perspective

News

Over the last 15 years, I have worked as a photographer on assignment in over 60 countries, ranging from drug stories in the Horn of Africa to climbing expeditions in the Himalayas. My clients have mostly been magazines, ranging from all the National Geographic publications, to Esquire, Outside, Men's Journal, Stern, GEO and many others, plus a host of commercial clients. Seeing the world with a camera—and sometimes a pen—as a passport to open concealed doors and even hidden worlds can be a magical—often wild—ride. 

While the world of assignment photography has changed in the last decade, pushing photographers like me to acquire new tools like video and audio, many of the tricks for making memorable images haven't changed. 

Here are five simple tricks I recommend to students when teaching workshops, whether in Africa or in my backyard of Colorado.

Editor's Note: This is a guest blogpost from Pete McBride.

0
Share
2 years ago
News

I was reading a forum post by someone, who said, "I prefer prime lenses, and would rather zoom with my feet." I also read a blog post by someone that was comparing lenses of two different focal lengths, and they said, "If I want a wider angle, I'll just back up." Now, of course we've heard these references to "zooming with our feet" for years, but does it really work? We'll explore that in today's blog post.




6
Share
3 years ago
Features

Photographs have no depth. They're two-dimensional facsimiles of a three-dimensional world.

But photographers, like magicians, deal in illusion. If we understand what creates the illusion of depth in a photograph and how to enhance that illusion, we can make our images more believable.

0
Share
3 years ago