News broadcasts and live, multi-camera shoots are demanding projects and as such, they require extremely high-end features from their teleprompter systems. Script changes often need to be inserted into the teleprompter script stream in real time.
Canon sparked a revolution in digital cinematography when professionals started using its EOS 5D Mark II DSLR camera for filmmaking, using its surprisingly good 1080p video mode for projects like commercial and television production. Despite its superior imaging capabilities, Canon knew it had much more to offer the demanding world of digital cinematography.
It took a while for the whole world to catch up to the HDTV movement, but nowadays you have to go out of your way even to find a TV that’s not HD. A similar situation exists with camcorders, although there are still plenty of SD camcorders for sale. Even so, JVC has just announced the GY-HMQ10, a handheld 4K camcorder that you’ll be able to buy in March.
People see in 3D because they have two eyes, each relaying a slightly different perspective to the brain, which then combines the two images to create a sense of depth. Traditional cameras and camcorders can never capture 3D because they have only one lens.
It’s very easy today to record stunning HD video, even with an inexpensive camcorder. But if you want to achieve the video quality demanded by professionals you should be using a large-sensor camcorder. Here’s a look at some of the highest functioning large sensor camcorders on the market.
Consumers have more choices in camcorders than ever before, and some of them seem downright professional with features sets that are packed to the rafters. Canon’s VIXIA HF G10 Flash Memory Camcorder shoots 1920 x 1080 high definition video, and you can choose frame rates of 60i, 30p or 24p for a cinematic look and feel.
Canon Inc. and Canon U.S.A., Inc. today raised the curtain on an all-new interchangeable-lens digital cinema camera that combines exceptional imaging performance with outstanding mobility and expandability to meet the demanding production needs of today's motion picture industry.
Anyone can take a basic camcorder, capture an important event or family gathering and put together a reasonable, if somewhat amateurish presentation that friends and family can enjoy. But when you watch a segment on the evening news, you expect the footage to look professional.
Some professional camcorders can cost an arm and a leg. Sony’s PMW-F3 falls into that category. Fortunately, manufacturers realize that not everyone can afford to part with an arm and a leg, so they find ways to offer products with similar feature sets to the pro cameras, but which can be had for just an arm.
Sony’s new NEX-FS100UK (B&H kit) will give videographers plenty to think about when it comes to choosing their next video or still camera. Is it better to shoot video with a DSLR that takes stunning stills? Or would it be worth upgrading to a DSLR video camera that can capture beautiful stills as well?
When it comes to ENG video capture, form factor and performance are paramount, and with a total weight of 8.2 lb (including the lens, 4.3" LCD screen, microphone and battery) and phenomenal image quality, the JVC GY-HM750U ProHD solid state compact shoulder camcorder makes for an attractive video recording package.
Sony has been delighting video professionals with their XDCAMs since 2004.They introduced their first high-speed memory XDCAM EX in 2007, and went on to set high standards in broadcast quality with their PDW-700 and PMW-320 models.
It’s impressive how news crews can descend upon a scene and broadcast live video within minutes of their arrival. This is made possible in part by the use of wireless broadcasting equipment that can put you on the air in no time.
But let's review the similarities. In our hands-on look at the HDR-FX1000, we noted all the great new features and improvements Sony brought to its replacement of the prosumer HDR-FX1. Those same upgrades apply to the HVR-Z5U, which we were also lucky enough to spend some face-time with prior to its official December release.
So you've dropped a few thousand on your HD video camera and you're doing fine with the onboard monitor for the small productions that represent the bulk of your business. Why do you need a meter?
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News broadcasts and live, multi-camera shoots are demanding projects and as such, they require extremely high-end features from their teleprompter systems. Script changes often need to be inserted into the teleprompter script stream in real time.
Canon sparked a revolution in digital cinematography when professionals started using its EOS 5D Mark II DSLR camera for filmmaking, using its surprisingly good 1080p video mode for projects like commercial and television production. Despite its superior imaging capabilities, Canon knew it had much more to offer the demanding world of digital cinematography.
It took a while for the whole world to catch up to the HDTV movement, but nowadays you have to go out of your way even to find a TV that’s not HD. A similar situation exists with camcorders, although there are still plenty of SD camcorders for sale. Even so, JVC has just announced the GY-HMQ10, a handheld 4K camcorder that you’ll be able to buy in March.
People see in 3D because they have two eyes, each relaying a slightly different perspective to the brain, which then combines the two images to create a sense of depth. Traditional cameras and camcorders can never capture 3D because they have only one lens.
It’s very easy today to record stunning HD video, even with an inexpensive camcorder. But if you want to achieve the video quality demanded by professionals you should be using a large-sensor camcorder. Here’s a look at some of the highest functioning large sensor camcorders on the market.
Consumers have more choices in camcorders than ever before, and some of them seem downright professional with features sets that are packed to the rafters. Canon’s VIXIA HF G10 Flash Memory Camcorder shoots 1920 x 1080 high definition video, and you can choose frame rates of 60i, 30p or 24p for a cinematic look and feel.
Canon Inc. and Canon U.S.A., Inc. today raised the curtain on an all-new interchangeable-lens digital cinema camera that combines exceptional imaging performance with outstanding mobility and expandability to meet the demanding production needs of today's motion picture industry.
Anyone can take a basic camcorder, capture an important event or family gathering and put together a reasonable, if somewhat amateurish presentation that friends and family can enjoy. But when you watch a segment on the evening news, you expect the footage to look professional.
Some professional camcorders can cost an arm and a leg. Sony’s PMW-F3 falls into that category. Fortunately, manufacturers realize that not everyone can afford to part with an arm and a leg, so they find ways to offer products with similar feature sets to the pro cameras, but which can be had for just an arm.
Sony’s new NEX-FS100UK (B&H kit) will give videographers plenty to think about when it comes to choosing their next video or still camera. Is it better to shoot video with a DSLR that takes stunning stills? Or would it be worth upgrading to a DSLR video camera that can capture beautiful stills as well? 
When it comes to ENG video capture, form factor and performance are paramount, and with a total weight of 8.2 lb (including the lens, 4.3" LCD screen, microphone and battery) and phenomenal image quality, the 
Sony has been delighting video professionals with their XDCAMs since 2004.They introduced their first high-speed memory XDCAM EX in 2007, and went on to set high standards in broadcast quality with their PDW-700 and PMW-320 models.
It’s impressive how news crews can descend upon a scene and broadcast live video within minutes of their arrival. This is made possible in part by the use of wireless broadcasting equipment that can put you on the air in no time. 
But let's review the similarities. In our hands-on look at the HDR-FX1000, we noted all the great new features and improvements Sony brought to its replacement of the prosumer HDR-FX1. Those same upgrades apply to the HVR-Z5U, which we were also lucky enough to spend some face-time with prior to its official December release.
So you've dropped a few thousand on your HD video camera and you're doing fine with the onboard monitor for the small productions that represent the bulk of your business. Why do you need a meter?
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