write) ISO9660 Level 1 (for use with external USB CD drive)

Control Surface
Controllers:
Vector joystick, joystick, ribbon controller, switches 1 and 2
Control Assign Switches:
Assigns the control surface to timber/track, audio, external, real-time knobs/KARMA, or tone adjust
Mixer Knobs Switch:
Assigns the mixer knobs to either channel strip or individual pan, reset control switch, solo switch, knobs 1-8, switches 1-8 (upper row), switches 1-8 (lower row), sliders 1-8, master slider
KARMA Control:
On/off, latch, chord assign, module control
Control Inputs:
Damper pedal (half damper supported), assignable switch, assignable pedal
Display TouchView graphical user interface, 8" TFT, SVGA (800 x 600 dot), adjustable brightness
Power Requirement 117VAC, 50 Hz
60 W consumption
Dimensions (WxDxH) 41.4 x 14.25 x 5.3" (105 x 36 x 13 cm)
Weight 27.6 lbs (12.5 kg)
Korg Kronos X - Music Workstation (61 Keys)
  • AC Power Cable
  • 2 x DVD Discs
  • One (1) Year Warranty
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