B&H Wedding Guide: Which Video Camera is Best for You?
In the ever-changing, innovative world of video production, making a new camcorder-purchasing decision requires up-to-date knowledge of the latest features available, along with an understanding of tried-and-true technology. Even seasoned professionals will need to take some time to research the myriad choices offered, then carefully determine which camera fits their needs. The specific requirements of wedding videography add another dimension to the process.
Reliability, exceptional video in low-light conditions, and high optical zoom range are some of the more important features you should be looking for when selecting a video camera suitable for wedding coverage. In addition, consider media format, audio inputs and the size and “look” of the camera. A handheld camera might shoot HD video, but will you stand out as a "professional" videographer without a decent-sized camera on your shoulder, or a solid tripod?
As you look over the wide range of cameras, you will, no doubt, be taking your clientele into account. Will you be covering high-end weddings with multiple cameras, are you currently at the entry level or perhaps shooting your very first wedding for a family member? Do you want all the bells and whistles or are you a purist who prefers sticking to the basics and keeping life simple? Ultimately, your list of preferences is unique to your work style and ergonomic requirements. In order to assist you with your decision, we have reviewed a variety of models selected specifically for capturing a couple's wedding-day memories.
Advanced and Intermediate-Level Camcorders
A favorite with many experienced videographers is the Sony PMW-200. It captures Full HD and SD video, and supports continuous recording times of up to four hours in the 50 Mbps MPEG HD422 mode with clip spanning on two 64GB cards. With 4 channels of high quality, 48 kHz, 16-bit LPCM, you will have all the audio capabilities needed to cover every element of a wedding weekend. Shooting in low light is no problem for Sony’s flagship camcorder. Three Full HD 1/2” CMOS sensors and a fast maximum aperture setting (f/1.9 - f/16 on a Fujinon 14x optical zoom lens), will thrill you with the exceptional video you can capture under the chandeliers in dimly lit reception halls. Weighing slightly more than 5 pounds, this camera is heavy enough for stability, yet won’t wear you out during hours of shooting.
Sony’s PMW-160 XDCAM HD422 Camcorder has three 1/3” Exmor CMOS sensors with an excellent signal-to-noise ratio of 54 dB. The 20x power zoom lens offers slightly more reach than the PMW-200, and the Wi-Fi remote capability (the Wi-Fi adapter is sold separately) is invaluable for the “one-person band” shooting with two or more cameras.
JVC produces the GY-HM600 ProHD Camera, another worthy professional-class camera to consider. The HM600 can record up to 1080/59.41i HD video in MOV: H.264, MP4 and AVCHD. The Fujinon zoom lens features an impressive 23x optical zoom ratio. Standard sensitivity is rated for f/11 at 2000 lux for exceptional quality in low light. Two channels of 48 kHz 16-bit audio recording with 2 XLR inputs and a 3.5mm mini jack round out this advanced package.
The GY-HM650 ProHD Mobile News Camera offers the same features as the HM600, but with the addition of Wi-Fi connectivity and FTP server support. This compact camera allows you to record and automatically transmit footage to your home or office, a nifty feature if your editor is standing by for a “day of” presentation at the reception that evening. Like the HM600, the HM650 weighs 5.3 lb, giving you stability on the shoulder without being the heaviest camcorder in this roundup.
Sony’s HXR-NX5U is another solid performer. Its versatility in capturing different formats may fit nicely into your profile as well. Able to record 720/60p video in addition to 60i, 30p and 24p, this camera is versatile and easy to operate. The zoom range gets extremely high marks (20x G-Lens, optimized for advanced image processing) and you can choose to record on Memory Stick or SDHC cards.
If you are looking for a camera that supports both NTSC and PAL standards, Panasonic has built a camera for you to consider: AG-AC160A AVCCAM HD Handheld Camcorder. In today’s marketplace, worldwide compatibility might be an important enough factor to give this camera a closer look. Like many of the other cameras in this category, the AG-AC160A captures video at a variety of frame rates. This capacity allows you to create your own unique “look.” Shooting in 60p and playing back in 24p, for instance, gives you a very smooth slow-motion effect to incorporate into your final product.
Intermediate and Entry-Level Camcorders
There are a number of camcorders at the entry (and slightly above entry) level that will produce High Definition video and provide professional-quality audio as well.
Beginning with Panasonic’s well-balanced and impressive AG-AC90 AVCCAM Handheld Camcorder, the variety of options in this class is surprisingly good. The AG-AC90 looks much like the cameras in the advanced category, yet weighs only 3.3 lb. Since it shoots HD 1080p /1080i and boasts two XLR inputs, this camera does provide you with excellent pictures and sound, especially in optimal conditions. It also features Five-Axis optical image stabilization, which makes for smoother handheld videos.
Innovation is the key word to use when describing Sony’s combination camcorder / projector: the 96GB HXR-NX30 Palm Size NXCAM HD Camcorder with Projector. In addition to the built-in projector, Balanced Optical SteadyShot is the standout feature here. This image-stabilization system isolates the entire optical block from the rest of the camera body for exception results. The built-in projector could be that special standout element you bring to the table. Projecting raw footage on a wall during the reception is just one of the many possibilities you might consider. The HXR-NX30 also has XLR inputs and a 10x optical, 17x extended Carl Zeiss Lens. It has a single 1/2” ExmorR CMOS sensor and an internal 96GB flash memory capacity.
If you are looking for an easy to use, entry-level camcorder with a professional look, Sony’s highly rated HXR-MC2000U Shoulder Mount AVCHD Camcorder is an excellent choice. It weighs a hefty 5.9 lb, sports a nifty flip-up LCD above the color viewfinder, and has an ergonomic handle with Record button and zoom control for those essential low-angle shots. In addition to slots for removable media, a built-in 64GB internal hard drive gives you more than six hours of recording time in AVCHD FX mode. The single 1/4” sensor will provide a very good image with adequate lighting. There is a 3.5mm mini-jack input and a built-in 2-channel stereo shotgun microphone.
The HDR-PJ710V High Definition Handycam Camcorder with Projector is also a versatile and handy little camera/projector. With full HD 1920 x 1080 60p recording capability and a built-in video light, the PJ710V would be an ideal second or third camera to have for covering a wedding, in part because it is so easy to use and complements your package with a very capable projector. It also takes 24.1 megapixel still pictures (flash included). The HDR-PJ710V features a Carl Zeiss lens with 10x optical zoom and Balanced Optical SteadyShot image stabilization. Sony’s Tracking Focus function and Intelligent Auto give you the ability to multitask while the camera does the work. The Dolby Digital 5.1 Channel Surround Mic will surprise you with its clarity. In addition, there is a mic input for your wireless unit, and the accessory shoe will hold a small receiver.
As you can see from this diverse sampling of excellent camcorders, the variety of file formats, lenses and audio packages can be quite a bit to digest. You will likely see one or two cameras that pique your interest and will serve your clients’ needs as well as your own. When you reach that point, come into our NYC SuperStore, visit us on the Internet for a live chat, or contact us by phone at 1-800-606-6969.