In the following video, Mia McCormick, from Kelby Media, speaks with Dariusz Fudala, from ProMediaGear, about their Boomerang flash bracket, Katana tripod head, and slider. The bracket has quick locks and a low-profile design, in addition to an Arca-type compatible... READ MORE
In the following video, Larry Becker, from Kelby Media, talks to Rod Gammons, from Rotolight, about the RL48 and Anova LED lights. The RL48 is a portable light that works for both mobile and confined sets, with the ability to run for four hours on just three AA batteries. Gammons also demonstrates a smartphone application designed to control the more powerful Anova light wirelessly. Both feature... READ MORE
Join Larry Becker, from Kelby Media, as he visits the Spinlight 360 booth to discuss their flash modification system and the new gel collections. This video explores the major advantages of the system's 360-degree rotation for bouncing and reflecting light, as well as the various kits that are now available for purchase. We hope you enjoy watching, and invite you to view the wide selection of... READ MORE
In the following video, Larry Becker, of Kelby Media, presents an overview of the Sigma 18-35mm f/1.8 DC HSM lens and covers its features, design, and its distinction of being the first constant f/1.8 zoom. Learn about this lens's overall performance, including its specifications, ability to produce notably shallow depth of field, auto-focus attributes, as well as build quality and operational... READ MORE
Many photographers consider the UV filter a necessary accessory for a new lens, and while it does have some useful qualities, there are a few situations in which you’d be better off without one.
1) When you’re using other filters
Beginners to filtration and photography tend to think that because the UV is a clear filter, you can stack a second or even third filter on top of it without affecting... READ MORE
In the following video, Larry Becker, from Kelby Media, speaks with the rep from Spider Camera Holster about their new Memory Card Organizer and upcoming hand strap. The video shows off the capabilities of the organizer, including how it attaches to a belt, and its ability to hold six memory cards and other accessories. You can also see a preview of the hand strap and how it will work.
In this video, Larry Becker, from Kelby Media, visits the Custom Brackets booth at WPPI 2014 to learn about some of their flash support products. Greg, from Custom Brackets, explains that all of their gear is made from aluminum, in the United States, and each piece keeps your flash centered above the lens. He gives a thorough explanation of the mainstays of the Custom Bracket line, while... READ MORE
Just because we live in an age of high-tech photographic lighting technology doesn’t mean it’s always practical to drag around a cartload of power packs, flash heads, stands, scrims, softboxes, gobos, and cables. It also doesn’t mean having all that gear is going to make your portraiture look better. Even if it turns out that you can take it with you, the working photojournalist may not enjoy the... READ MORE
You’d think that in this digital day and age, something as decidedly analog as amateur astronomy would be going the way of CDs and Blockbuster Video. But something odd has been happening since around the turn of the Millennium: astronomy is popular. I’m not talking hipster-ironic popular, I’m talking real-life, “if it were a dude it would be the starting quarterback” popular. Alright... maybe... READ MORE
The differences between the Nikon Df and D610 are many; however, they don’t differ in capability, but rather, in their fundamental approach to photography. With these two recent releases, Nikon has... READ MORE
One of my favorite cameras to shoot is my Polaroid 210 Land Camera, because every time I bring it out, I’m met with the same response: “They still make film for that?” I love surprising people, and even more, I love getting them into shooting instant film. It not only gives you a gratifying, and somewhat nostalgic feeling, it’s also a guaranteed conversation starter.
Polaroid 210... READ MORE
Using an infrared filter is an easy way to create distinctive visual effects and surreal images that lend an other-worldly quality to familiar portraits and landscapes. Creating an image from the unseen light in a visual scene is as simple as threading a filter onto your lens. Ordinary textures and subjects appear extraordinary when revealed by the infrared spectrum. IR photography has seen a... READ MORE
Making sharp images is often the goal when using digital cameras, but it’s also one of the least understood techniques when it comes to editing. After getting by with the clarity slider and then learning the proper Unsharp Mask technique, I was shown an entirely different method with which to give a slight “pop” to my images: using the High Pass Filter.
The reason this works better than the other... READ MORE
When I first learned about the Nikon Df, I have to admit, I was pretty excited. Still primarily a film-based shooter, and a relatively recent new owner of a digital camera, I thought the Df would satisfy my desire to remain simplicity oriented while still offering me the digital capabilities required by the photographic world of today. The real question is: as a D800 owner, would the Df win me... READ MORE
Until recently, my only experience with Capture One was using it for shooting tethered on photo assignments. Every pro that I’ve assisted has used it during their shoots so that art directors, assistants, and anyone else who needed to, could review images while they were being made. Capture One is definitely the... READ MORE