Aspects of Cinema

For aspiring filmmakers, the key to “getting into cinema” is networking, working on productions, and creating your own projects. There was a time when, if you wanted your films to look like film, you shot on film. Even five or six years ago, a professional-quality video camera would cost you several thousand dollars, at a minimum. Moreover, solid-state media and hard-drive storage cost nearly ten times what it does today.

The New Canon CN-E15.5-47mm T2.8 L S/SP and CN-E30-105mm T2.8 L S/SP Cinema Lenses

Canon has announced two new zoom lenses in its Cinema Lenses family: The CN-E15.5-47 mm T2.8 L S/SP wide-angle cinema zoom lens (available in EF and PL mount versions) and The CN-E30-105 mm T2.8 L S/SP telephoto cinema zoom lens (also available in EF and PL mount versions).

B&H Pulse Weekly News Roundup: August 17th, 2012

This week in the news: Canon's T4i recall is more widespread than originally thought; RED once again makes some huge claims; Sony introduces a new interchangeable lens camera; and lots more from the videography world.

This is your B&H Photo Pulse News Roundup for August 17th, 2012.

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Lomography's LomoKino is a Hand-Cranking Filmmaker's Dream Come True

If you’re mourning the fact you never had the opportunity to don an ascot, jodphurs, a monocle, and shout “Action!” through a megaphone while perched behind a motion-picture camera on one of those tall canvas director’s chairs, mourn no more. 

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