Further aligning itself with the needs of independent filmmakers, Zeiss announced at NAB two interchangeable-mount additions to its Compact Prime CP.2 family of cine primes. Joining one end of the lineup is a super-wide Distagon 15/T2.9, and complementing the other end is a Sonnar 135/T2.1 telephoto.
Filling a void in Nikon’s current autofocus FX-format lens lineup, the AF-S NIKKOR 28mm f/1.8G is a general wide-angle lens with a fast maximum aperture. This fixed prime lens is ideal for almost any situation, providing a 75° angle of view (on full-frame sensors) that isn’t too wide or too narrow for most applications.
The recently announced Pentax SMC DA 645 25mm f/4 AL (IF) SDM AW lens is a highly attractive optic that fills the previous void for a wide-angle lens that can be used with the Pentax 645D camera system.
Zeiss’s new Distagon T* 2.8/15 combines two aspherical lenses and five special glass elements to correct extraordinarily for chromatic aberration and distortion. Since distortion is inherent to lenses of this focal length, this reduction provides a noticeable difference from past designs and sets a new standard for super-wide lenses.
Ricoh has just announced a new camera unit, or module, for its GXR digital camera system. The Ricoh Lens A16 24-85mm f/3.5-5.5 camera unit 5 provides yet another option in the continuously expanding Ricoh GXR digital camera system.
Ask any serious Nikon, Canon or Sony DSLR owner which of their zooms is their favorite and chances are it will be their 24-70mm f/2.8, a lens that makes easy work out of shooting fast in tight environments.
Sometimes technology gets in the way of quality. For example, the finest wristwatches made today are self-winding units with jewels used as pivot points. They’re mechanical works of art assembled by hand, and you won’t find a battery or quartz crystal inside any of them.
Canon has just introduced three new EF lenses and a couple of new lens hoods. The lenses are compatible with all of the latest Canon DSLRs, so be sure to get out your wish list and a sharp pencil. Here’s what’s new:
With all of the technological advancements in the world of autofocus—both in relation to the lenses themselves as well as camera’s AF features—manual focus lenses have also gained popularity recently for a number of reasons.