There is a first time for everything, and if you have your mind set on producing a wedding video, you will encounter plenty of “firsts” within that initial wedding weekend. There is a first kiss, a first dance and a first slice of cake. Where will you have your cameras set up for each of these memorable moments? Will you need lights for every shot? How will you manage the audio?
Sennheiser ew 100 G3 wireless mic systems are a popular option for use in video production, and they typically work right out of the box—without requiring you to fiddle around with the settings. Even though you can use these systems right away, they’re designed to be versatile, and they offer some important features that can help you avert potential disasters.
Hot on the heels of the iXY microphone, RØDE now introduces the smartLav lavalier microphone—for smartphones. Not only is it compatible with Apple iOS products, the smartLav also works with many Android devices as well.
When most people think of a wedding, the visuals come to mind. The ceremony, the reception hall, being surrounded by friends and family, and of course the beautiful white dress.
In this video we take a look at the new Røde iXY Stereo Recording Microphone for iPhone and iPad. Used in conjunction with the Røde Rec app available on iTunes, the iXY is the first mic to deliver stereo recordings for iOS devices at resolutions of up to 24-bit/96 kHz. A foam windshield and protective zip case are included, making it easy to turn your iPhone or iPad into a portable audio recorder at a moment’s notice.
The original Rode VideoMic has been one of the most popular on-camera microphones in video production for several years. It greatly improves the sound-quality of a camera, making it one of the best options for video shooters who need to upgrade their sound on a budget.
The annual NAMM show just wrapped up in Anaheim, California, and as they have every year at this time, musicians and gear-heads alike experience an influx of new and exciting products. NAMM is the National Association of Music Merchants, and their shows are the place where gear and musical-instrument manufacturers, big and small alike, come to show off their new wares.
Trending topics on Twitter change rapidly from one minute to the next, but in the world of electronics manufacturing, trends evolve slowly, often taking an entire calendar year to surface. Here at B&H, we’re among the first to get our hands on the latest professional and consumer equipment, and we’re always looking for new trends in the products.
Way back—five years ago—if you shot video, you used a video camera, and if you shot photographs, you used a still camera. Today, that distinction is all but meaningless. Almost every video camera today captures stills, and virtually every still camera now shoots video.
This B&H video examines a few quick and affordable ways to improve the in-camera audio on "run-and-gun" style, single-operator shoots using camera mountable mics. These mics usually plug directly into the camera's 3.5mm external mic input and mount on your HDSLR accessory shoe.
Nearly every kind of videographer needs a dependable wireless microphone for their camera, but none of them need unnecessary headaches. Shure recently released a new product called the FP Wireless System, which makes it easier than ever to avoid the unwanted audio problems from which all wireless microphones suffer.
You can learn a lot about audio by recording your own music (or a friend’s music), and by volunteering to assist a local sound engineer. However, attending a formal audio school can also really help you learn the nuts and bolts of sound.
Your first day of film school is right around the corner and maybe you’re already thinking about what kind of gear you’ll need to make the most of it. Sure, you’ll most likely get access to a lot of great equipment through your film school, but what if you want to practice framing a shot, lighting an interview subject, or capturing sound on your own?
When most people record audio in stereo, they usually go to the most common mic configurations, such as a matched pair of microphones arranged in an X/Y pattern, or possibly those same matched mics in an ORTF pattern for a wider stereo field.
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There is a first time for everything, and if you have your mind set on producing a wedding video, you will encounter plenty of “firsts” within that initial wedding weekend. There is a first kiss, a first dance and a first slice of cake. Where will you have your cameras set up for each of these memorable moments? Will you need lights for every shot? How will you manage the audio?
ireless mic systems are a popular option for use in video production, and they typically work right out of the box—without requiring you to fiddle around with the settings. Even though you can use these systems right away, they’re designed to be versatile, and they offer some important features that can help you avert potential disasters.
Hot on the heels of the iXY microphone, RØDE now introduces the smartLav lavalier microphone—for smartphones. Not only is it compatible with Apple iOS products, the smartLav also works with many Android devices as well.
When most people think of a wedding, the visuals come to mind. The ceremony, the reception hall, being surrounded by friends and family, and of course the beautiful white dress.
In this video we take a look at the new Røde iXY Stereo Recording Microphone for iPhone and iPad. Used in conjunction with the Røde Rec app available on iTunes, the iXY is the first mic to deliver stereo recordings for iOS devices at resolutions of up to 24-bit/96 kHz. A foam windshield and protective zip case are included, making it easy to turn your iPhone or iPad into a portable audio recorder at a moment’s notice.
The original Rode VideoMic has been one of the most popular on-camera microphones in video production for several years. It greatly improves the sound-quality of a camera, making it one of the best options for video shooters who need to upgrade their sound on a budget.
The annual NAMM show just wrapped up in Anaheim, California, and as they have every year at this time, musicians and gear-heads alike experience an influx of new and exciting products. NAMM is the National Association of Music Merchants, and their shows are the place where gear and musical-instrument manufacturers, big and small alike, come to show off their new wares.
Trending topics on Twitter change rapidly from one minute to the next, but in the world of electronics manufacturing, trends evolve slowly, often taking an entire calendar year to surface. Here at B&H, we’re among the first to get our hands on the latest professional and consumer equipment, and we’re always looking for new trends in the products.
Way back—five years ago—if you shot video, you used a video camera, and if you shot photographs, you used a still camera. Today, that distinction is all but meaningless. Almost every video camera today captures stills, and virtually every still camera now shoots video.
This B&H video examines a few quick and affordable ways to improve the in-camera audio on "run-and-gun" style, single-operator shoots using camera mountable mics. These mics usually plug directly into the camera's 3.5mm external mic input and mount on your HDSLR accessory shoe.
Featuring audio resolution rates up to 24bit/192kHz and both USB and XLR outputs, the Yeti Pro Microphone is versatile and sounds great.
Nearly every kind of videographer needs a dependable wireless microphone for their camera, but none of them need unnecessary headaches. Shure recently released a new product called the FP Wireless System, which makes it easier than ever to avoid the unwanted audio problems from which all wireless microphones suffer. 
You can learn a lot about audio by recording your own music (or a friend’s music), and by volunteering to assist a local sound engineer. However, attending a formal audio school can also really help you learn the nuts and bolts of sound.
Your first day of film school is right around the corner and maybe you’re already thinking about what kind of gear you’ll need to make the most of it. Sure, you’ll most likely get access to a lot of great equipment through your film school, but what if you want to practice framing a shot, lighting an interview subject, or capturing sound on your own? 
When most people record audio in stereo, they usually go to the most common mic configurations, such as a matched pair of microphones arranged in an X/Y pattern, or possibly those same matched mics in an ORTF pattern for a wider stereo field. 
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