landscapes

The Time it Takes

What separates the best landscape photographers from the rest of us? And I definitely consider myself one of “the rest of us.”

A major part of the answer, I think, is that the best photographers simply work harder. They’re willing put in the time it takes to get a memorable photograph.

10 Tips on How to Create Better Black & White Images

Black and white was once the only means we had to communicate, photographically. That was long before most of us got involved with it. But for some of us, B&W is how we started off in photography, and how we saw our images in print. But since the beginning of photography, black and white has been a very romantic medium. That romance continues to this day, with black and white easier and simpler to do than ever. And yet, for some, it’s just as complicated and difficult as ever. Perhaps this will give you some ideas to advance your black and white photography.

Editor's Note: This is a guest blogpost by Moose Peterson

Five Photo Tips for the Road or at Home

Over the last 15 years, I have worked as a photographer on assignment in over 60 countries, ranging from drug stories in the Horn of Africa to climbing expeditions in the Himalayas. My clients have mostly been magazines, ranging from all the National Geographic publications, to Esquire, Outside, Men's Journal, Stern, GEO and many others, plus a host of commercial clients. Seeing the world with a camera—and sometimes a pen—as a passport to open concealed doors and even hidden worlds can be a magical—often wild—ride. 

While the world of assignment photography has changed in the last decade, pushing photographers like me to acquire new tools like video and audio, many of the tricks for making memorable images haven't changed. 

Here are five simple tricks I recommend to students when teaching workshops, whether in Africa or in my backyard of Colorado.

Editor's Note: This is a guest blogpost from Pete McBride.

Creating Visual Depth

Creating visual depth isn’t something that comes to mind right away when photographing. We’re usually concentrating on getting a proper exposure and getting our subject in focus. Even when we’re composing, we’re often thinking about ‘rules of thirds’ or some other compositional idea. Yet, visual depth is what is often lacking in a photograph—especially a scenic or landscape image. If you want your pictures to have more impact, start paying attention to how you can suggest depth in your photo.  Remember that you are taking a three-dimensional world, and distilling it into two dimensions in the final image, and you don’t want that image to appear flat. There are several things you can do to put the suggestion of depth into your images.

Editor's Note: This is a guest blogpost from Brenda Tharp

How I Got the Shot: Adam Taylor on a Surreal Landscape Photo

Take a look at the super-cool landscape photo above. How do you think it was shot? The scene was photographed by photographer Adam Taylor, and we were fortunate enough to have the opportunity to pick his brain on how he achieved the final result.

For even more education, you can check out the rest of our "How I Got the Shot" series of blog posts.

How I Got the Shot: Peter Tellone on Capturing a Canyon Tree

The Golden Hour is one of the most wonderful times to shoot photos using only natural light. But there is quite a bit that goes into photos than just lighting: there is composition, exposure, and having an overall vision that you want for your end result.

The photo above was shot during the Blue Hour: the period of time right after the Golden Hour, and also known as, "Dusk." Peter Tellone shot this photo. Here's how:

Finding the Right Light for Landscape Photographs

Good landscape photographs usually have an interesting subject, a good composition and good light. Of those three ingredients, the right light may be the most elusive.

How do we find it? It requires thinking, persistence, and a willingness to get up early and stay out late.




Two Simple Tricks to Extend Your Shooting Day

Outdoor photographers are trained to recognize good light. For most situations, this means the “golden times” right after sunrise and before sunset, and sometimes the pastel light just before dawn and at dusk. Of course, depending on your latitude, the “golden hour” can sometimes be more like the “golden ten minutes.” Other times, sunrises and sunsets just don’t happen. Clouds in the wrong place on the horizon can kill your chance at amazing light, and weather conditions are often unpredictable, as my students discovered a few weeks ago in South Dakota, where we got fogged in until after 10AM one day.



Enhancing the Illusion of Depth

Photographs have no depth. They're two-dimensional facsimiles of a three-dimensional world.

But photographers, like magicians, deal in illusion. If we understand what creates the illusion of depth in a photograph and how to enhance that illusion, we can make our images more believable.

Using Telephoto Lenses for Landscapes

When we think of landscape photography, many of us tend to think of our wide-angle lenses. There are situations, though, in which a telephoto lens is a better choice—or the only choice.




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