microphones

The New Neumman TLM-107

At the 2013 AES show in New York City, Neumann unveiled a new addition to their TLM microphone line, in the form of the TLM 107, available in both matte black and nickel finishes. The large diaphragm microphone sports classic lines and a transformerless circuit for natural and linear sound reproduction with added dynamic range.

How I Built My Podcasting Network: Mignon Fogarty

If you've ever searched the web to determine the proper use of a semicolon, or to figure out the difference between "affect" and "effect," then you've likely encountered Ms. Mignon Fogarty, who is better known as Grammar Girl. What's become a media empire started out as a humble, five-minute grammar podcast. One individual with a microphone, an internet connection and a dream. B&H Insights caught up with Mignon to find out how she got her start, how she developed her network, and what she envisions for the future.

Hands-On Review: the Shure VP83 LensHopper Shotgun Microphones

As DSLR cameras continue to be a popular choice for capturing video, we have seen their feature set and value expand. However, one area where DSLRs consistently come up short is their built-in microphones. Commonly, many built-in mics will pick up mechanical noise from the camera.

Hands-On Review: Shure LensHopper VP83F and VP83

In this video, Rob Rives takes a look at Shure’s new LensHopper camera-mountable shotgun microphones. There are two models, both specifically designed to work with camcorders and DSLR cameras. The VP83 is the microphone-only model, while the VP83F features an integrated flash recorder for even better sound quality.

The Modular Sennheiser K6 Series Explained

Capturing sound for film, TV, or podcasting can present some unique challenges. Unlike audio engineers working in a studio setting, many who work in film and TV do not have the relative luxury of working in the same acoustic environment every day.

Cut Background Noise with the Sennheiser MD-46 Handheld Interview Microphone

The Sennheiser MD-46 is an interview microphone specifically designed for electronic news-gathering (ENG) purposes. Unlike many interview mics, which are built with an omnidirectional response, the MD-46 has a cardioid polar pattern (though an omnidirectional version exists in the form of the MD-42).

The Ultrabook™-Based Portable Recording Studio

In the past 15 years, everything about the process of recording and distributing music has changed. The major labels have toppled from their pedestals, and with them have fallen their high temples—recording studios. 21st- Century recordings take place in bedrooms, basements, rehearsal spaces, and out on the road.

Sennheiser Microphones for the Studio and Stage

When I heard that B&H InDepth wanted to do an article on Sennheiser stage and studio microphones, I jumped at the opportunity to write it. As both a touring performer and an audio engineer, these mics have been the go-to tools of my trade for years. Their versatility, durability, and all-around excellence never disappoints.

On-Camera Microphones from Sennheiser

One basic way to improve the sound quality of a video camera is to utilize an external, on-camera microphone. The microphone that’s built into your camera is typically of low quality and usually picks up lots of handling noise. An external microphone can provide better overall sound quality.

Purchasing and Setting Up Multiple Sennheiser G3 Wireless Microphone Systems

When you buy a single Sennheiser ew 100 G3 wireless microphone system and set it up, it will typically work really well right out of the box. However, if you buy two wireless systems and try to use them both without adjusting the settings, there’s a good chance you’ll run into trouble.

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