Microphones

Sometimes the design of production equipment is perfected early on, and even several decades’ worth of advancements in technology does little to improve its overall quality. 

Avantone is an audio-equipment manufacturer that, in its own words, “bring(s) to market the things we see as missing in the industry. This can be as simple as a certain price point we feel should be met to give excellent quality for reasonable pricing..." 

The MiC from Apogee clearly demonstrates that advances in technology can deliver exceptional quality at ever lower price points. But that’s not the main feature of this condenser microphone. 

Miking drums is one of the trickier challenges in music recording and live sound, but it’s also a very tantalizing one. Audio enthusiasts approach the capture, control and shaping of drum sounds with the same conviction that Jacques Cousteau employed when exploring the depths of the seas.

Shotgun microphones are used to capture sounds such as dialog in film and video productions, for “spot” miking specific areas on sets, stages and installations, and for creating Foley and sound effects. 

A sports photographer needs a different set of tools than someone who shoots elementary-school portraits, and similarly, a wedding DJ often relies on different equipment than other kinds of DJs. 

When you’re operating a boompole to capture dialog for a video or film production indoors, it’s often best not to use a shotgun microphone. The kind of microphone that you want to use is a small diaphragm condenser with either a hypercardioid or a supercardioid pick-up pattern. More specifically, there are only a handful of microphone models that are preferred for this task.

Barry Manilow gently sings “Copacabana” in the background as you pick up a jar of mayonnaise, when suddenly the jar slips from your fingertips and crashes to the supermarket floor. An announcement blares over the soft music: “We need someone to clean up Aisle Nine!”

Røde is the undisputed leader in on-camera microphone technology, and its new Stereo VideoMic Pro is the most lightweight, compact and superior sounding camera-mountable stereo microphone the company has ever built.

Blue is a maker of fine microphones, well known for their excellent sound quality and unique industrial design. In 2011, Blue released an affordable studio microphone with a standard, analog XLR output called the Blue Spark.

Blue has a reputation for making quality microphones with visually striking designs, and the freshly announced Tiki USB Microphone is no exception. The Tiki is less than 3" long, and it connects directly to the USB port of your Mac or PC.

Let’s face it: aside from getting together with family and friends to celebrate the holiday season, the neatest part of the holidays is the exchange of gifts. And if you’re reading this article, there’s a pretty good chance you just received a new camera, a new lens, a flash or some sort of photo-related goodie as a holiday gift (hopefully something you have been pining for).

You can drive any car to the beach, but why not pick a vehicle that makes you look good getting there? This is the idea behind the new MXL Tempo series of USB microphones. They’re designed to deliver excellent-quality sound, while being easy on the eyes (and the wallet, too).

It’s common to see equipment made by Shure being used on professional television and film shoots. Even though this company’s presence in the “audio for video” market never faded, recent announcements have given a new energy to Shure’s line of ENG and EFP gear. 

The iPad is known as a great media consumption device for kicking back on the sofa to surf the ’Net, watch videos and read electronic magazines, but with a little effort, an iPad can be transformed into a powerful media creation device as well.

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