In this video from B&H, Larry Becker offers a basic introduction to the challenges of, and solutions for, shooting in low light with a DSLR or mirrorless camera. He explains ISO sensitivity, shutter speed and aperture settings and demonstrates how simple in-camera adjustments will provide marked improvements when shooting indoors.
After posing for a few gigabits of formals in a hall, you can sense the wedding party’s palpable relief when, weather permitting, it’s time to take it outside. If you’re lucky enough to have nicely landscaped grounds, it’s a great opportunity to stop fighting with the tungsten light sources inside and take advantage of that flash-friendly sunlight.
Traveling and photography go hand in hand; the desire to record the places you’ve visited and show them to others is an endless fascination that never gets old. The main problem with travel photography is that it’s impractical, if not impossible, to bring all your gear with you, especially if air travel is involved.
After cameras and lenses, the third slice of your wedding gear triad is your choice of lighting gear. The most basic system revolves around a dedicated TTL (through the lens) flashgun mounted on your camera’s hot shoe (or preferably on an adjustable flash bracket).
With the right tools, outdoor wedding photography can be a nice contrast to the more formal, controlled-light look of photographs taken within the confines of a catering hall or other wedding-centric indoor location.
As the only pro photographer in my neighborhood, I sometimes get asked to shoot a quick photo of an event or a friend at the very last minute. My studio is only 15 minutes away, but I do most of my file processing, printing, and gear prep in my home office.
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In this video from B&H, Larry Becker offers a basic introduction to the challenges of, and solutions for, shooting in low light with a DSLR or mirrorless camera. He explains ISO sensitivity, shutter speed and aperture settings and demonstrates how simple in-camera adjustments will provide marked improvements when shooting indoors.
After posing for a few gigabits of formals in a hall, you can sense the wedding party’s palpable relief when, weather permitting, it’s time to take it outside. If you’re lucky enough to have nicely landscaped grounds, it’s a great opportunity to stop fighting with the tungsten light sources inside and take advantage of that flash-friendly sunlight.
Traveling and photography go hand in hand; the desire to record the places you’ve visited and show them to others is an endless fascination that never gets old. The main problem with travel photography is that it’s impractical, if not impossible, to bring all your gear with you, especially if air travel is involved.
After cameras and lenses, the third slice of your wedding gear triad is your choice of lighting gear. The most basic system revolves around a dedicated TTL (through the lens) flashgun mounted on your camera’s hot shoe (or preferably on an adjustable flash bracket). 
With the right tools, outdoor wedding photography can be a nice contrast to the more formal, controlled-light look of photographs taken within the confines of a catering hall or other wedding-centric indoor location.
As the only pro photographer in my neighborhood, I sometimes get asked to shoot a quick photo of an event or a friend at the very last minute. My studio is only 15 minutes away, but I do most of my file processing, printing, and gear prep in my home office.
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