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by Mathew Malwitz · Posted
Through the cacophony of forest sounds, your ears home in on a buzzy, almost garbled ascending song. Perhaps you recognize it immediately, or maybe you need to confer with one of the trusty internet databases or apps. You train your eyes on the canopy, scanning for movement of any kind, when you see it: the cerulean warbler, a small rowdy songbird with wings slightly splayed from the body. Quickly, you lower your binoculars and train your camera on the little blue passerine before snapping a few frames.
The resulting photos clearly show the
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Sidney tests out the LUMIX L10, a compact camera that fits the best of Panasonic's photo and video features in a lightweight package.
0:00 - Key Information
1:25 - Sensor & Dynamic Range
1:55 - Lens
2:28 - Real-Time LUT & Film-Like Photo Styles
3:06 - More Specs
3:30 - Sidney's Experience & Thoughts
4:28 - Video Features
5:20 - Biggest Takeaway
Sponsored by
by Mathew Malwitz · Posted
Who doesn’t love a close-up shot of a flower or bumble bee? Some of the most beautiful aspects of nature are quite small and require special tools to capture them in a meaningful way. Whether it be of a cute little insect visiting our garden, or miniature figurines you paint and sell, we need a camera that can focus close and deliver good, quality results.
Before you panic, hear us out. We don’t need to get carried away with complicated lenses and accessories, and can just enjoy yourself with a simple compact,
by Mathew Malwitz · Posted
Optic size is measured by what it can do, but when you’re new to the hobby, this can be confusing. Pick up a spotting scope or any pair of binoculars and you’ll see them adorned with a set of numbers like 8x42, 7x32, or 20-60x80. What exactly do those numbers mean and what do they tell us about an optic?
At the most
by Mathew Malwitz · Posted
When it comes to choosing the right camera, there’s often a gap between the small, pocketable point-and-shoot cameras and larger mirrorless ones. While interchangeable lens mirrorless cameras have much to offer, their higher price points and larger form factor often make them unfeasible for the average photo enthusiast. It often leads to the question of how a photographer can bridge that gap.
Enter the aptly named
by Mathew Malwitz · Posted
After the smartphone revolution, it appeared that the days of the compact camera were done. How wrong we were. It’s true that a few years back, point-and-shoot options were few and far between. There were just a handful of options on the market, and some industry titans even left the market entirely. Despite the long-rumored demise of the compact camera, it seems that photo enthusiasts still desire a dedicated device without the distractions that come with a smartphone.
What is a compact or “point-and-shoot” camera? Just because a camera is “
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Photographer Chrystofer Davis teaches the basics of documentary photography and how to tell a story through your pictures. Build your technical skills by learning about composition, lighting, and editing.
0:00 - Intro
1:16 - Why we preserve photos
6:56 - Finding your purpose
23:18 - Best practices
28:43 - To hunt or fish?
34:51 - Portrait & candid techniques
39:56 - Documenting in studio
46:27 - Studio photo demo
56:14 - Closing thoughts
Sponsored by
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Learn how to get the most out of your camera so you always take incredible wildlife and bird photos. Join Matt in the Everglades as he discusses how to set up your camera settings so you never miss the shot.
0:00 - Intro
0:45 - Autofocus Settings
3:41 - Spot Metering
4:19 - Shutter Speed
6:03 - Frames Per Second
6:52 - Pro Capture
7:58 - Focal Length, Primes vs. Zooms
9:59 - Putting It All Together/In-Field Example
12:08 - Final Thoughts
Sponsored by
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Sony Artisans of Imagery's Andy Katz explores light and how it turns a good photograph into a great photograph. Learn how to see, shape, and control light to enhance mood, depth, and storytelling.
0:00 - Intro
2:05 - Early career
11:10 - Look for interesting light & angles
21:03 - Putting the puzzle together
23:11 - Color to Black & White
25:04 - One camera, one lens
27:00 - Color creates contrast
29:36 - Photographing people & traveling
34:32 - Black & White vs. Color
37:02 - Depth of field
39:22 - Hands & eyes in
by Jill Waterman · Posted
There is perhaps no truer sign of summer than Independence Day in the United States. The Fourth of July is when the summer season kicks into full gear, with barbeques, pool parties, family gatherings, and road trips galore—not to mention the fireworks!
One lead-up to this holiday that I will never forget found me hurtling down the New Jersey Turnpike at sunset in a Greyhound bus. As the twilight deepened, bright bursts of fireworks began shooting up past the tree line, close by and at a distance, reflecting in the darkened glass of the
by Jill Waterman · Posted
As a follow-up to Part 1 of our fireworks story, it’s worth noting that photographing a fireworks show is no easy feat. Readers seeking a how-to guide to this subject need look no further than this Explora article, by Todd Vorenkamp.
Yet, as that article notes, and the photos featured here make evident, the challenge of capturing bursting pyrotechnics in images offers great opportunities for experimentation and fun. This is perhaps
by Todd Vorenkamp · Posted
Do you want to preserve the memory of that awesome neighborhood fireworks show? Let's discuss the best ways to try to make a memorable photograph commemorating the event.
Before we get started, let me say that there are many ways to accomplish fireworks photography and no technique is usually worse or better than others. The only thing that really matters as you head home after the show is:
You enjoyed the photographic process.
You are left with a photograph or photographs that you personally enjoy.
You enjoyed the fireworks show!
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Natural light is a more affordable and accessible way to light your portraits, but it can be tough to master. Join Juan in this one-take video, as he shares his top 10 tips for mastering natural light and creating more compelling portrait photographs.
0:00 - Directional Lighting
1:13 - Hand Method
1:50 - Building Bounce
2:55 - Background Ideas
3:55 - Harsh Light
4:44 - Stop Posing Your Models
5:34 - Shoot in the Shade
6:20 - Catch Light
6:59 - The Last Tip
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Stop waiting for the perfect light and start designing it. Photographer and master light painter Susan Magnano goes through her ABCs of light painting. Learn techniques and the tools to start creating images that stand out from the rest.
0:00 - Intro
3:24 - The ABCs of light painting
23:51 - Light painting techniques & tools
36:27 - Creating from scratch
49:32 - Image breakdown
54:04 - Going from capture to creating
55:13 - Recap / Closing