When most people think of a wedding, the visuals come to mind. The ceremony, the reception hall, being surrounded by friends and family, and of course the beautiful white dress.
Miking drums is one of the trickier challenges in music recording and live sound, but it’s also a very tantalizing one. Audio enthusiasts approach the capture, control and shaping of drum sounds with the same conviction that Jacques Cousteau employed when exploring the depths of the seas.
When you’re operating a boompole to capture dialog for a video or film production indoors, it’s often best not to use a shotgun microphone. The kind of microphone that you want to use is a small diaphragm condenser with either a hypercardioid or a supercardioid pick-up pattern. More specifically, there are only a handful of microphone models that are preferred for this task.
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When most people think of a wedding, the visuals come to mind. The ceremony, the reception hall, being surrounded by friends and family, and of course the beautiful white dress.
Miking drums is one of the trickier challenges in music recording and live sound, but it’s also a very tantalizing one. Audio enthusiasts approach the capture, control and shaping of drum sounds with the same conviction that Jacques Cousteau employed when exploring the depths of the seas.
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