The Beyerdynamic M 88 TG Microphone offers both a wide frequency response and rugged construction, making an ideal combination for many applications.
In the studio and live, use the M 88 TG's high SPL capability to allow the microphone to be placed close to loud sound sources such as a kick drum or bass guitar. It has a -20dB integrated humbucking filter, and is equally impressive as both a vocal microphone or for brass/windwood instruments. The M 88 TG has a reinforced basket to withstand rough handling when being used for more demanding applications. The M 88 TG is often used in a broadcast environment as an announcers or EFP microphone.
| Transducer | Pressure Gradient Dynamic Moving Coil |
| Polar Pattern | Hypercardioid |
| Frequency Response | 30 Hz to 20 kHz |
| Maximum Input Sound Level | Not Specified by Manufacturer |
| Power Requirements | None Dynamic, Requires No Phantom or Battery Power |
| Output Impedance | 200 Ohms |
| Output Connectors | XLR-3M Type |
| Dimensions | 7.12 x 1.90" (181 x 48.5mm) LxD |
| Weight | 11.3 oz (320g) |
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Comments about Beyerdynamic M 88 TG Microphone:
I purchased this microphone after years of being curious about it. Recently I attended a Pink Martini concert, in which both the lead trumpet and trombone players were miced with it. Overall I would describe this mic as smooth with low-mid frequency warmth and de-emphasized high frequency response (but not anything to the extent of the blunt high frequency attenuation of an SM57). I tried it on trombone and it sounded just great. In that application I would characterize it as smooth, not in-your-face, but still catching the overtones very nicely. It sounds real, tangible, and musical, with no obvious hype. It smooths out those harsh high mid and high frequencies and adds warmth to the low end. However, this microphone did not fare so well on my male baritone voice. The proximity effect too readily overloaded my Metric Halo ULN-2 audio interface when used close up. I had to back away about 6 to 8 inches to reliably prevent proximity effect overload. However, backing up to that extent resulted in a mediocre, somewhat thin tone and noticeable room noise. Maybe I don't know what I'm doing, but despite adjusting preamp levels, I could not get this microphone to work all that well on my voice. The proximity effect was simply overwhelming and ready to jump out at the slightest detection of low-mid frequency. That said, I am keeping this mic because it sounds great on trombone, where it strikes me as pleasant with no problematic issues. On trombone, I did not have to be wary of distance at all - it just worked. Most importantly it just sounds right in that application. That said, some engineers might miss the bump in high-mid boost presence featured in some other mics, so it depends on the sound you are after. I suspect this mic will sound even better on trumpet, which generally contains more pronounced upper overtones and could also benefit from the low-end body of this mic. Hey, this being the mic Pink Martini uses for their live concerts on lead trumpet and trombone, I would have to conclude that this is one of the best for that application. While it is not a do-it-all mic, it has the "just right" sound in certain applications.
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This is a special order item and is non-cancelable and non-returnable. Est. arrival at B&H is 7-14 days (subject to availability). Your order will be charged at time of shipment.