Pearstone

by Trevor Collins ·Posted
These days it often seems like everyone has a podcast.  With so much competition and so many options for podcasting-centric equipment, it can be daunting to dive in headfirst without knowing the ropes. That’s where B&H comes in, with another all-encompassing guide to set you up for success and help you get your content off the ground as painlessly as possible. Let’s begin. Why Make a Podcast? The first topic couldn’t be simpler: Why even start a podcast? The answer is simple−because it’s the best way to get your content to the masses
by Jason T ·Posted
When I set out to redesign my home studio from scratch, I knew I wanted to build something completely different than my old-school Black Lion Audio Mod Digidesign 002 based setup. My music production workflow had changed quite a bit from when I bought the 002, having evolved from a more hardware-based process to one that’s largely software based, with a bit of live instrumentation and outboard gear in the mix. Taking that into consideration, I also wanted this
by John Harris ·Posted
Zoom, Hangouts, BlueJeans, Slack, and Teams. These are words that have taken on a whole new significance over the past few weeks. With so many of us now relying on livestreaming, video chat, and video conferences, the quality of connection and the quality of your image is increasingly important. It may be time to upgrade from the camera in your computer or the basic webcam that has been dangling off the side of your monitor for all these years. Joking aside, appearing clear, in focus, and well-lit is crucial when impressions are being made,
by Rebecca Melville ·Posted
How often do you clean your tech? If your answer is “rarely, never,” or “I didn’t know my tech needed to be cleaned,” you’re not alone. Springtime is all about cleaning and, while you’re busy folding clothes, organizing drawers, and dusting shelves, your computer is slowly suffocating. It’s easy to overlook cleaning your beloved PC or your favorite pair of headphones in the bump and grind of daily life, but you’ll want to address that accumulating filth sooner or later. You shouldn’t put it off for too long. If left powered on, a computer will
by Steven Gladstone ·Posted
Looking through an on-set or kit bag, you never know what little surprises you may run into. For example, one Assistant Cameraman (A.C.) with whom I studied years ago, used to carry disposable razors. Why, you may ask? An actor with whom that AC once worked was always worried about his five-o’clock shadow, and the makeup person didn’t have a razor. I didn’t carry around disposable razors, but in my time as a camera assistant, gaffer, and D.P., I assembled a rather odd assortment of items. So, I took a stroll thought the B&H website in
by John Harris ·Posted
    Most photographers love getting gifts. (Well, who doesn’t?) But with the wealth of equipment available and accessories for that equipment and accessories for those accessories, there is always a new “toy” that can expand a photographer’s creativity or speed their workflow. In this article, we’re going to showcase a handful of stocking stuffers: budget-friendly gifts that will make your favorite shooter smile. If you think, however, that the pro or advancing photographer on your gift list might be interested in upgrading their
by Sam Mallery ·Posted
Shotgun microphones are used to capture sounds such as dialog in film and video productions, for “spot” miking specific areas on sets, stages and installations, and for creating Foley and sound effects. These microphones feature a distinctive long and vented “interference tube,” which helps reject sound from the sides and rear and focus on the sounds directly in front of them. They are very sensitive and detailed sounding, and because of their
by Allan Weitz ·Posted
As a working photographer, the center of the universe is your camera bag and its contents. Your cameras and lenses are the tools of your trade. As you may have noted, both are mentioned in plural because just as you wouldn’t jump out of an airplane without a backup parachute, you shouldn’t attempt to photograph an emotionally spiked, non-repeatable event armed with only one camera. The same applies to lenses, too. The many aspects that comprise shooting weddings—portraits, the ceremony, dimly lit environs, tight, crowded quarters and bright