Come April showers, street sweepers will clean better, umbrella salesmen will clean up, and outdoor photographers will fret. That's when attaching a specialized umbrella to the tripod socket of your camera can be as vital as doing what your mother always said: if it's going to rain, take an umbrella!
Photographing buildings or interiors in tight quarters can be unnerving, as any architectural photographer can tell you. In urban surroundings, there's usually a limit to how far you can back up before you bump into a wall or step dangerously into oncoming traffic.
Softboxes provide photographers, filmmakers and videographers with a viable solution to the problem of how to make light look more "natural." But you don’t have to be a working professional to take advantage of the flattering window light that softboxes simulate.
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Come April showers, street sweepers will clean better, umbrella salesmen will clean up, and outdoor photographers will fret. That's when attaching a specialized umbrella to the tripod socket of your camera can be as vital as doing what your mother always said: if it's going to rain, take an umbrella! 
Photographing buildings or interiors in tight quarters can be unnerving, as any architectural photographer can tell you. In urban surroundings, there's usually a limit to how far you can back up before you bump into a wall or step dangerously into oncoming traffic.
Softboxes provide photographers, filmmakers and videographers with a viable solution to the problem of how to make light look more "natural." But you don’t have to be a working professional to take advantage of the flattering window light that softboxes simulate.
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