outdoor photography

Two Simple Tricks to Extend Your Shooting Day

Outdoor photographers are trained to recognize good light. For most situations, this means the “golden times” right after sunrise and before sunset, and sometimes the pastel light just before dawn and at dusk. Of course, depending on your latitude, the “golden hour” can sometimes be more like the “golden ten minutes.” Other times, sunrises and sunsets just don’t happen. Clouds in the wrong place on the horizon can kill your chance at amazing light, and weather conditions are often unpredictable, as my students discovered a few weeks ago in South Dakota, where we got fogged in until after 10AM one day.



Use Daylight White Balance for Outdoor Shooting, Not AWB

Auto white balance sounds like it solves every issue regarding colors in your pictures, but it doesn't. For example, when you shoot at sunset or sunrise, AWB wants to 'correct' the golden tones that we love so much when the sun is close to the horizon. It desaturates the yellow and red portion of the spectrum, and the colors look weak and disappointing. By contrast, if you shoot with daylight white balance, you will capture the colors you see. The yellows, reds, and oranges will be saturated and dramatic.




ProPhotoInsights Takes Us to Greylake Sluice

In this ProPhotoInsights Snapshot video, we are going to take you to a location in the beaufiful Southwest of England, called Greylake Sluice. Here at our location we explain what we are hoping to capture from the location, and give you a brief tour around.


Dressing for the Tropics—That Means Us!

With temperatures pushing into triple digits, the Northeast has become a sweltering steam bath, and no place for photographers or A/V pros to be working outside. But if you must, plan to dress for the heat. You want a lightly colored, brimmed hat like the Soundman Sun Hat from Koala (left), not a baseball cap. No matter the logo, a cap leaves your ears and the back of your neck exposed, a recipe for disaster under an unforgiving sun.

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