Way back—five years ago—if you shot video, you used a video camera, and if you shot photographs, you used a still camera. Today, that distinction is all but meaningless. Almost every video camera today captures stills, and virtually every still camera now shoots video.
The latest trend towards capturing video using HDSLR cameras produces unquestionably good images. The same cannot be said of the camera’s audio capture capabilities, although with the latest offerings from Canon and Nikon, that situation is improving. JuicedLink has long provided a range of solutions for improving audio issues in-camera, and this eight minute video looks at two new offerings.
With all of the advantages that the HDSLR revolution has given video producers and filmmakers, there are a number of well-known drawbacks to be aware of: moiré, aliasing, lack of headphone monitoring and sensors that quickly overheat. One of the lesser-known drawbacks is an audio feature called AGC.
A Camcorder XLR Adapter is a small, lightweight box that enables you to properly attach two professional microphones and other audio signals to a camera with only one 3.5mm mini-plug mic input.
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Way back—five years ago—if you shot video, you used a video camera, and if you shot photographs, you used a still camera. Today, that distinction is all but meaningless. Almost every video camera today captures stills, and virtually every still camera now shoots video.
This video shows you how to upgrade your consumer camcorder sound capabilities using a simple device that mounts to the bottom of your camera.
The latest trend towards capturing video using HDSLR cameras produces unquestionably good images. The same cannot be said of the camera’s audio capture capabilities, although with the latest offerings from Canon and Nikon, that situation is improving. JuicedLink has long provided a range of solutions for improving audio issues in-camera, and this eight minute video looks at two new offerings.
With all of the advantages that the HDSLR revolution has given video producers and filmmakers, there are a number of well-known drawbacks to be aware of: moiré, aliasing, lack of headphone monitoring and sensors that quickly overheat. One of the lesser-known drawbacks is an audio feature called AGC.
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