With all of the advantages that the HDSLR revolution has given video producers and filmmakers, there are a number of well-known drawbacks to be aware of: moiré, aliasing, lack of headphone monitoring and sensors that quickly overheat. One of the lesser-known drawbacks is an audio feature called AGC.
Have you ever wondered what’s going on inside the audio bags that are used in professional video and film productions? In this article we’ll take a close look at the gear found in a typical professional location sound bag, and explain what each piece of equipment does. You’ll gain an understanding of how all these devices connect together and why each tool is necessary to have.
When you’re packing your gear to travel out into the field, you should always ask yourself one question: Do I really need to give myself a hernia? Even though the answer is always “no,” it’s important to remind yourself not to make your freight heavier than it needs to be.
There has been a great deal written about cleaners and polishes for guitar finishes, and each guitar player you ask will have a different opinion about them. Most luthiers (the people who build guitars) will tell you that the best cleaner is simply a soft, damp cotton cloth.
In this article, we're going to introduce you to a tool that the average person may not be familiar with, yet media professionals depend upon daily. The tool is a plug-on transmitter, and before we show you how to use one, we'll first explain what they are and how their operation will benefit your productions.
I recently purchased a new MacBook Pro for my video and audio production needs, even though the limited ports on these computers make it tricky to plan out a suitable work flow. The biggest hurdle I faced was how to get by with just a single FireWire port. In this post I'll explain how I rearranged my hardware to work smoothly with my new production computer.
I recently tested out a handful of on-camera microphones with a video-enabled DSLR camera. In this post I share my thoughts on the sound quality of each microphone and point out their pros and cons. I took a series of photographs so you can compare the size and shape of the microphones and see how they sit atop the camera.
Over the weekend I did a video shoot where I was operating the camera, doing the sound and directing. There was no production budget, just me acting as a one-man crew. I managed to cobble together a fairly decent-looking picture with the available light, but the audio quality I achieved would not have been possible without my pistol grip.
Recently I needed to transfer a video from an old VHS tape to digital, so I could upload it to YouTube. Since I currently don't own a VCR, I got my 20-year-old VHS camcorder out of the basement and used it to play the tape. When I opened its case after many years of neglect, I discovered the foam windscreen was disintegrating.
If you enjoyed the scenes in E.T. the Extraterrestrial when the alien's stomach would glow a luminous color, then perhaps you would enjoy using the very cool looking Heil Sound microphone called The Fin. It's a dynamic microphone that captures great sounding vocal and instrument sounds.
Scrunchies. Board game pieces. Teeth. What do these things have in common? They're all small and easy to lose if you're not careful. If you use a lavalier microphone in any capacity (for video work, live sound, business presentations, etc.) then you're already aware that the clips are the easiest thing to lose in the entire universe. Buying replacement lav clips can be expensive, but there is one universally compatible (and very affordable) option that no one should leave home without…
In the 1983 film Brainstorm, Christopher Walken plays the role of scientist Michael Wood, who invents a helmet that transfers sensations and abilities into the human brain. In one scene Walken sits at a piano wearing the helmet, and he’s able to play a complicated composition on the keys even though he’s never played piano before. That scene has always stuck with me. It would be cool if a technological innovation came along that enabled people to do complicated stuff without training. This day has finally come, and the innovation is called The Schwarzonator.
Musicians creating music on their computers have more options at their fingertips than ever before. Thanks to virtual instruments, a computer can replicate sounds from just about any synthesizer and simulate the sounds of almost every instrument imaginable.