EDU Advantage

The Olympus E-P3 Review: Retro, Gorgeous and Powerful

The Olympus E-P3 (also known as the Olympus PEN, EP3 and EP-3) is the company's new flagship Micro Four Thirds camera, and offers a mountain of new changes and upgrades over the previous models. Have you ever had upgrader's envy? Most photographers often feel the need to upgrade when a brand new camera (or the successor to theirs) is announced. If you're already invested into the system, this may be the camera that you'll want to take a closer look at. If not, then perhaps you'll fancy the new 12mm f/2.0.

HDR Photo Managing Brought to You by KelbyTraining and B&H Photo

In this quick video tip, KelbyTraining.com shows you how to manage your bracketed photos better in Adobe Lightroom 3. Exposure bracketing is done often with HDR photography, and because of the large volume of photos that are taken you will end up using a lot of storage space. This tutorial video will help you to manage that space a bit better by gettign rid of the clutter.

Click on Read and Discuss to check out the video and if you want more, be sure to visit KelbyTraining.com. They also have full one day seminars at Kelbytraininglive.com.

Rokinon 85mm F/1.4: The Affordable 85mm

Manual focus lenses are popular amongst videographers and some photographers that want an old-time feeling to their gear. The Rokinon 85mm F1.4 is a portrait lens that will appeal to the crowd that wants a budget-friendly lens with great image quality.





Finding Interesting Images in Ordinary Places

We don't need to travel to scenic places to find good subjects for photographs. I've taken many photographs that I like, within a few miles or even a few blocks of my home.

How do we find such images? It's mostly a matter of learning to look carefully at the details in what we see around us. When we've found a detail that will work as a subject, we then need to be creative in finding the right composition.



Considering the Right Camera Bag for Yourself

Cameras bags are an object of desire for every photographer. While some photographers go for the more classy and stealthy look, others prefer just to keep their equipment the most secure that they possibly can, in the largest bag they can get their hands on. Whether you're the National Geographic explorer, traveling to remote regions, or you stalk the secretive alleys in your local city, documenting the daily happenings, there is no one bag that does it all. Here is a short list of some popular choices, and a checklist to help you get the bag that's right for you.


Two Simple Tricks to Extend Your Shooting Day

Outdoor photographers are trained to recognize good light. For most situations, this means the “golden times” right after sunrise and before sunset, and sometimes the pastel light just before dawn and at dusk. Of course, depending on your latitude, the “golden hour” can sometimes be more like the “golden ten minutes.” Other times, sunrises and sunsets just don’t happen. Clouds in the wrong place on the horizon can kill your chance at amazing light, and weather conditions are often unpredictable, as my students discovered a few weeks ago in South Dakota, where we got fogged in until after 10AM one day.



What is an Aperture?

The aperture of the lens controls the amount of light that passes through on its way to the camera's sensor or film plane. A camera's aperture is also commonly called its f-stop, though 'f-stop' technically refers to the diameter of the opening created by internal adjustable blades, rather than the entire mechanism.




Tips for Protecting Your Photos Online

Once upon a time, I was a barely-out-of-college kid that kept copies of lots of my photos online. Then, one day, while Googling myself, I found the New York Times using a photo of mine without permission, or without linking back to my Flickr page. And that is how Chris entered "protect your images online before they get stolen" land. Here are some tips to help you guard against having your images stolen on line. 



Why We Create

I wonder, if one hundred visual artists were questioned why they create, how many different answers I would hear. I also wonder how many similar answers would emerge. Often, there are two somewhat disparate aspects to why we create. One is for self-satisfaction, personal fulfillment, or financial reward. The second is one that we, as photographers, are often reluctant to admit: so that others will see and appreciate what we do.

Eileen's headshot is by Athena Photography

Packing for a Workshop

I doubt that I am the only one that becomes obsessive when it comes to packing for a photo workshop. It may seem peculiar that a man whose profession it is to coordinate photography workshops here in Iceland, and who rarely—if ever—attends a workshop as a student, would be writing on this topic. 





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