Lighting

There is a first time for everything, and if you have your mind set on producing a wedding video, you will encounter plenty of “firsts” within that initial wedding weekend. There is a first kiss, a first dance and a first slice of cake. Where will you have your cameras set up for each of these memorable moments? Will you need lights for every shot?  How will you manage the audio?

Industry leader ikan has announced two new LED studio lights, expanding its already impressive inventory of fixtures and lighting kits. The unique aspect of both lights is the inclusion of an LCD touch screen control panel, which replaces the knobs and switches located on the back of the older units.

When you photograph a wedding, you are faced with a wide array of lighting conditions, ranging from bright sunlight to dimly lit interiors. Using ambient light as your main source is often preferable; however, in a situation such as a wedding, where time is of the essence, you will need to know how to properly expose all of these varying scenes using both natural and artificial light sources.

B&H now carries the Bescor BM-K1 kit, a pair of LED-70 on-camera lights and other accessories for use with the Blackmagic Cinema Camera. The kit also includes Bescor’s BM-LiON battery and BM-SFB Square Frame mounting bracket. The rig is suitable for mounting on a tripod or for handheld work with the two integrated handgrips.

Event videography is a booming trade, and as a result, this line of work offers great opportunities for beginners to acquire their first professional experiences. Of course, weddings are an especially idiosyncratic type of event and as such, they can be uniquely challenging, even for seasoned pros.

In this second and final part of the Weekend Warrior Filmmaking series, Kelby Media explicates some very affordable options for camera support—both rigs and tripods—and lighting.

In this B&H Video, Mia McCormick highlights a few on-camera video lights that can also be used off-camera for enhanced lighting control. She begins by walking us through some points to consider before purchasing a light as well as the importance of knowing your requirements for wattage output, power sources, intended location and needed durability to determine what light is best for you.

Whether it be jewelry, posters or a shiny model car, when selling an item online, the better your photograph of that product, the better your chance for a sale. It’s just simple math.

Joel Grimes is commonly referred to as a commercial advertising photographer. However, he’d rather define himself as an artist, not in any pretentious way, but because it accurately describes what he does and how he goes about his work. And in doing so, he extends that appellation to all those that choose to follow the call of their unique talents. But what has this to do with dramatic portraiture?

The Bescor LED-1200K is the most powerful LED light currently offered by Bescor, providing a tungsten equivalent 1000-watt output while only consuming 100 watts itself. LED lights are well-known for their general lack of power consumption and cool-to-the touch output, making them a viable alternative to traditional hot lights.

We took a few minutes to speak with Mr. Joey Quintero, professional photographer and lecturer at the B&H Event Space, about ways we can improve our photography, especially in terms of portraits and basic lighting techniques.

As the holidays approach, it’s a good time to get your game on, in terms of all those family photos you will be taking. Getting little Junior to smile and Uncle Harry to pay attention may be the most difficult aspects of creating a shareable family shot, but there are some technical elements surrounding quality holiday photography that we should discuss now.

Impact has recently introduced a full line of beauty dish reflectors and accessories to help control the light output of a studio strobe unit. These tools are compatible with a wide array of studio strobe lights and each piece is modular to enable use of the same beauty dish with a variety of different lights.

Holiday shopping for a professional photographer or videographer can be hard to do without breaking the bank. Most professional grade gear is justifiably very expensive, and you probably don’t want to buy someone an inferior version of something they already have.

Way back—five years ago—if you shot video, you used a video camera, and if you shot photographs, you used a still camera. Today, that distinction is all but meaningless. Almost every video camera today captures stills, and virtually every still camera now shoots video.

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