Lectrosonics
Professionals who handle audio for video applications frequently turn to Lectrosonics to reliably get the job done. Now, Lectrosonics is offering a new gadget that will surely find its way into the toolbox of many audio engineers: the DSSM miniature digital audio transmitter.
Lectrosonics’s SM Series of miniature wireless transmitters are well known for their transmission range, signal clarity, and dependability in the field—this is what makes them such enticing audio gear for professional film shoots. Now Lectrosonics is upping the ante again with its DBSM transmitters/recorders, giving users a wider frequency range, tighter tuning, incredibly accurate and long-lasting timecode sync, extended battery life, and more.
These new transmitters come in two variants: the
Our friends at Lectrosonics have been very productive over the summer lockdowns; hot on the heels of last month’s DCHR announcement comes its big brother: the DCR822 Compact Dual-Channel Digital Receiver. Billed as the successor to the company’s venerable UCR411a, this unit puts two channels of wireless and an SDHC recorder in the same compact chassis and offers state-of-the-art RF performance and reliability for field and
Professional, small-camera audio production gets a big boost today with the announcement of the Lectrosonics DCHR Wireless Digital Camera Hop Receiver, a miniature camera-mountable stereo receiver that's the perfect companion to the company's DCHT transmitter. Wedded together, the pair form what Lectrosonics calls the Digital Camera Hop System—offering dependable, encrypted, stereo audio for production sound, sports video production,
Lectrosonics is announcing two new members of the company's D-SQUARED family of professional digital wireless products: The DPR, a plug-on transmitter with digital recording capabilities, and the DSQD/AES3, a variation of the DSQD receiver with AES3 digital outputs.
The DPR brings legendary Lectrosonics wireless
This week Lectrosonics announced its new MTCR miniature bodypack digital audio recorder. Designed to travel with your subject, it records audio with time code in circumstances where a wireless transmitter is impractical, but high-quality recording from a lav microphone is essential. It is ideal for difficult audio capture in situations such as extreme sports, public events, complicated documentary shoots, or reality shows.
The MTCR
Location sound mixing is a demanding art that requires a very specific set of tools and skills; one without the other won’t get you far. Though you can’t purchase talent and dedication from B&H, we do offer the gear you’ll need to make it in the business. As you might suspect, some pieces are slick, but not necessary, while others you don’t want to live without. So, let’s look at 10 essential items for the rig of a serious location sound mixer.
1: Multitrack Field Recorder
Obviously, you need something portable on which you can record and
Lectrosonics has a track record of making quality gear for wireless applications The company's new DCHT—which stands for Digital Camera Hop Transmitter—is sure to be no exception, and we at B&H are eager to welcome this little unit into the fold.
The DCHT is perfect for film and television production, giving you a wireless link from a bag- or cart-based setup straight to cameras or audio recorders. The DCHT accommodates mic- or line-
When producing audio for video, television, or online content, it’s expected that you’ll have to record sound far away from the comfort of a fancy studio. In a house, on a boat, out of state, or at a show; any place including the middle of nowhere is possible for the next shoot. Whether capturing on-set dialog, interviews, sound effects, or music, you’ll need an audio recorder/mixer that is equally portable and powerful. With an assortment of products available from manufacturers such as Lectrosonics, Sound Devices, Tascam, and Zoom, your
Lectrosonics announces its latest foray into the portable recording market, with the SPDR – Stereo Portable Digital Recorder, which delivers advanced technology and features, including stereo / dual mono modes with two channels available. Customer demand for a small, lightweight dual-channel recorder was the catalyst for creating a compact recorder for use on virtual reality sound captures or as a backup recorder for bag systems in
Wireless microphones are an incredibly popular and convenient solution to many of the problems that come with traditional wired setups: they require far less cabling, and that means fewer issues with shorted wiring, lowered chances of cable-related tripping, and a higher number on the “Days Since Last Incident” sign. While they can be a bit more difficult to onboard, once the system is up and running, audio engineers and A/V technicians appreciate the fast setup time and decreased storage space that wireless mics afford. So, with all the
In response to wireless mic frequencies being squeezed in the United States, Lectrosonics is expanding its product offerings to take advantage of the unlicensed 900 MHz frequency band, as an alternative to the soon-to-be illegal 600 MHz band. The company is introducing the Digital Hybrid HHa-941 handheld transmitter, HMa-941
Join B&H’s Rob Rives as he shows off two new Lectrosonics transmitters: The SMWB and the SMDWB. The only difference between these two transmitters is the battery capacity, with the SMDWB providing room for an additional AA battery to increase your operating time. Watch as Rives demonstrates the switchable
Extending its Digital Hybrid Wireless SM Series, Lectrosonics has introduced two new wideband transmitters, the single-battery SMWB and double-battery SMDWB. Built for use in field recording, production sound, and live stage applications, they feature two switchable modes (transmission or recording) and wideband