Field Recorders

Convergent Design ranks among industry leaders in the manufacture of the portable video recorder, a type of device that offers better image quality than the built-in recorder in most camcorders. Convergent Design has recently announced the Odyssey7 and Odyssey7Q monitor and recorder.

When it comes to production sound for film or an original series, quality audio capture is imperative. Bad audio can ruin the experience for everyday viewers and critics alike. In this article, we’ll discuss the elements of an effective and ultra-portable sound recording rig.

Trending topics on Twitter change rapidly from one minute to the next, but in the world of electronics manufacturing, trends evolve slowly, often taking an entire calendar year to surface. Here at B&H, we’re among the first to get our hands on the latest professional and consumer equipment, and we’re always looking for new trends in the products.

Way back—five years ago—if you shot video, you used a video camera, and if you shot photographs, you used a still camera. Today, that distinction is all but meaningless. Almost every video camera today captures stills, and virtually every still camera now shoots video.

When most people record audio in stereo, they usually go to the most common mic configurations, such as a matched pair of microphones arranged in an X/Y pattern, or possibly those same matched mics in an ORTF pattern for a wider stereo field. 

Full Raster High Definition Video has six times the number of pixels as SD video. Theoretically it should take up six times as much space as SD. However, AVCHD has a slightly lower bitrate (24 Mb/s) than the DV codec used on most of the SD tape cameras of yore (25 Mb/s). 

The AJA Ki Pro family of tapeless recorders is built around four different models designed to optimize workflow, making it possible to record analog or digital footage from any device and have it ready to edit without the need for conversion or transcoding.

Syndicate content