Photography

The New Sony alpha SLT-A77

With the introduction of the SLT-A77 and SLT-A65, Sony is making it perfectly clear they are proceeding full speed ahead with the fixed, translucent mirror technology cameras introduced last year. The top gun of the two new DSLRs is the Sony alpha SLT-A77, which in addition to a hefty, weather resistant, magnesium-alloy body, features an all-new 24.5MP APS-C CMOS sensor, making it the highest-resolution DSLR among APS-C format DSLRs.



The New Sony alpha SLT-A65V

Sony’s new alpha SLT-A65 looks remarkably similar to Sony’s first-generation fixed translucent mirror cameras, the SLT-A33 and SLT-A55, but in addition to a number of small and not-so-small improvements found on the new camera is the very same all-new 24.5MP APS-C CMOS sensor found in Sony’s flagship SLT-A77.



The New Sony alpha NEX-5n

Just over a year ago Sony introduced its first mirrorless camera systems, the NEX-3 and NEX-5, to a very receptive public. To almost everyone’s amazement, Sony was able to design a highly functional camera that was both smaller than many point-and-shoot cameras, yet contained a comparatively monstrous APS-C format imaging sensor.

Lighting up the Darkness Underwater

Most underwater exploration takes place during the day, in open water. The underwater photographer can create three-dimensional-looking images by carefully balancing the ambient light of the background with the artificial light that is used to illuminate the subject.

"I'd Rather Zoom With My Feet." Huh? Is That Even Possible?

I was reading a forum post by someone, who said, "I prefer prime lenses, and would rather zoom with my feet." I also read a blog post by someone that was comparing lenses of two different focal lengths, and they said, "If I want a wider angle, I'll just back up." Now, of course we've heard these references to "zooming with our feet" for years, but does it really work? We'll explore that in today's blog post.




An Intro To HDR Photography Brought to You By Kelby Training and B&H Photo

One of the limitations of today's digital cameras is that they cannot capture the dynamic range of the human eye. Indeed, our eyes are very sensative organs and have much more latitude than an imaging sensor. Back in the film days, we used to dodge and burn accordingly to get what we wanted. But these days, we just create a High Dynamic Range (HDR) photo. In the video below, the experts over at Kelby Training give us an intro to this process and show us how it can be useful in practical situations.

Take a look at the video after hitting the read and discuss button and for more in-depth training please visit Kelbytraining.com. They also have full one day seminars at Kelbytraininglive.com.

The Mechanics of Panoramic Landscape Photography

Back in the early days of photography, panoramic photographs, which by definition are wide-field, unbroken sweeps of scenery, were captured using cameras with pivoting lens turrets that “painted” the image across a wide sheet of film as the lens rotated from left to right (or vice versa).

Fashion Photography in Indonesia

Midday sunlight is terrible for outdoor portraits. It's too contrasty for digital sensors to handle. In other words, the shadows go black and the highlights appear too bright, compared to what the human eye and brain see. That’s why it was a struggle to get good pictures when I photographed the spectacular annual Jember Fashion Carnival in Jember, East Java, Indonesia last month.

One Light at a Time: Lighting and Creating a Scene

Have you ever looked at photographs and wondered how they were lit? Strobist diagrams can help after the fact, but what about before: how do you know how to get the look you want? Consider a cinematography technique: lighting your scene one light at a time.







Rugged Point-and-Shoot Cameras

“Summer” is short for “let’s get out of the house and hit the shore, the trails, or anywhere else one can get out and enjoy those lazy, hazy, crazy days of summer…” and don’t forget the camera.  But before you start wrapping your digital camera in bubble wrap to protect it from the ravages of surf and turf, you might want to check out the dozens of waterproof, crushproof and shockproof pocket cameras we stock at B&H.

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