There is a first time for everything, and if you have your mind set on producing a wedding video, you will encounter plenty of “firsts” within that initial wedding weekend. There is a first kiss, a first dance and a first slice of cake. Where will you have your cameras set up for each of these memorable moments? Will you need lights for every shot? How will you manage the audio?
Sennheiser ew 100 G3 wireless mic systems are a popular option for use in video production, and they typically work right out of the box—without requiring you to fiddle around with the settings. Even though you can use these systems right away, they’re designed to be versatile, and they offer some important features that can help you avert potential disasters.
Join B&H's Rob Rives as he checks out the new Sony DWZ Digital Wireless Audio Systems, designed to be an affordable option for presenters, vocalists and guitar or bass players in smaller venues. Rob takes a look at the way this line-of-sight system works and talks about its features and limitations. He also examines and demonstrates the four different DWZ sets to help you figure out which one might be right for your needs.
Certain pieces of equipment build strong reputations totally organically, through positive word-of-mouth recommendations from user to user, and Sennheiser’s ew 100 G3 wireless microphones are a perfect example of this.
Wedding videography, like event videography in general, is an art form in full bloom. Relatively recent advances in video technology have arguably raised the wedding video's potential to equal that of still photography. To be fair, perhaps the burgeoning popularity of Internet videos is equally responsible for the medium's newfound stature.
Sony has just announced the arrival of two new DWZ Series 2.4 GHz digital wireless packages to their DWZ line of wireless products. The DWZ-M70 Vocal/Speech Set and the DWZ-B70HL Headset and Lavalier Set are designed to provide wireless audio solutions for musicians, churches, schools and corporate applications.
As Digital Signal Processors (DSP) and wireless technology continue to advance independently, manufacturers are striving to design products integrating a symbiosis of both. This was a clear theme among live-sound products being introduced this year at NAMM. Go Digital or Go Home!
Nearly every kind of videographer needs a dependable wireless microphone for their camera, but none of them need unnecessary headaches. Shure recently released a new product called the FP Wireless System, which makes it easier than ever to avoid the unwanted audio problems from which all wireless microphones suffer.
The audio capabilities on HDSLRs are relatively limited and in many situations will produce unusable sound. Professional users have to contend with a range of issues, such as low quality built-in mics and automatic gain control. Thankfully, there are workarounds for a wide spectrum of uses and budgets.
When people start learning about wireless microphone systems, they're sometimes surprised to find out that multiple components are needed: a microphone, a transmitter and a receiver. Samson's AirLine 77 headworn systems have a small transmitter built into the headset, so it seems like there are only two components involved, instead of three.
Today's digital recording equipment is more accurate than ever at capturing audio with vivid and crisp detail, however, videographers quickly discover that it's usually the distracting noises that get captured the most vividly and crisply.
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There is a first time for everything, and if you have your mind set on producing a wedding video, you will encounter plenty of “firsts” within that initial wedding weekend. There is a first kiss, a first dance and a first slice of cake. Where will you have your cameras set up for each of these memorable moments? Will you need lights for every shot? How will you manage the audio?
ireless mic systems are a popular option for use in video production, and they typically work right out of the box—without requiring you to fiddle around with the settings. Even though you can use these systems right away, they’re designed to be versatile, and they offer some important features that can help you avert potential disasters.
Join B&H's Rob Rives as he checks out the new Sony DWZ Digital Wireless Audio Systems, designed to be an affordable option for presenters, vocalists and guitar or bass players in smaller venues. Rob takes a look at the way this line-of-sight system works and talks about its features and limitations. He also examines and demonstrates the four different DWZ sets to help you figure out which one might be right for your needs.
Certain pieces of equipment build strong reputations totally organically, through positive word-of-mouth recommendations from user to user, and Sennheiser’s ew 100 G3 wireless microphones are a perfect example of this.
Wedding videography, like event videography in general, is an art form in full bloom. Relatively recent advances in video technology have arguably raised the wedding video's potential to equal that of still photography. To be fair, perhaps the burgeoning popularity of Internet videos is equally responsible for the medium's newfound stature.
Sony has just announced the arrival of two new DWZ Series 2.4 GHz digital wireless packages to their DWZ line of wireless products. The DWZ-M70 Vocal/Speech Set and the DWZ-B70HL Headset and Lavalier Set are designed to provide wireless audio solutions for musicians, churches, schools and corporate applications.
As Digital Signal Processors (DSP) and wireless technology continue to advance independently, manufacturers are striving to design products integrating a symbiosis of both. This was a clear theme among live-sound products being introduced this year at NAMM. Go Digital or Go Home!
Nearly every kind of videographer needs a dependable wireless microphone for their camera, but none of them need unnecessary headaches. Shure recently released a new product called the FP Wireless System, which makes it easier than ever to avoid the unwanted audio problems from which all wireless microphones suffer. 
The audio capabilities on HDSLRs are relatively limited and in many situations will produce unusable sound. Professional users have to contend with a range of issues, such as low quality built-in mics and automatic gain control. Thankfully, there are workarounds for a wide spectrum of uses and budgets.
When people start learning about wireless microphone systems, they're sometimes surprised to find out that multiple components are needed: a microphone, a transmitter and a receiver. Samson's AirLine 77 headworn systems have a small transmitter built into the headset, so it seems like there are only two components involved, instead of three.
Today's digital recording equipment is more accurate than ever at capturing audio with vivid and crisp detail, however, videographers quickly discover that it's usually the distracting noises that get captured the most vividly and crisply.
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