SHAPE announces the ISEE I, a motorized 2-axis gimbal stabilizer for the GoPro, smartphone, or other mini camera. Powered by two LP-E6 type batteries, the handheld stabilizer keeps your camera level and provides an independent joystick for tilt control without having to remove your... READ MORE
Sennheiser is looking to expand its already considerable influence both in the ENG and studio worlds with the announcement of the Esfera Surround Microphone System and MK 8 Condenser Microphone.
Looking to simplify 5.1 surround sound... READ MORE
Some recent camera designs have proven to be so compact that they require a shorter shotgun mic to avoid having the mic appear in the shot. Que Audio’s Q 210 Microphone Kit addresses this problem head on. The kit is centered on the supercardioid QLM4 shotgun mic, which at a compact 210mm,... READ MORE
For NAB 2014, Blackmagic Design introduced a new 4K cinema camera—the URSA. The URSA features a flexible form factor that is designed to adapt easily to shoots of all sizes, from solo shooters to full-scale production crews.
... READ MORE
Zylight announced the addition of a new and improved F8 LED Fresnel, at NAB, on 4/7/14. Not content with last year's awards, the company hunkered down to outdo themselves by squeezing even better performance out of an already great design.
Initial improvements include a boost in output from a 650W tungsten equivalent to 1,000W while still drawing just 100W. This new F8 also features a slightly... READ MORE
Over the past few years, Livestream has grown from being solely a software-based video streaming service aimed at the consumer market to a serious competitor to professional live-switching and mixing services such as TriCaster. The current LiveStream Studio software and hardware is able to perform many of the same complex real-time mixing and graphics functions of high-end systems for a fraction... READ MORE
Sanken's new CSR-2 shotgun microphone, introduced at NAB 2014, features a switch for rear rejection to enable expanded reach for the shotgun. The CSR-2 has two unique rectangular capsules, one to pick up audio in front and the other to reject audio in the rear. Listen to our real-world demo of this mic on the show floor, and see a roundup of Sanken's other mics. We hope you enjoy the video, and... READ MORE
At NAB 2014, Zacuto introduced the Gratical HD, an OLED-based EVF with 1024 x 1280 resolution and a high-quality optical diopter. The Gratical HD inputs and outputs HDMI and 3G-SDI for 4K input, and you can apply LUTs for viewing "flat" footage. We hope you enjoy the video, and invite you to view the wide selection of other... READ MORE
At NAB 2014, Tom McKay, of VariZoom, demonstrated the new Solo jib system, which is available by itself or in a kit with 16 feet of dolly track. The compact jib fits 65-75mm bowl tripods and packs into a single case (including its 5 lb weight), as does the slider dolly system. Available in carbon fiber or aluminum... READ MORE
AJA entered the digital cinema camera market with the announcement of their CION 4K Production Camera, capable of recording both DCI and UHD 4K, as well as 2K and HD resolution video. From its sleek, elegant 6.4-lb magnesium body to the contoured suede shoulder pad, the camera is both aesthetically pleasing and ergonomically functional. But what's going on inside a camera is what really counts,... READ MORE
VariZoom introduced its new StealthyGo Stabilizer for GoPro and other sub-2-lb cameras, at NAB 2014. The lightweight stabilizer also functions as a monopod, a three-point shooter, and a tabletop tripod. It can be used as a "selfie" pole, too. For travel convenience, it collapses into its own handle. VariZoom... READ MORE
Robert Rozak, of JuicedLink, introduces the company's new Little DARling DAR122, a tiny distributed audio recorder for filmmakers that eschews internal microphones for weight savings and features locking connectors and plug-in power for lav mics.... READ MORE
Blackmagic seeks entry into the broadcast-camera market with its newly announced Studio Camera, available in Full HD and 4K (Ultra HD) models. Designed for live... READ MORE
Jesse Parker, of Sound Devices, explains the 970 model audio recorder, a rack-mountable unit that records up to 64 channels of 96kHz, 24-bit audio and associated metadata, and features MADI and Dante I/O. The 970 offers a large LCD readout panel, eight line level analog inputs/outputs, a... READ MORE
When it comes to 4K TV, bigger is always better. More specifically, big TVs are always better if they’re 4K. Even though very little native 4K content is currently available, 4K TVs can up-convert standard HD content to near-4K quality. You see, once you get beyond 60 inches or so in size, full-HD TVs don’t look all that sharp, especially when viewed from a short distance. But with four times the... READ MORE