Audio Reviews

Avantone is an audio-equipment manufacturer that, in its own words, “bring(s) to market the things we see as missing in the industry. This can be as simple as a certain price point we feel should be met to give excellent quality for reasonable pricing..." 

When a drum machine is conceived by someone who actually produces music in today’s market, the result has a pedigree that’s hard to beat. Geared towards creators of Hip-Hop, R&B, and Urban Pop, the Beat Thang combines sampling, drum programming and sequencing into a portable, easy-to-use machine.

The confluence of SD card audio recorders for use in DSLR video recording and an eminent recorder company results in the Nagra SD, a handheld recorder that fulfills the promise of the Nagra name.

Imagine you have to give a presentation in front of a large audience, and you need to have an iPad mounted on a floor stand for your presentation. But even if you look good, your presentation may not come off as professionally as you hoped.

Sometimes the design of production equipment is perfected early on, and even several decades’ worth of advancements in technology does little to improve its overall quality. 

A sports photographer needs a different set of tools than someone who shoots elementary-school portraits, and similarly, a wedding DJ often relies on different equipment than other kinds of DJs. 

Here’s the situation: you’re interested in making beats, grooves and sequences, but you want to go far deeper than just playing samples and presets. 

The original MIDI specification was established thirty years ago, and with some modifications has remained unchanged since then. Of course, its mere introduction revolutionized music creation in the early 1980s and cemented the use of electronics firmly in our musical lexicon. 

The MiC from Apogee clearly demonstrates that advances in technology can deliver exceptional quality at ever lower price points. But that’s not the main feature of this condenser microphone. 

The Universal Audio Apollo is an interesting audio interface in that it combines input/output functionality along with built-in DSP processing. That in itself is not unique, but being able to provide input monitoring with multiple plug-ins instantiated with virtually no latency is.

If you take a look at the available groove production sampling workstations, you’ll find a range of instruments that either borrow heavily from classic designs that are more than twenty years old, or you find products that seem like they were made solely for cyborgs.

With the Fireface UCX, RME has successfully delivered another high-end pro audio interface. The Fireface UCX takes up only a half-rack space and offers 18 input and 18 output channels. It works with your computer, as a stand-alone unit, or with your iPad or iPad 2.

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