The Sennheiser MD-46 is an interview microphone specifically designed for electronic news-gathering (ENG) purposes. Unlike many interview mics, which are built with an omnidirectional response, the MD-46 has a cardioid polar pattern (though an omnidirectional version exists in the form of the MD-42).
Kickstarter is the world’s largest funding platform for creative projects. Every week, tens of thousands of people pledge millions of dollars to projects from the worlds of music, film, art, technology, design, games, fashion, food, publishing and other creative fields.
Audiophile-grade headphones are an odd and intriguing topic. They’re a newer product class that has just begun to carve out a distinct relevance in the audio marketplace. As an audiophile and professional listener, I find that only a select few manufacturers are able to back up claims of incredible, accurate sound in a pair of headphones.
Today’s compact and powerful Ultrabook computers make it possible to keep in touch with others on the go through video chatting, yet they’ve got enough muscle to handle audio and video podcasting as well. In this article, we’ll take a look at what these two functions have in common.
In the past 15 years, everything about the process of recording and distributing music has changed. The major labels have toppled from their pedestals, and with them have fallen their high temples—recording studios. 21st- Century recordings take place in bedrooms, basements, rehearsal spaces, and out on the road.
When I heard that B&H InDepth wanted to do an article on Sennheiser stage and studio microphones, I jumped at the opportunity to write it. As both a touring performer and an audio engineer, these mics have been the go-to tools of my trade for years. Their versatility, durability, and all-around excellence never disappoints.
One basic way to improve the sound quality of a video camera is to utilize an external, on-camera microphone. The microphone that’s built into your camera is typically of low quality and usually picks up lots of handling noise. An external microphone can provide better overall sound quality.
When you buy a single Sennheiser ew 100 G3 wireless microphone system and set it up, it will typically work really well right out of the box. However, if you buy two wireless systems and try to use them both without adjusting the settings, there’s a good chance you’ll run into trouble.
Sennheiser ew 100 G3 wireless mic systems are a popular option for use in video production, and they typically work right out of the box—without requiring you to fiddle around with the settings. Even though you can use these systems right away, they’re designed to be versatile, and they offer some important features that can help you avert potential disasters.
Watch Rob Rives as he looks at Tascam’s DR-60D 4 Channel Linear PCM Recorder, with a form factor and feature set designed specifically to meet the needs of DSLR videographers. Combo ¼-inch XLR inputs and a stereo mini input give the user versatile options for plugging in external microphones or line level gear.
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