Curiously, it seems that even the most ardent champions of the digital revolution cannot bear the thought of calling themselves “videomakers.” Whatever the case, let us forget the technology war for a moment and take a look at some of the industry’s secondary tools. These relatively ageless tools should appeal to anyone with an interest in the art of filmmaking.
As 2012 draws to a close, we have the opportunity to take a look back at a year which saw many innovations in the world of HDSLR video. One of the most prominent trends of 2012 has been the continuing blending of still and video acquisition technologies into the same tools.
Dubstep is a fairly new style of electronic music that’s dominated by sparse, reverberated beats and overpowering synthesized bass lines. In most forms of music, bass is pushed toward the back of the mix, but in Dubstep, it’s the unchallenged star of the show.
Apogee just announced the new Quartet, a USB 2.0 audio/MIDI interface that enables you to record up to 12 channels into an Apple computer, and will act as the centerpiece of your recording studio. Quartet features four combo-XLR inputs, each with a high-quality preamp for connecting microphones, instruments and line-level signals.
The keytar helped free keyboardists from the restraints of their immobile instrument. Playing the keys while rocking out at the front of the stage is a true novelty. However, it's usually celebrated more for its campy look, rather than what it contributes musically.
Musicians creating music on their computers have more options at their fingertips than ever before. Thanks to virtual instruments, a computer can replicate sounds from just about any synthesizer and simulate the sounds of almost every instrument imaginable.