Photo Accessories

Manfrotto’s ML360HP Midi Plus-36 and ML840H Maxima-84 Hybrid LED light panels should prove to be quite popular among professional photographers who require compact, low heat, low power consuming, daylight-balanced lighting accessories that can be used as stand-alone units or in conjunction with outdoor light and electronic flash.

Featuring lightweight carbon fiber legs, a choice of rapid or geared columns, and a new ground-leveling system, Manfrotto’s MT057 Series tripods have the qualities and features working pros expect and demand from their camera-support systems. Manfrotto MT057 series tripods are available in three-section and four-section models.

A follow focus gives you more precise focus control and easy repeatability when using a DSLR to shoot video. iDC Photo Video makes follow focuses for various DSLRs including the Canon 60D, Canon 7D, Canon 5D Mark II and Nikon D7000, along with viewfinders, accessory brackets, other various accessories and complete follow-focus kits for select cameras.

When shopping for a new lens, sooner or later you’re going to run into the terms “ED” (extra-low dispersion), “LD” (low dispersion), “SLD” (special low dispersion), “ELD” (extraordinary low dispersion), and “ULD” (ultra-low dispersion), and each of these variants represents a standard above the norm when it comes to image quality.

In keeping with the spirit of its compact Lumix interchangeable-lens cameras, Panasonic has introduced two new truly compact zoom lenses: the Panasonic Lumix G X Vario PZ 14–42mm f/3.5-5.6 ASPH Power O.I.S. and Panasonic Lumix G X Vario PZ 45-175mm/F4.0-5.6 ASPH Power O.I.S.

Most underwater exploration takes place during the day, in open water. The underwater photographer can create three-dimensional-looking images by carefully balancing the ambient light of the background with the artificial light that is used to illuminate the subject.

Back in the early days of photography, panoramic photographs, which by definition are wide-field, unbroken sweeps of scenery, were captured using cameras with pivoting lens turrets that “painted” the image across a wide sheet of film as the lens rotated from left to right (or vice versa).

Compared to LCDs, eye-level viewfinders can make a world of difference when you’re photographing under bright lighting conditions, or at camera positions other than eye-level, at arm’s length. 

Ricoh’s GXR module camera system, one of the more “curious” camera systems to come down the pike in quite some time, curiously enough, just might become the next “it” camera with the announcement of its long-awaited M-mount module.

It’s interesting to note how many photographers, even advanced shooters, are mistakenly under the impression that the depth of field (DOF) of a variable-aperture zoom lens changes in relation to the effective aperture of the lens as you zoom toward the telephoto end of the optic’s zoom range.

Off the cuff, one might think there are few, if any, differences between packing a DSLR system and an HDSLR system, but once you look beyond the basics, i.e. the camera bodies, lenses and tripod (the legs, but not necessarily the head), the differences start adding up.

Perfection: That’s the difference between amateur and professional productions. It’s true that amateurs can put together some amazing productions, even when they don’t have all that much equipment at their disposal.

Don’t you just love it when the forecast calls for sunshine and blue skies with a 42% chance that it will be rainy and miserable? When the day’s weather promises to be schizophrenic at best, photographers have some serious decisions to make.

Spring is in full swing and summer will come and go before you know it, so be sure to enjoy the nice weather while you can. The warmer weather lures people outdoors, and the longer daylight hours keep them outside longer.

As a working photographer, the center of the universe is your camera bag and its contents. Your cameras and lenses are the tools of your trade. As you may have noted, both are mentioned in plural because just as you wouldn’t jump out of an airplane without a backup parachute, you shouldn’t attempt to photograph an emotionally spiked, non-repeatable event armed with only one camera.

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