Designed and built for a wide variety of situations, the new Panasonic Lumix G X Vario 12-35mm F2.8 ASPH / POWER O.I.S. Lens offers a very popular zoom range of 12-35mm on Micro Four Thirds cameras (24-70mm in 35mm equivalent format).
Further aligning itself with the needs of independent filmmakers, Zeiss announced at NAB two interchangeable-mount additions to its Compact Prime CP.2 family of cine primes. Joining one end of the lineup is a super-wide Distagon 15/T2.9, and complementing the other end is a Sonnar 135/T2.1 telephoto.
Filling a void in Nikon’s current autofocus FX-format lens lineup, the AF-S NIKKOR 28mm f/1.8G is a general wide-angle lens with a fast maximum aperture. This fixed prime lens is ideal for almost any situation, providing a 75° angle of view (on full-frame sensors) that isn’t too wide or too narrow for most applications.
The recently announced Pentax SMC DA 645 25mm f/4 AL (IF) SDM AW lens is a highly attractive optic that fills the previous void for a wide-angle lens that can be used with the Pentax 645D camera system.
Zeiss’s new Distagon T* 2.8/15 combines two aspherical lenses and five special glass elements to correct extraordinarily for chromatic aberration and distortion. Since distortion is inherent to lenses of this focal length, this reduction provides a noticeable difference from past designs and sets a new standard for super-wide lenses.
Ricoh has just announced a new camera unit, or module, for its GXR digital camera system. The Ricoh Lens A16 24-85mm f/3.5-5.5 camera unit 5 provides yet another option in the continuously expanding Ricoh GXR digital camera system.
Ask any serious Nikon, Canon or Sony DSLR owner which of their zooms is their favorite and chances are it will be their 24-70mm f/2.8, a lens that makes easy work out of shooting fast in tight environments.