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pro video

Hands-On Review: the Sony PMW-300K1

Join Mia McCormick, from Kelby Media, as she shares her impressions of the Sony PMW300K1, which comes with a 14X Fujinon Zoom Lens. She discusses the camera as a direct replacement for the EX3, going over its improvements and upgrades. This includes the PMW300’s improved ergonomics, viewfinder, and recording capabilities over the EX3.

Matrox Monarch HD

A great deal of buzz developed when Matrox revealed their first self-contained streaming/recording device, the Monarch HD, at NAB 2013. What followed was a string of awards and recognition from StreamingMedia.com, TV Technology, British Columbia Videographers Association, and Digital Video Magazine.

Aspects of Cinema

For aspiring filmmakers, the key to “getting into cinema” is networking, working on productions, and creating your own projects. There was a time when, if you wanted your films to look like film, you shot on film. Even five or six years ago, a professional-quality video camera would cost you several thousand dollars, at a minimum. Moreover, solid-state media and hard-drive storage cost nearly ten times what it does today.

On-Camera LED Lights

LED lights are gaining increasing acceptance in the professional video-production industry. When LED video lights were first introduced, they were seen as a smaller, lighter, and often times more convenient alternative to traditional tungsten fixtures, but they were generally considered inferior when it came to the brightness and the quality of light that they produced.

ikan VideoForge 4K SDI/HDMI Video Test Pattern Generator

ikan introduces the VideoForge 4K test pattern generator, for professionals who need 4K test patterns to calibrate their 4K display equipment. The generator features an HDMI output and four mini BNC connectors that provide Single, Dual, and Quad HD output.

Canon Cinema EOS Line, Part 6

In this final episode of our six-part series on Canon's Cinema EOS line, cinematographer David Leitner walks us through the results of a recent 4K test shoot with the C500 camera and an AJA Ki Pro Quad recorder in New York's Central Park.

Canon Cinema EOS Line, Part 5

In this fifth part of our six-part series on Canon's Cinema EOS line, David Leitner presents the lens options available to digital cinematographers who use the C500, C300, C100 and 1D C cameras. There is, of course, the universe of EF-mount lenses, including Canon's high-end L series and stepper-motor drive (STM) lenses.

Canon Cinema EOS Line, Part 4

In this fourth part of our six-part series on Canon Cinema EOS, David Leitner focuses on 4K production and post-production workflow, listing a plethora of options that involve both RAW and compressed (ProRes, DNxHD) capture of 4K footage.

Canon Cinema EOS Line, Part 3

In the third segment of our six-part series on the Canon Cinema EOS line, cinematographer David Leitner elucidates the Canon EOS C500 and EOS-1D C cameras, two very different bodies: The C500 is a camcorder with a Super 35-size sensor that looks much like the C100 and C300, while the 1D C is a DSLR body with a much larger full-frame sensor.

The Teradek Bolt Pro

In the following video, Mia McCormick, of Kelby Media, shares her experience working with the Teradek Bolt Pro Wireless HD video transmitting system. The video explores the possible uses for this system, as well as its strengths and limitations.

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