Avid Media Composer 7 with Interplay is a single license, electronic download of the 64-bit non-linear editing system for Mac or Windows computers. This version of the software is only available to college/university institutions and is compatible with available Avid Interplay solutions, allowing it to interface with your existing Interplay system. You receive an unlock dongle and you can load the software on multiple computers, but you can only run the application on one computer at a time using the dongle to unlock the software for use. Media Composer 7 allows you to work with most file formats and resolutions, including SD, HD, stereoscopic (3D), and resolutions above HD, using ACE certified editing tools. It also features built-in effects, transitions, and titling tools. With Media Composer 7, you can mix and match different formats, frame rates, and resolutions in the same timeline without rendering. Media Composer 7 features Full 4:4:4 HD RGB support, color correction tools, and ProRes encoding (Mac version only.)
Featuring built-in support for stereoscopic/3D footage, it is a full-fledged stereoscopic editing system. It is also compatible with a wide range of effects plug-ins. It features a multicam editing mode for cutting between 9 cameras simultaneously. For audio support, Media Composer 7 features built-in 7.1 surround sound support and audio mixing of up to 64 audio voices. It also features improved audio keyframing on the timeline and supports Pro Tools RTAS plug-ins. It supports available Avid and non-Avid hardware I/O cards and devices and comes bundled with Avid FX (Boris RED), Sorenson Squeeze, and AVID DVD, which allows you to author DVDs.
This is the full version of the software, with the same features and functionality as the non-academic version and it is available only for college/university institutions.
During the activation process, you will be directed to Avid's academic website to complete the process.
The software is fully functional, and your license does not expire.
Institutions receive free revisions for the year, after that period, if you want new revisions or to upgrade to the new version, you will be required to purchase a new license.
Compatible with Avid Interplay
This version is compatible with available Avid Interplay solutions, which provide enhanced access to media, ingest automation, distribution, analytics, and rights management.
What's New in Version 7
Dynamic Media Folders
Runs as a separate service on your system, working in the background so it doesn't interfere with your editing and it can run even when the Media Composer application is not running. You can automatically execute actions that you assign to the folder's profile. These actions include:
Transcode files placed in the folder to a specified resolution.
Copy files to a specific location.
Managed AMA Media
AMA Media is now tracked and can be loaded into Bins and the Media Tool, and in Avid interplay (if installed).
Background services such as AMA Media and Dynamic Folders run in the background and can now be started and stopped from both outside and inside the edit system interface.
Media Composer 7 supports non-destructive addition of 1D and 3D LUTs (Look Up Tables) for making quick adjustments to you image. This is extremely useful when working with RAW footage, which tends to appear washed out, and allows you to work with your footage in a familiar color space, such as REC 709, and still make final color corrections later.
Audio gain can now be adjusted on a clip-by-clip basis in the timeline.
You can now highlight AMA clips used in the timeline in red, so you can tell which clips on your timeline are not playing back in Avid's native file format.
You no longer need to use a modifier key to use the mouse scroll wheel to navigate.
Full 64-Bit Power
The 64-bit architecture of Media Composer provides more processing power, larger editing bins, and a smoother editing experience with less waiting than with a 32-bit system.
Media Composer works as a standalone software editor, but it will also interface with available Avid I/O devices and control surfaces to expand the capabilities of your system. Additionally, using Avid's Open I/O, select third party I/O devices from AJA, Blackmagic Design, Bluefish444, Matrox, MOTU, and Mbox can be used with Media Composer.
With support for 4:4:4 HD-RGB color and DNxHD 444, you can work with virtually any media, from analog to the latest formats and codecs, while preserving the full-quality color detail from beginning to end.
American Cinema Editors Certified
Media Composer 7 offers ACE-certified editing tools and a wide range of features, workflows, and options.
Flexible and Powerful
Media Composer enables you to work the way you want. Trim and manipulate on the fly using the Smart Tool or perform ultra-precise edits using traditional tools. Mix and match media formats, frame rates, resolutions, and more in the same timeline without rendering. You can edit HD material in real time -- in mastering picture quality -- using Avid DNxHD or DNxHD 444.
Edit stereoscopic 3D material as quickly and easily as you do with standard 2D footage. Capture, edit, and manage the complete 3D end-to-end workflow. In addition, you can mix and match 2D and stereoscopic 3D clips on the same track, and it features full-fledged editing tools and video effects for stereoscopic post production.
It features a multicam mode, allowing you to edit with footage from up to 9 camera positions at the same time. Multicam now supports long GOP codecs such as XDCAM.
Media Composer 7 features an advanced 10-bit color corrector that allows you to accurately match colors from shot to shot using NaturalMatch. It supports 4:4:4 HD-RGB color space processing with keyframable color correction.
Relink Clips Using Common Metadata
With advanced relink support, you can dynamically reconnect clips to the original or new media using a wide variety of common metadata fields.
With the new hardware release control, which works with Avid and third-party I/O hardware, you can activate/deactivate your hardware -- without disconnecting it -- to access software-only features, such as full screen playback mode and audio project settings options. You can also share your third-party hardware and monitor between Media Composer 6.5 and other applications without quitting or rebooting the software.
Advanced Audio Keyframing
With audio keyframe enhancements, you can now copy, paste, cut, move, and adjust audio keyframes -- including groups -- anywhere on the timeline. You can even delete hidden audio keyframes that can occur as you trim a clip.
Mix Up to 64 Audio Voices
Monitor more complex soundtracks with support for up to 64 audio voices. Combined with robust audio tools, 7.1 surround sound and RTAS plug-in support, and unmatched integration with Pro Tools.
Avid Media Access
Avid Media Access (AMA) allows you start editing immediately, without transcoding media to the DNxHD, the native Avid file format. This allows you to mix and match different formats, resolutions and framerates on the same timeline and edit as if all the files had the same resolution, file format and frame rate. AMA files behave the same as AVID DNxHD files, allowing you the flexibility to work with almost any file type with minimal performance sacrifices. You can also select edited clips in the timeline, and have them rendered to Avid's native file format. MC 7 will automatically update the clips when the background transcode is complete.
Avid Media composer allows you to work with SD, HD, 2K, 4K, and 5K resolution.
Supported File Types
Arri Alexa MXF, RED (Epic, Scarlet-X, Red One), AVCHD, ProRes Quicktime, XDCAM, P2, Canon XF
You can use AMA to export files back to the media's original source format for archiving or final delivery.
AMA Volume Export
You can create AS-02, JPEG 2000, DNxHD, AVC-I, and other file-based media volumes for roundtrip workflows, sharing, or archiving.
Auto Relink Edit titles directly from the timeline and automatically relink to all AMA QuickTime files.
Version and Archive Finished Sequences
Media Composer 7 supports AS-02/AS-11 MXF formats, which allows you to manage multiple versions of the same sequence without duplicating assets, saving storage space. You can also move content between Avid and other systems that support AS-02/AS-11. Use JPEG 2000, DNxHD, IMX, AVC-Intra, and uncompressed media in your AS-02/AS-11 workflow.
Master-Quality Archives with JPEG 2000 Encode and decode sequences -- in mastering quality -- using the JPEG 2000 codec, which helps preserve the quality of archival content.
Set and Output AFD Sequences
Active Format Description allows you to select image settings that carry display information in the output file. This information can be used to protect the way your project is displayed, even if down converted or displayed on a device with a different aspect ratio.
Media Composer 7 includes Avid FX (Boris RED), Sorenson Squeeze, and Avid DVD.
Avid FX (Boris RED)
Add visual drama and depth with the built-in 2D and 3D effects, title tools, transitions, keying, and motion effects. Track and stabilize motion.
Avid DVD and Sorenson Squeeze
You can author DVDs and optimize media for high quality playback -- online or on disc. Author professional DVDs using Avid DVD, which works with Windows-based systems and Windows emulation on the Mac. With Sorenson Squeeze, you can optimize content in a variety of formats, including HD, DVD, MPEG-2, MPEG-4/H.264, Flash, and 3GPP.
Avid Marketplace Integration Media Composer 7 integrates with Avid Marketplace so you can browse for stock footage, plug-ins, hardware, and training videos without opening another program.
Collaboration Media Composer 7 allows you to share audio mixes with Pro Tools editors and vice-versa using AAF.
RGB 4:4:4 (via dual link HDSDI)
ARRI ALEXA MXF
Full native direct access to AVCHD media and metadata
Native editing of all listed formats
Full native direct access to Canon XF media and metadata
Native editing of all listed formats (see "Native codec support")
Full native direct access to GFCAM material and metadata
Native GFCAM editing of all listed formats (see "Native codec support")
Direct edit of GFCAM media from GFPAK cards or disk drive
Full native direct access to MXF media and metadata
Native editing of all formats
Full native direct access to P2 media and metadata
Native DVCPRO HD and AVC-Intra editing of all listed HD formats
Direct edit of P2 media from cards or disk drive
Support for P2 Store
Write-back of finished program to P2 media (Windows only)
Full native direct access to QuickTime media and metadata (including Canon 5D and 7D media)
Full native ProRes encode (Mac only) and decode support
Native editing of all listed formats (see "Native codec support")
Direct edit of QuickTime movie files
Full native direct access to RED (.R3D) media and metadata (frame size scaled to HD)
Full native direct access to RED ONE, EPIC, SCARLET-X (5K/4.5K/3K2K RAW, 1080p RGB, and 720p RGB) material
Native editing of all listed formats
Direct edit of RED (.R3D) files from a RED-FLASH card or RED-DRIVE
Sony HDCAM SR Lite
Full native direct access to HDCAM SR Lite media and metadata
Native editing of all listed HD data rates (see "Native codec support")
Sony XDCAM / XDCAM EX / XDCAM HD
Full native direct access to XDCAM media and metadata
Support for optical media and SxS cards
Native editing of all listed SD and HD data rates (see "Native codec support")
Full ancillary data support
Import via File Access Mode (FAM) over IEEE-1394
Ingest via FTP client over Ethernet
Play-out and Write-back of finished program to XDCAM media
Supported Project Formats
Note: video on laptops is limited to 1 stream of uncompressed SD video, except for Windows-based Intel Core i7 laptops (Quad Core with Hyper-Threading) with eSATA storage, which can play multiple streams.
Windows 7 Professional SP1 (64-bit), Windows 8 Professional or Enterprise (64-bit) Mac OS X Lion and Mountain Lion (64-bit).
Note: Avid does not supply support for non-Avid-qualified systems.
Intel Quad Core i7 or Quad Core Xeon processor
4 GB RAM minimum (6+ GB recommended) 8 GB RAM minimum required to support Interplay Sphere, background transcoding, and Dynamic Media Folders 16+ GB RAM recommended to support full-frame stereoscopic 3D, simultaneous background transcoding, Dynamic Media Folders, FrameFlex 4 K workflows, Raw format AMA plug-ins, Long GOP media editing, and other high-performance workflows
NVIDIA GeForce family (recommended), Intel HD4000, or ATI Radeon family (as supported by Apple)
NVIDIA Quadro FX family3 (Q600 or higher recommended), Intel HD4000
NVIDIA cards are recommended; full-screen playback requires a minimum of 128 MB of graphics memory.
Internal Hard Drive
Minimum 250 GB, 7,200 rpm SATA drive or 128 GB SSD
QuickTime: Avid has tested and qualified Apple QuickTime X for Mac users and QuickTime 7.6.9 for Windows users Windows Media Player: Microsoft Windows Media Player 11 is required to export certain formats and to work with VC-1 material
Panasonic - AJ-PS001 AVC-Proxy Re-Link Activation Key for AVC-ULTRA Plug-ins
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